huth robert, Signiert (8 Ergebnisse)

4°, Softcover/Paperback. Zustand: Gut. nummer. Ex. ( Nr.307). 36 Seiten, mit zahlreichen Illustrationen, Heft in sehr gutem Zustand, komplett mit den signierten Graphik-Beilagen Sprache: Deutsch Gewicht in Gramm: 150.

29 x 37,5 cm Rückseitig auf dem Keilrahmen signiert, datiert und betitelt; auf der Leinwand zusätzlich monogrammiert. ** Photos auf Wunsch im JPG-Format erhältlich.**.

4°, kt., Tadelloses Exemplar. Mit sämtlichen Beilagen und signierten Graphiken (Robert Kirchner, Alfred Pohl, Benno Huth, Archibald Bajorat, Helmut Ackermann). Sprache: Deutsch Gewicht in Gramm: 30000.

Signiert und datiert "W.R. Huth. 22". Kräftiger nuanchenreicher Druck mit Plattenton auf breitrandigem Velin. Söhn HDO 72711-3. Eines von 125 Exemplaren. Blatt 3 aus: Die Schaffenden, III. Jahrgang, 3. Mappe, 1922. Mit dem Trockstempel "Die Schaffenden". - Huth besuchte1904-1906 die Kunstgewerbeschule in Erfurt, von 1907-1910 schloss sich eine Lehre bei dem Hofmaler Kämmerer in Stuttgart an. 1920 beteiligte er sich an der Ausstellung der Freien Sezession in Berlin und schloss Freundschaft mit Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein und George Grosz. Es folgten Ausstellungen in der Preußischen Akademie der Künste, bei der Berliner Sezession und dem Deutschen Künstlerbund. Nach dem Krieg kehrte Huth nach Berlin zurück und war 1947-1957 Professor an der Hochschule für Bildende Künste Berlin. 1949 ist er ein Gründungsmitglied der Berliner Neuen Gruppe. - Im breiten Rand mit kleinen blassen Braunfleckchen. Die Blattkanten an wenigen Stellen mit minimalen Knickspuren bzw. minimal unfrisch. Sonst sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 0 24,5 x 17,6 cm, Papier: 41,2 x 32 cm.

The guestbook contains 17 full-page artworks (paintings and drawings in ink, crayon, and pencil), many signed and dated 19201921 in Berlin, some with short dedications. Additionally, there are 12 pages of handwritten greetings dated 1955&ndash (illustrator). The guestbook contains 17 full-page artworks (paintings and drawings in ink, crayon, and pencil), many signed and dated 19201921 in Berlin, some with short dedications. Additionally, there are 12 pages of handwritten greetings dated 1955&ndash. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper. . (38) leaves, including 17 with full-page artworks (graphics and paintings) and 12 pages of handwritten greetings. Page size: 22 × 28 cm. Illustrated guestbook of Hugo Graetz, art dealer and managing director of the Novembergruppe, a collective of German Expressionist artists. This guestbook belonged to Hugo Graetz, an art dealer and the managing director of the Novembergruppe, a prominent collective of German Expressionist artists. The volume includes: Two drawings by Friedrich Feigl (18841965), Czech Expressionist painter. An ink drawing by Jakob Steinhardt (18871968), a German-born Israeli painter, member of the Berlin Secession, founder of the Pathetiker Group, and later associated with the Bezalel school group. Three images by Willy Robert Huth (18901977), a founding member of the "Jung-Erfurt" artist group, and two collaborative works with Martel Schwichtenberg (18961945), who also contributed an individual pencil drawing. Schwichtenberg was a member of the Deutschen Werkbund and the Novembergruppe. A portrait of Hugo Graetz playing the cello by Wilhelm Schmid (18921971), a founding member of the Novembergruppe. A gouache by Otto Beyer (18851962), member of the Berlin Secession. A signed crayon drawing and an unsigned painting by Franz Winninger (18931960). Four works by unidentified artists. The greetings, written during the Graetz family's later years in Israel, provide a personal and historical complement to the artworks. The Novembergruppe was founded in 1918 by Max Pechstein and César Klein to promote Expressionist art and its connection to social and cultural transformation. Hugo Graetz became its managing director in 1919, a position he held until Hitler's rise to power in 1933. After emigrating to Palestine with his wife Trude, Graetz left the art business, settling in Safed and working as a meteorologist and weatherman on Mount Canaan, where he lived for the rest of his life. . Binding slightly rubbed, corners bumped, some pages loose. Rear endpaper restored at the joint. Inside clean. Overall in very good condition. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper.

First edition of a series of lithographic sketches on the motions of horses, in original wrappers. The large tinted lithographs show a horse "walking", "ambling", "trotting", "cantering", "galloping" and "leaping", always accompanied by a horseman.Light spotting in the margins, one plate with a short tear in the margin. Spine worn, some soiling to wrappers.l Podeschi 170; WorldCat (6 copies); not in Abbey; Huth. Original brown paper wrappers. With 6 tinted plates signed R.F.R. and lithographed by Day & Haghe.

Folio, sehr schöner Zust. Exemplar Nr. 9. Alle Originalgraphiken ( ausser Titelblatt ) sind von den Künstler handsigniert. Sprache: Deutsch Gewicht in Gramm: 1200.

First edition, folio, lithographic title and 6 tinted lithographic plates by Day and Haghe after Frankland, some foxing to plates, presentation copy from the author to Lord Wenlock inscribed in pencil at head of title dated 1849, armorial bookplates of Lord Wenlock and Douglas Peter Crossman, cont. calf, rather worn, corners rubbed through, spine defective at head, joints cracked. The scarce suite of plates illustrated the six motions of the horse: 'Walking', 'Ambling', 'Trotting', 'Cantering', 'Galloping', and 'Leaping'. Mellon/Podeschi, 170; Not in Abbey or Huth.