9798765119488 - plunderphonics (genre: a 33 1/3 series) von blackwell, matthew (7 Ergebnisse)
- Softcover
Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 17,84
Versand gratisVersand innerhalb von USAAnzahl: 15 verfügbar
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 18,67
EUR 4,86 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 15 verfügbar
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Speedyhen, Hertfordshire, Vereinigtes KönigreichSpeedyhen
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 16,33
EUR 47,86 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Zustand: NEW.
- Softcover
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschlandbuchversandmimpf2000
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 19,00
EUR 60,00 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware -Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of musi…cians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 184 pp. Englisch.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 18,74
EUR 61,10 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware - Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of mus…icians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.
- Softcover
Anbieter: preigu, Osnabrück, Deutschlandpreigu
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 16,60
EUR 70,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. Plunderphonics | Matthew Blackwell | Taschenbuch | Genre: A 33 1/3 Series | Englisch | 2025 | Bloomsbury Academic | EAN 9798765119488 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
- Softcover
Anbieter: Books-by-Floh, Paderborn, DeutschlandBooks-by-Floh
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 19,00
EUR 105,00 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware -Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of musi…cians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music. 184 pp. Englisch.
