matthew blackwell (19 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Zustand: Brand New. reprint edition. 280 pages. 9.50x6.25x0.75 inches. In Stock.

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Zustand: New.

Hardcover. Zustand: Brand New. 396 pages. 9.92x0.81x9.84 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware -Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of musicians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 184 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware - Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of musicians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.

Hardcover. Zustand: Brand New. 280 pages. 9.50x6.50x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Plunderphonics | Matthew Blackwell | Taschenbuch | Genre: A 33 1/3 Series | Englisch | 2025 | Bloomsbury Academic | EAN 9798765119488 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

paperback. Zustand: Gut. 296 Seiten; 9780691203720.3 Gewicht in Gramm: 500.

Taschenbuch. Zustand: Neu. Neuware - The lasting effects of slavery on contemporary political attitudes in the American SouthDespite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor.

Taschenbuch. Zustand: Neu. Neuware -Featuring interviews with John Oswald, Negativland, and others and drawing on a wealth of research on copyright and intellectual property, Plunderphonics explores the impact of a genre that made illegality a point of pride.In Plunderphonics, Matthew Blackwell tells the story of a group of musicians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. The composer John Oswald, who coined the genre term 'plunderphonics,' was threatened with legal action by the Canadian Recording Industry Association on behalf of Michael Jackson. The Bay Area group Negativland was sued by Island Records on behalf of U2 for their parody of the band. These artists attracted media attention to their cause in a bid to expand fair use protections. Later, the Australian band the Avalanches encountered the limitations of the music licensing system during the release of their debut album, having to drop several samples that could not be successfully cleared. Finally, American DJ and producer Girl Talk released a series of albums featuring hundreds of uncleared samples and successfully avoided lawsuits by publicly arguing a fair use defense. This book narrates the conflicts between these artists and the recording industry. Blackwell places plunderphonics in the cultural contexts of postmodernism, Situationism, and culture jamming and analyzes responses to the genre from the media and the legal system. Along with histories of each artist, changes to American copyright law are tracked through important cases like Grand Upright v. Warner Bros. and Bridgeport v. Dimension Films. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music. 184 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -The lasting effects of slavery on contemporary political attitudes in the American SouthDespite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor 296 pp. Englisch.