9789042010536 - french prose in 2000 (faux titre, band 231) (5 Ergebnisse)
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Perfect bound. Zustand: Very Good. viii, 272 pages. Series: Faux titre ; 231. Ex-library, in library perfect binding (paper wrappers rebacked and laminated, contents and wrappers glued together at the spine with a thermal glue), with markings including a label (lined out) at the foot of the spine, library endpapers, a cancellati…on stamp at the front free endpaper, short annotations in pencil at the verso of the title page and at the recto of the following leaf, and a cancellation stamp and a barcode label (lined out) at the rear pastedown. Binding sturdy; library markings as noted above, else contents fine. 630 grams.
- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New.
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Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - French Prose in 2000 stems in some important measure from work presented in September 1998 at the International Colloquium on French and Francophone Literature in the 1990's held at Dalhousie University. A good number of papers given at that time, and since revisited in the light of exchanges…, join here certain others specifically written for the purposes of this book. Together they constitute a wide-ranging and modally varied interrogation of the current state of French and francophone prose writing, its multifaceted manners, its richly divergent fascinations, its many theoretical or philosophical groundings. The book thus ceaselessly moves its attention from fictional biography to the roman noir, from the writing of Glissant and Chamoiseau to that of the étonnants voyageurs, from the powerful discourse of women such as Chawaf or Condé, Ernaux or Germain, Sallenave or Kristeva, to that of writers as diverse in their modes as Le Clézio and Quignard, Duras and Renaud Camus. All chapters focus, however, in near-exclusive measure, on the prose production of the last ten or twelve years.
