Sprache: Englisch
Verlag: Rodopi, Amsterdam ; New York, 2002
ISBN 10: 9042010533 ISBN 13: 9789042010536
Anbieter: Carothers and Carothers, Albany, CA, USA
Perfect bound. Zustand: Very Good. viii, 272 pages. Series: Faux titre ; 231. Ex-library, in library perfect binding (paper wrappers rebacked and laminated, contents and wrappers glued together at the spine with a thermal glue), with markings including a label (lined out) at the foot of the spine, library endpapers, a cancellation stamp at the front free endpaper, short annotations in pencil at the verso of the title page and at the recto of the following leaf, and a cancellation stamp and a barcode label (lined out) at the rear pastedown. Binding sturdy; library markings as noted above, else contents fine. 630 grams.
Anbieter: Pórtico [Portico], ZARAGOZA, Z, Spanien
Tapa blanda. BISHOP, M. / C. ELSON, EDS.: L'ART FRANÇAIS ET FRANCOPHONE DEPUIS 1980 / CONTEMPORARY FRENCH AND FRANCOPHONE ART. AMSTERDAM, 2005, 238 p., 390 gr. Encuadernacion original. Nuevo. (TD-7-1) 390 gr. Libro.
Anbieter: moluna, Greven, Deutschland
Erstausgabe
EUR 98,26
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Ce volume présente vingt-trois essais consacrés à l'art français et francophone des vingt-cinq dernières années et propose des analyses critiques d'une cinquantaine d'artistes majeurs qui travaillent sur des modes richement variés.The volume offers 23 new critical essays on contemporary French and francophone art, dealing with some fifty major artists working in a wide range of mediums.
EUR 144,65
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Taschenbuch. Zustand: Neu. Neuware - French Prose in 2000 stems in some important measure from work presented in September 1998 at the International Colloquium on French and Francophone Literature in the 1990's held at Dalhousie University. A good number of papers given at that time, and since revisited in the light of exchanges, join here certain others specifically written for the purposes of this book. Together they constitute a wide-ranging and modally varied interrogation of the current state of French and francophone prose writing, its multifaceted manners, its richly divergent fascinations, its many theoretical or philosophical groundings. The book thus ceaselessly moves its attention from fictional biography to the roman noir, from the writing of Glissant and Chamoiseau to that of the étonnants voyageurs, from the powerful discourse of women such as Chawaf or Condé, Ernaux or Germain, Sallenave or Kristeva, to that of writers as diverse in their modes as Le Clézio and Quignard, Duras and Renaud Camus. All chapters focus, however, in near-exclusive measure, on the prose production of the last ten or twelve years.
Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Contemporary French Poetics finds its origin in part in the International Colloquium on French and Francophone Literature in the 1990's held at Dalhousie University in September 1998. A certain number of the papers given at that time, and since reworked in some fair measure, take their place here alongside other studies subsequently invit.
EUR 144,10
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Taschenbuch. Zustand: Neu. Neuware - Contemporary French Poetics finds its origin in part in the International Colloquium on French and Francophone Literature in the 1990's held at Dalhousie University in September 1998. A certain number of the papers given at that time, and since reworked in some fair measure, take their place here alongside other studies subsequently invited. In all they form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and to some degree francophone, poetic practice and its shifting, becoming conceptual underpinnings. Studies offered range from those devoted to the work of established contemporary figures such as Bonnefoy and Du Bouchet, Stétié and Deguy, Noël and Chedid to discussions of younger generation writing by poets as diverse as Pinson and Leclair, Bancquart and Emaz, Maulpoix and Després, Morency and Zins. All center, however, upon work essentially produced over the last ten years.