Isbn: 9783851270051 - arnulf rainer: an exhibition curated (6 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

softcover. Zustand: Fine. Vienna: ARGE Gabriele Wimmer & John Sailer, (1989). softcover. Fine. Approx. 9 by 11". 161 pp., plus 2 pages of credits. Published in conjunction with the exhibition "Arnulf Rainer," Solomon R. Guggenheim Museum, NY; Museum of Contemporary Art, Chicago; Historiches Museum der Stadt Wien, Vienna; Haags Gemeentemuseum, The Hague. Includes many color plates, and some black and white reproductions. Foreword by Diane Waldman; "The Labyrinth" by R. H. Fuchs; "The Great Arch" by Franz Dahlen; also, texts by Arnulf Rainer. 051705A.…

Zustand: Very Good.

4° Quart, Softcover/Paperback. 161 S. An exhibition curated by R. H. Fuchs. Mit farb. Abb. Der Vorderdeckel ist stellenweise leicht wellig. Die Kapitale sind etwas bestoßen. Sonst gutes Exemplar. F 7.6 3851270053 Sprache: Englisch Gewicht in Gramm: 1080.

Wrappers. Zustand: Near Fine. 161 pages. Paperback exhibition catalogue. Floridly signed by the artist in blue on the title page. There are no other internal markings. The pages are very slightly yellowed along the lower edge consistent with age, and there is a bit of shelfwear to the edges and associated faint rubbing to the covers. There is a light thumbprint (the artist's when he signed the book?) on the half title. Else, the binding is tight, the corners sharp, the spine uncreased. Bound in stiff illustrated French fold paper covers and published on the occasion of the exhibition held from May 13-July 9, 1989 in New York, and subsequently in Chicago, Vienna, and The Hague. Signed by the Artist.…

Wrappers. Zustand: Near Fine. 161 pages. Paperback exhibition catalogue. Energetically inscribed and signed by the artist "for Deborah with thanks '92" with a passionate attack of black ink on the title page (leaving a deep impression on following pages). There are no other internal markings. There is some crimping to the top edge of the rear cover with some impressions left from someone's using the book as a surface on which to write a large lettered note. The pages are very slightly yellowed along the lower edge consistent with age, and there is a bit of shelfwear to the edges and associated faint rubbing to the covers. Else, the binding is tight, the corners sharp, the spine uncreased. Bound in stiff illustrated French fold paper covers and published on the occasion of the exhibition held from May 13-July 9, 1989 in New York, and subsequently in Chicago, Vienna, and The Hague. Inscribed by the Artist.…