Sprache: Englisch
Verlag: Hatje Cantz Verlag Gmbh & Co Kg, 2022
ISBN 10: 3775747338 ISBN 13: 9783775747332
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Hatje Cantz Verlag GmbH & Co KG, 2022
ISBN 10: 3775747338 ISBN 13: 9783775747332
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Homeless Books, Berlin, Deutschland
Softcover. Zustand: Wie neu. Unread book in excellent condition. Language - English. Ships from Berlin.
Sprache: Englisch
Verlag: Hatje Cantz Verlag Gmbh & Co Kg, 2022
ISBN 10: 3775747338 ISBN 13: 9783775747332
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 78,69
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 384 pages. 9.50x6.25x1.18 inches. In Stock.
Zustand: New. Intercultural aesthetics Islamic and Christian art history Pioneering work of cultural history Intercultural aesthetics Islamic and Christian art history Pioneering work of cultural historyIn the Name of the Image primarily attemp.
Buch. Zustand: Neu. In the Name of the Image | Figurative Representation in Islamic and Christian Cultures. Katalog zur Ausstellung im Museum Rietberg Zürich | Axel Langer (u. a.) | Buch | 504 S. | Englisch | 2022 | Hatje Cantz Verlag | EAN 9783775747332 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: Hatje Cantz Verlag Feb 2022, 2022
ISBN 10: 3775747338 ISBN 13: 9783775747332
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In the Name of the Image primarily attempts to direct attention to the history of both Islamic and Christian cultures, tracing and analyzing their ways of dealing with images. Even though both Christianity and Islam are familiar with religious bans on images, pictures, portraits, and other works of pictorial art can still be found in both cultural areas. Still, the prohibition of images is mainly associated with Islam, while the question of why, for example, statues of Mary are worshipped in (Catholic) churches, is rarely posed. What was the function of the image and what sort of meaning did it have Whom did the image address, and what message did it send What role did theology play in this, and what role was assigned to secular ruling powers It turns out that there are not only diff erences between the two cultures, but unexpected similarities as well. Ultimately, this is a story that fl uctuates between iconophilism and iconophobia, between faith in images and criticism of them.This book is also available in German.