ISBN: 9781846311260 - variable capital (6 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Artists' fascination with pop culture and commodity aesthetics has led to the development of some of the most significant and popular art. This title examines the way in which contemporary artists have critically responded to the seductive allure of globalised commodity consumption. Num Pages: 192 pages, 120 colour illustrations. BIC Classification: ACX; AGC. Category: (G) General (US: Trade). Dimension: 239 x 163 x 13. Weight in Grams: 985. . 2008. Hardback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 151 pages. 11.50x9.00x0.75 inches. In Stock.

Zustand: New. &Uumlber den AutorDavid Campbell and Mark Durden are artists who have worked collaboratively under the name Common Culture since 1996. They have achieved international recognition for their spectacular displays of fast foo.

Buch. Zustand: Neu. Neuware - Taking its title from a term Karl Marx used to explain how value is produced in a commodity, 'Variable Capital' charts the strategies that artist have employed in order to redirect attention toward the usually invisible processes of exploitation and alienation underlying artistic production. Examining a range of international artists, including Common Culture, Richard Hughes, Melanie Jackson, Brian Ulrich, and Andy Warhol, much of the work discussed is characterized by a willingness to engineer awkward and embarrassing situations that challenge the viewer with uncomfortable realities. Many of the artists featured achieve this by humorously subverting familiar objects and rituals to critique and emphasize the ridiculous--creating an art that, though not necessarily redemptive, is still a vehicle by which the often absurd and brutal logic of commodification is revealed.…