Campbell david durden mark (7 Ergebnisse)
- Hardcover
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Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Variable capital / [authors, David Campbell, Mark Durden]
Campbell, David (1957-). Durden, Mark.Bluecoat Gallery (Liverpool)
Verlag: Liverpool : Liverpool University Press : The Bluecoat, 2007
- Hardcover
- Erstausgabe
Anbieter: MW Books, New York, NY, USAMW Books
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EUR 36,26
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In den WarenkorbFirst Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 8vo 8" - 9" tall; 151 pages; Physical description. : 151 p. : ill. (some col. ) ; 30 cm. Notes: Cardboard…covers. "Exhibition Variable Capital from the Arts Council England, Liverpool City Council and the Liverpool Culture Company"--T. P. Verso. Exhibition dates taken from Gallery website. Catalogue of an exhibition held at Bluecoat Gallery (Liverpool), [16 May - 29 June 2008] Includes bibliographical references. Contents: The new -- Branding -- New geometry -- Logos -- Vanitas -- Gold -- Colour -- Dereliction -- Bad goods -- Possessions -- Common culture -- Screen tests -- Treadmills -- Standardisation -- Exploitation -- Sex -- Hollywood -- Free time -- Craft -- Thrift -- Display -- Excess -- Recycling -- Animation -- Repair. Summary: As a rapidly growing Liverpool enjoys its status as European Capital of Culture, Variable Capital presents international artists' critical and often humourous responses to today's 'spend spend spend' consumer culture. The international artists in Variable Capital, organised by artists David Campbell and Mark Durden (who, with Ian Brown, work collaboratively as Common Culture), look beyond the glamour of material possessions to the costs of a culture of glitz and excess. In an accompanying Liverpool University Press publication, the curators discuss in detail the works in the exhibition, locating them in a wider historical context. Biography: David Campbell and Mark Durden are artists and work collaboratively as Common Culture. Subject: Common Culture (Artist group) Art, Modern - 20th century Art and society. Capitalism - In art. Socialism and art. Art, Modern - 21st century - Exhibitions. Pop art - Exhibitions. Consumerism. Pop art. 1 Kg.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 101,49
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Zustand: New. Artists' fascination with pop culture and commodity aesthetics has led to the development of some of the most significant and popular art. This title examines the way in which contemporary artists have critically responded to the seductive allure of globalised commodity consumption. Num Pages: 192 pages, 120 colour… illustrations. BIC Classification: ACX; AGC. Category: (G) General (US: Trade). Dimension: 239 x 163 x 13. Weight in Grams: 985. . 2008. Hardback. . . . . Books ship from the US and Ireland.
- Softcover
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Paperback. Zustand: Brand New. 151 pages. 11.50x9.00x0.75 inches. In Stock.
- Softcover
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EUR 78,94
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Zustand: New. Über den AutorDavid Campbell and Mark Durden are artists who have worked collaboratively under the name Common Culture since 1996. They have achieved international recognition for their spectacular displays of fast foo.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 106,26
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Buch. Zustand: Neu. Neuware - Taking its title from a term Karl Marx used to explain how value is produced in a commodity, 'Variable Capital' charts the strategies that artist have employed in order to redirect attention toward the usually invisible processes of exploitation and alienation underlying artistic production. Examini…ng a range of international artists, including Common Culture, Richard Hughes, Melanie Jackson, Brian Ulrich, and Andy Warhol, much of the work discussed is characterized by a willingness to engineer awkward and embarrassing situations that challenge the viewer with uncomfortable realities. Many of the artists featured achieve this by humorously subverting familiar objects and rituals to critique and emphasize the ridiculous--creating an art that, though not necessarily redemptive, is still a vehicle by which the often absurd and brutal logic of commodification is revealed.
