Sprache: Englisch
Verlag: University of Chicago Press, 2026
ISBN 10: 0826514537 ISBN 13: 9780826514530
Anbieter: Better World Books, Mishawaka, IN, USA
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Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Chicago Press, 2026
ISBN 10: 0826514537 ISBN 13: 9780826514530
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
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In den WarenkorbZustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 240 pages. 9.25x5.75x0.75 inches. In Stock.
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In den WarenkorbZustand: New. Über den AutorGuy Rotella is professor of English at Northeastern University. He is the author of Reading and Writing Nature: The Poetry of Robert Frost, Wallace Stevens, Marianne Moore, and Elizabeth Bishop and editor of the anthol.
Sprache: Englisch
Verlag: Univ Of Chicago Press Behalf Of Vanderbilt Univ. P Mai 2004, 2004
ISBN 10: 0826514537 ISBN 13: 9780826514530
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Whether looming over public squares or dotting old battlefields, monuments certify a culture's present by securing its past and pledging its future. They embody exemplary persons or events and the shared ideals they stood for, prompting an obligation to keep those ideals standing now and forever. But monuments also exaggerate the staying power of civilizations and of art. In the second half of the twentieth century, postmodern critics often decried monuments not only for their pretensions and stiffness but also for their supposed role in perpetuating oppressive cultural conventions. Even so, many artists and thinkers of the same period tried to reimagine monuments in ways that were humbler and more provisional but still culturally confirming.