rotella guy (13 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Light shelfwear to bottom edge, wear to lower tips, foxing to top edge with bright blue boards. Internally clean, unmarked. BP/Poetry.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

No jacket. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Sans jaquette. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 1st edition. 240 pages. 9.25x5.75x0.75 inches. In Stock.

Zustand: New. &Uumlber den AutorGuy Rotella is professor of English at Northeastern University. He is the author of Reading and Writing Nature: The Poetry of Robert Frost, Wallace Stevens, Marianne Moore, and Elizabeth Bishop and editor of the anthol.

Taschenbuch. Zustand: Neu. Neuware - Whether looming over public squares or dotting old battlefields, monuments certify a culture's present by securing its past and pledging its future. They embody exemplary persons or events and the shared ideals they stood for, prompting an obligation to keep those ideals standing now and forever. But monuments also exaggerate the staying power of civilizations and of art. In the second half of the twentieth century, postmodern critics often decried monuments not only for their pretensions and stiffness but also for their supposed role in perpetuating oppressive cultural conventions. Even so, many artists and thinkers of the same period tried to reimagine monuments in ways that were humbler and more provisional but still culturally confirming.

Zustand: New. &Uumlber den AutorGuy Rotella is professor of English at Northeastern University. He is the author of Reading and Writing Nature: The Poetry of Robert Frost, Wallace Stevens, Marianne Moore, and Elizabeth Bishop and editor of the anthol.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. New York: Northeastern University Press, 1990. First edition. First printing (with full number line). Hardcover. Full green cloth boards with gilt spine lettering. Fine in a fine dust jacket. Comes with archival-quality mylar dust jacket protector. A tight, clean copy with one tiny closed tear to jacket. Octavo, 253 pages with index. \A critical study examining how four major American poets engaged with the natural world in their work. Rotella explores the intersections of poetic form, language, and the evolving concept of nature in twentieth-century American poetry. I.

Buch. Zustand: Neu. Neuware - Whether looming over public squares or dotting old battlefields, monuments certify a culture's present by securing its past and pledging its future. They embody exemplary persons or events and the shared ideals they stood for, prompting an obligation to keep those ideals standing now and forever. But monuments also exaggerate the staying power of civilizations and of art. In the second half of the twentieth century, postmodern critics often decried monuments not only for their pretensions and stiffness but also for their supposed role in perpetuating oppressive cultural conventions. Even so, many artists and thinkers of the same period tried to reimagine monuments in ways that were humbler and more provisional but still culturally confirming.