9780822311928 - figures of resistance: language, poetry, and narrating in the tale of the genji and other mid-heian texts (post-contemporary interventions) von okada, richard h. (6 Ergebnisse)
Sprache: Englisch
Verlag: Duke University Press, 1991
- Softcover
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Duke University Press, 1991
- Softcover
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Sprache: Englisch
Verlag: Duke University Press, 1991
- Softcover
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Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Duke Univ Pr, 1992
- Softcover
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Paperback. Zustand: Brand New. 400 pages. 9.00x5.75x1.25 inches. In Stock.
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Sprache: Englisch
Verlag: DUKE UNIV PR, 1991
- Softcover
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Zustand: New. Offers fresh readings of three tales: The Tale of the Bamboo-cutter , The Tale of Ise , and The Tale of Genji . The author contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations be.
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Sprache: Englisch
Verlag: Duke University Press Okt 1991, 1991
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been dist…orted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature. Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts. Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture.
