9780804740272 - the matrix of visual culture: working with deleuze in film theory (cultural memory in the present) von pisters, patricia (4 Ergebnisse)
Sprache: Englisch
Verlag: Stanford University Press, 2003
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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EUR 9,09
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: STANFORD UNIV PR, 2003
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 144,17
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Gebunden. Zustand: New. This work explores Gilles Deleuze s contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines .
Sprache: Englisch
Verlag: Stanford Univ Pr, 2003
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 190,11
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Hardcover. Zustand: Brand New. 1st edition. 288 pages. 9.00x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Stanford University Press Jul 2003, 2003
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 197,00
EUR 62,70 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of… our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
