Isbn: 9780674356221 - going out: the rise and fall of public amusements (10 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very Good copy. (see picture) 312 pages including index.Approx 15 pages have some highlighting.Small tear on the front cover bottom and six numbers written on the first page.

Zustand: New. This is a social history of 20th-century show business and the new American public that assembled in the city's pleasure places, parks, theatres, nickledeons, world's fair midways and dance halls. African Americans were segregated and this cemented the rest of the audience. Num Pages: 320 pages, 32 halftones, 2 line illustrations. BIC Classification: 1KBB; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 23. Weight in Grams: 508. . 1999. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 312 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. This is a social history of 20th-century show business and the new American public that assembled in the city s pleasure places, parks, theatres, nickledeons, world s fair midways and dance halls. African Americans were segregated and this cemented the rest.

Taschenbuch. Zustand: Neu. Neuware - David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among 'whites,' and creating a common national culture.…