David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls.
The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among "whites," and creating a common national culture.
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David Nasaw is Professor of History and American Studies at the Graduate Center of the City University of New York.
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Zustand: New. This is a social history of 20th-century show business and the new American public that assembled in the city's pleasure places, parks, theatres, nickledeons, world's fair midways and dance halls. African Americans were segregated and this cemented the rest of the audience. Num Pages: 320 pages, 32 halftones, 2 line illustrations. BIC Classification: 1KBB; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 23. Weight in Grams: 508. . 1999. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780674356221
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Zustand: New. This is a social history of 20th-century show business and the new American public that assembled in the city s pleasure places, parks, theatres, nickledeons, world s fair midways and dance halls. African Americans were segregated and this cemented the rest. Artikel-Nr. 594874435
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Taschenbuch. Zustand: Neu. Neuware - David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among 'whites,' and creating a common national culture. Artikel-Nr. 9780674356221
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