Isbn: 9780521401586 - music and text: critical inquiries (8 Ergebnisse)

Zustand: Good. Not Indicated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Fair. Aus einer Bibliothek ausgesondert/ Stempel; Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.…

hardcover. Zustand: Sehr gut. 348 Seiten; 9780521401586.2 Gewicht in Gramm: 1.

Hardcover. Zustand: New. shrinkwrapped copy without a dust jacket.

Zustand: Sehr gut. 327 Seiten Leichte Lese- und Gebrauchsspuren, gelegentlich Randanstreichungen mit Bleistift. Exemplar aus dem Vorbesitz des Philosophen Albrecht Wellmer. Ab 1974 bis 1990 war Albrecht Wellmer Ordentlicher Professor für Philosophie an der Universität Konstanz, von 1985 bis 1987 Professor an der New School for Social Research in New York und seit 1990 Ordentlicher Professor für Philosophie (Lehrstuhl für Ästhetik, Hermeneutik und Human Sciences) an der Freien Universität Berlin; Professor emeritus seit September 2001. Gastprofessuren: Haverford (USA), Stony Brook (USA), Collège international de philosophie (Paris, 1988), New School for Social Research (New York, 1995), Universiteit van Amsterdam (1996). / List of figures -- List of contributors -- page -- Preface -- STEVEN PAUL SCHER -- Acknowledgments -- Part I Institutional dimensions and the contexts of listening -- 1 Music and literature: the institutional dimensions JOHN NEUBAUER (University of Amsterdam) -- 2 Privileging the moment of reception: music and radio in South Africa -- CHARLES HAMM (Dartmouth College) -- 3 Chord and discourse: listening through the written word PETER J. RABINOWITZ (Hamilton College) -- Part II Literary models for musical understanding: music, lyric, narrative, and metaphor -- 4 Lyrical modes -- PAUL ALPERS (University of California, Berkeley) -- 5 Origins of modernism: musical structures and narrative forms -- MARSHALL BROWN (University of Washington) -- 6 Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea -- THOMAS GREY (Stanford University) -- 7 Narrative archetypes and Mahler's Ninth Symphony ANTHONY NEWCOMB (University of California, Berkeley) -- Part III Representation, analysis, and semiotics -- 8 Music and representation: the instance of Haydn's Creation -- LAWRENCE KRAMER (Fordham University) -- 9 Musical analysis as stage direction -- DAVID LEWIN (Harvard University) -- 10 Poet's love or composer's love? -- EDWARD T. CONE (Princeton University) -- 11 The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's "Depths" -- CLAUDIA STANGER (Berklee School of Music) -- Part IV Gender and convention -- 12 Whose life? The gendered self in Schumann's Frauenlieb songs -- RUTH A. SOLIE (Smith College) -- 13 Operatic madness: a challenge to convention -- ELLEN ROSAND (Rutgers University) -- 14 Commentary: form, reference, and ideology in musical discourse -- HAYDEN WHITE (University of California, Santa Cruz) -- Index. ISBN 9780521401586 Sprache: Englisch Gewicht in Gramm: 630 Orig.-Pp.; Orig.-Schutzumschlag.…

Zustand: New. In English.

Zustand: New. This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. Editor(s): Scher, Steven Paul. Num Pages: 348 pages, 8 illustrations, 32 music examples. BIC Classification: AVA; AVGC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 680. . 1992. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.…