This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0521401585I4N01
Anzahl: 1 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Very Good. Not Indicated. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. GRP93747333
Anzahl: 1 verfügbar
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Not Indicated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 619083-6
Anzahl: 1 verfügbar
Anbieter: Studibuch, Stuttgart, Deutschland
hardcover. Zustand: Sehr gut. 348 Seiten; 9780521401586.2 Gewicht in Gramm: 1. Artikel-Nr. 1108027
Anzahl: 1 verfügbar
Anbieter: Aardvark Rare Books, Bucknell, SHROP, Vereinigtes Königreich
Hardcover. Zustand: New. shrinkwrapped copy without a dust jacket. Artikel-Nr. mon0000084699
Anzahl: 1 verfügbar
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Zustand: Sehr gut. 327 Seiten Leichte Lese- und Gebrauchsspuren, gelegentlich Randanstreichungen mit Bleistift. Exemplar aus dem Vorbesitz des Philosophen Albrecht Wellmer. Ab 1974 bis 1990 war Albrecht Wellmer Ordentlicher Professor für Philosophie an der Universität Konstanz, von 1985 bis 1987 Professor an der New School for Social Research in New York und seit 1990 Ordentlicher Professor für Philosophie (Lehrstuhl für Ästhetik, Hermeneutik und Human Sciences) an der Freien Universität Berlin; Professor emeritus seit September 2001. Gastprofessuren: Haverford (USA), Stony Brook (USA), Collège international de philosophie (Paris, 1988), New School for Social Research (New York, 1995), Universiteit van Amsterdam (1996). / List of figures -- List of contributors -- page -- Preface -- STEVEN PAUL SCHER -- Acknowledgments -- Part I Institutional dimensions and the contexts of listening -- 1 Music and literature: the institutional dimensions JOHN NEUBAUER (University of Amsterdam) -- 2 Privileging the moment of reception: music and radio in South Africa -- CHARLES HAMM (Dartmouth College) -- 3 Chord and discourse: listening through the written word PETER J. RABINOWITZ (Hamilton College) -- Part II Literary models for musical understanding: music, lyric, narrative, and metaphor -- 4 Lyrical modes -- PAUL ALPERS (University of California, Berkeley) -- 5 Origins of modernism: musical structures and narrative forms -- MARSHALL BROWN (University of Washington) -- 6 Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea -- THOMAS GREY (Stanford University) -- 7 Narrative archetypes and Mahler's Ninth Symphony ANTHONY NEWCOMB (University of California, Berkeley) -- Part III Representation, analysis, and semiotics -- 8 Music and representation: the instance of Haydn's Creation -- LAWRENCE KRAMER (Fordham University) -- 9 Musical analysis as stage direction -- DAVID LEWIN (Harvard University) -- 10 Poet's love or composer's love? -- EDWARD T. CONE (Princeton University) -- 11 The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's "Depths" -- CLAUDIA STANGER (Berklee School of Music) -- Part IV Gender and convention -- 12 Whose life? The gendered self in Schumann's Frauenlieb songs -- RUTH A. SOLIE (Smith College) -- 13 Operatic madness: a challenge to convention -- ELLEN ROSAND (Rutgers University) -- 14 Commentary: form, reference, and ideology in musical discourse -- HAYDEN WHITE (University of California, Santa Cruz) -- Index. ISBN 9780521401586 Sprache: Englisch Gewicht in Gramm: 630 Orig.-Pp.; Orig.-Schutzumschlag. Artikel-Nr. 1252996
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780521401586_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. Editor(s): Scher, Steven Paul. Num Pages: 348 pages, 8 illustrations, 32 music examples. BIC Classification: AVA; AVGC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 680. . 1992. Illustrated. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521401586
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. Artikel-Nr. 9780521401586
Anzahl: 1 verfügbar