Zucker joe (35 Ergebnisse)

First Edition. First edition. Oblong hardover. Published in conjunction an exhibition that ran November 15 through December 23, 2003. Features an essay by Klaus Kertess. Includes numerous color illustrations, a checklist, list of previous exhibitions, and a list of selected public collections. A very near fine copy in illustrated boards. No dust jacket as issued.…

Paperback. Zustand: Very Good. Staple bound paperback. Wrappers show minor wear, otherwise in very good condition. Catalog published on the occasion of the exhibit at the Arts Club of Chicago Gallery on November 11 - December 30, 1988.

Hardcover. Zustand: Very Good. Hard bound no dust jacket. Boards show minor wear, otherwise in very good condition. Catalog published on the occasion of the exhibit at the GBE Modern Gallery on November 15 - December 23, 2003.

First Edition. First edition. Oblong softcover. 8 pages. Exhibition catalog for a show that ran November 11 through December 1988. Text by Robert McDaniel. Includes 10 color and black and white illustrations. A close to near fine copy in stapled wrappers and from the Cranbrook Academy of Art Library with their small stamp to the verso of the rear cover but otherwise free of marks.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran March 7-28, 1987. Introduction by Lisa Liebmann. Includes 8 color plates along with a black and white photo of the artist. A very near fine copy in wrappers with gallery reception invite laid in.

Soft cover. Zustand: Very Good. 1st Edition. Paperback. Wrappers show very minor wear, otherwise in very good condition. Published on the occasion on their exhibition at the Hirschl & Adler Gallery on May 21 - June 27, 1986.

First Edition. First edition. Softcover. 83 pages. Exhibition catalog for a show that ran September 17 through October 22, 2011. Essay by Terry R. Myers and with an interview of Zucker by John Corbett. Includes numerous color illustrations. A fine copy in French style wrappers.

Soft cover. Zustand: Very Good. SIGNED AND INSCRIBED TO PREVIOUS OWNER BY JOE ZUCKER. Paperback. Wrappers show minor wear, otherwise in very good condition. Catalog published on the occasion of his exhibition at the Albright-Knox Gallery in 1982. inscribed by Artist.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 6 through May 30, 1976. Introduction by Brenda Richardson and with the text of her interview of Zucker as well. Includes, with the covers, 7 black and white illustrations. A very good copy in stapled wrappers with a couple of small spots but internally a clean copy.…

Zustand: Very Good. Very Good condition. (American Art, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

68 pp.; 25.4 x 20.3 cm; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Daniel Weinberg Gallery, Los Angeles, March 5 - April 2, 1988. Traveled to Leo Castelli Gallery, New York, May 21 - June 18, 1988. Foreword by Daniel Weinberg. Includes essay "A Common Thread," by Klaus Kertess. Artists include Richard Artschwager, Saint Clair Cemin, Chuck Close, Nancy Dwyer, Robert Gober, Joe Goode, Neil Jenney, Jeff Koons, Annette Lemieux, Sherrie Levine, Allan McCollum, Malcolm Morley, Haim Steinbach, Tony Tasset, John Torreano, Meyer Vaisman, Wallace & Donohue, and Joe Zucker. Includes exhibition checklist. Very Good / Fine. Light rubbing of covers at corners and edges. Contents are clean and unmarked and binding is tight to the spine.…

Original Wraps in Box. Zustand: Good (Sheets/Poster Fine). Limited Edition. Limited Edition. Original Wraps in Box. Minor shelf/edge wear, moderate bump/dent at bottom of box (contents fine), else bright and clean. Red cardboard box, black ribbon tie, black ink lettering, unopened contents. np. Illus. (b/w plates). …

paperback. Zustand: Good. Good. Shelving code AUB HOF.

First Edition. First edition and first printing. Oblong hardcover. 255 pages. Features text by John Elderfield, essays by Terry R. Myers, Alex Bacon, and an interview of Zucker by Phong Bui. Includes numerous illustrations, biographical information, list of previous exhibitions, list of awards, grants, list of public collections, and a bibliography. A fine copy in a very near fine dust jacket. Please note that this is a heavy book and will require extra shipping. …

Soft cover. Zustand: Very Good. 1st Edition. Undated, circa 1975. Oblong 9" x 6" softcover book, staple bound in card wraps. 24pp illustrated in black and white. Unmarked and well bound. Moderate foxing to covers. Mild age toning throughout interior pages, still fairly bright. This group exhibition brings together paintings by Cynthia Carlson, Barbara Kruger, and Joe Zucker, calling attention to the shared tendency in their work toward the sculptural application of paint in "thickening surfaces". With an introduction by critic John Perrault. Uncommon in very good condition.…

Hardcover. Zustand: Very Good. Dimensions 140mm x 290mm x 75mm. Red, printed clamshell cardbox presentation, containing a rolled scroll with black ribbon bow. Limited Edition of 1500 copies. ISBN: 9781934171097. Robert Storr and Joe Zucker Plunder from 1977 to 2008 Associate Gallery Nyehaus/ Director Alison Wilbur. Condition: Collectible, Very Good Indeed. Foundation 20 21. 'When Cotton was King'-Robert Storr, 'An Ethics of Pirating'-Adina Popescu, 'Pirates and the Good Ship' 'Popular Imagination', Artworks. Very good indeed. …

[44] pp.; 25.2 x 16.7 cm.; spiral bound; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Bergamot Station Arts Center, Santa Monica, CA, February 3 - April 1, 1995. traveled to Thread Waxing Space, New York, NY, May 2 - June 10, 1995 and Centre Gallery, Miami-Dade Community College / Wolfson Campus, Miami, FL, September 7 - October 17, 1995. Curated by John Yau. Artists include Catherine Alden, Luis Cruz Azaceta, Huma Bhabha, Anna Bialobroda, Robert Birmelin, Roger Brown, Mel Chin, Sue Coe, Victor Estrada, Llyn Foulkes, Leon Golub, Mark Greenwold, Gottfried Helnwein, Maxwell Hendler, Mike Kelley, Nathan Lieb, Whitfield Lovell, Daniel J. Martinez, Paul McCarthy, Kim Moodie, Yoko Ono, Michelle Rollman, Kay Rosen, Peter Saul, Jenny Scobel, Teresa Serrano, Joel Sternfield, Anton van Dalen, Andy Warhol, Lynton Wells, Thomas Parker Williams, Trevor Winkfield, Martin Wong, Jody Zellen, Joe Zucker, and UPI. Includes artist biographies. Very Good / Fine. Light rubbing of covers, otherwise Fine. Contents clean and unmarked. Includes slipped-in film screening flyer. …

Soft cover. Zustand: Very Good. Limited Edition. Limited edition of 400. Unnumbered copy. Paperback. Minor soiling to wrappers, otherwise very good.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran May 21 through June 27, 1986. Includes 9 color illustrations with 3 for each artist. A very near fine copy in wrappers.

Elderfield, John et al. JOE ZUCKER. 256 pages, including 270 color plates. 4to, boards. London, Thames & Hudson, 2020.

Wrappers. Zustand: Fine Condition. Fine Condition. Slim volume, unpaginated (36 pages) 17 illustrations. Brown wraps. Published on the occasion of the exhibition from the Craig F. Starr Gallery, New York, NY October 15-December 18, 2010. Checklist. Size: 9" x 6¾". Book.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Illustrated in color. 255 pages. Oblong 4to, matte pictorial boards, d.w. New York: Thames & Hudson, (2019). Lengthy inscription by the artist on the dedication page. Fine in a fine dust wrapper. ZUCKER, Joe (illustrator).

Zustand: Sehr gut. 84 S. Einband berieben. - In 1969 Joe Zucker started making paintings out of Johnson and Johnson cotton balls soaked in acrylic paint and then applied to canvases in patterns that schematically described simple images. These vibrantly-colored objects had the homemade look and riotous surfaces until then most commonly seen in homecoming floats and indigenous folk crafts. Although the boundaries and materials of art had already been greatly expanded (most recently by the radical ventures of artists in the early 1960s), the focus of works, whatever the unlikeliness of their materials, had always remained firmly within the realm of fine art. Zucker's overtly rowdy paintings, with their impermanent and populist look, were an anomaly. They appeared to have crossed over from the wrong side of the tracks. ISBN 0914782452 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.…

GBE (Modern)/Gavlak Projects, New York 2003. Oblong. Unpaginated. Orig. illustrated boards. Near fine.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book. …

First Edition. First Edition. Published in conjunction with two exhibitions, "Joe Zucker: Open Storage: New Paintings" at Paul Kasmin Gallery and "Joe Zucker: Container Ships" at David Nolan Gallery, both from January 12 through February 11, 2006. Very Good plus in illustrated boards with no dust jacket as issued. Light rubbing to boards overall, and small bumps to the bottom of the rear board and heel.…

Paperback. Zustand: Very good in wraps. First Edition. 21 x 27cm very good exhibition catalogue, some minor browning to wrappers. Each of the practitioners has their own section with single page colour reproductions with captions.

Corbett vs. Dempsey, Chicago 2011. 8vo. 83 pages. Orig. cover. Near Fine-.

T.R.O.U. N°8, Juin 2000, 38 p. non numérotées, bon état.

London, Thames & Hudson, 2019. 255 pp. Col. ills. Orig. hardcover, d./j.