Zoe s strother (4 Ergebnisse)

- Softcover
Anbieter: Don Kelly Books, London, Vereinigtes KönigreichDon Kelly Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 2 SternenZustand: Gebraucht - Gut
EUR 24,12
EUR 16,02 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Very Good. 121pp. Colour plates and b&w archive photographs.

- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 29,37
EUR 17,57 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 344 pages. 9.00x8.75x1.00 inches. In Stock.

- Hardcover
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes KönigreichJoseph Burridge Books
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EUR 20,51
EUR 26,93 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: New. 121 pages : illustrations (chiefly colour), map ; 25 cm. Summary:"Although many societies in the Congo were once renowned for their vibrant masquerades and architectural sculpture, these phenomena have only been studied as living traditions among a handful of peoples, most notably the Pende. Building on the extended fieldwork of numerous researchers since the 1950s, this text offers a window into the dynamic contexts for the arts in Central Africa. The volume privileges Pende voices as it seeks to understand the interrelationship between ritual practice and aesthetic form. Attentive to history, the author also records how these artistic practices have responded, sometimes unpredictably, to both colonial and post-colonial pressures"--Jacket.…

Verlag: , 5 Continents Editions, 2019, 2019
- Softcover
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgienBOOKSELLER - ERIK TONEN BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 16,00
EUR 39,50 VersandVersand von Belgien nach USAAnzahl: 1 verfügbar
In den WarenkorbSoftcover, 121 pages, 25 x 17 cm. ENG. *New, still sealed. ISBN 9788874393848. Although many societies in the Congo were once renowned for their vibrant masquerades and architectural sculpture, these phenomena have only been studied as living traditions among a handful of peoples, most notably the Pende. Building on the extended fieldwork of numerous researchers since the 1950s, this text offers a window into the dynamic contexts for the arts in Central Africa. The volume privileges Pende voices as it seeks to understand the interrelationship between ritual practice and aesthetic form. Attentive to history, the author also records how these artistic practices have responded, sometimes unpredictably, to both colonial and post-colonial pressures 0 g.…