Zipoli perlone (4 Ergebnisse)
Verlag: G. Barbèra, Firenze, 1861
- Softcover
Anbieter: Le-Livre, SABLONS, FrankreichLe-Livre
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In den WarenkorbCouverture souple. Zustand: bon. RO40260890: 1861. In-32. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Mouillures. 438 pages. Gravure en noir et blanc en frontispice (portrait). Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. . . . Classif…ication Dewey : 450-Italien, roumain, rhéto-romain.
Verlag: Nella stamperia Bonducciana sulla piazza di S. Apollinare., Firenze:, 1788
- Softcover
Anbieter: Joachim Stosch Versandantiquariat, Hamburg, DeutschlandJoachim Stosch Versandantiquariat
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In den WarenkorbOriginal Karton Hardcover. 468 Seiten 18 x 25 Noch gut, fast ungelesen. Ecken etwas berieben/gestaucht. Vignetta calcografica al frontespizio. 1200 Gramm Sprache: Deutsch.
Weitere BilderVerlag: [n.p] [c. 1675], [n.p.], 1675
- Hardcover
- Erstausgabe
Anbieter: Second Story Books, ABAA, Rockville, MD, USASecond Story Books, ABAA
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In den WarenkorbHardcover. Octavo, [324 pages]. In Good condition. Bound in full contemporary vellum ("boards" composed of multiple sheets of 17th-century sheets. Vellum is beginning to separate from composite-sheet boards along fore-edges. Boards have moderate plus staining overall, with moderate plus chipping and wear to vellum along edges. T…extblock shows moderate age toning and light wear to untrimmed edges, with occasional light staining to pages (not impacting legibility. Undated ink manuscript in an unidentified 17th-century Italian hand. Shelved Room A. An early handwritten manuscript of Lippi's Il Malmantile Racquistato, which appears to predate the second printed edition in 1688 (and possibly the first printed edition in 1676). The present manuscript differs from one or both of the 17th-century editions in multiple points (please see notes for further analysis of contrast with the published manuscript tradition of the text). Title page includes a dedication to Cardinal Leopoldo de Medici (lacking in the first printed edition), and attributes the work to Lippi's pseudonym Perlone Zipoli - unlike both 17th-century editions. The title page is followed by the prefatory Disfatto, here attributed to the anagrammatic pseudonym Amostante Latoni (Antonio Malatesti). The work is then prefaced by an index revealing the "true identities" of all the figures appearing pseudonymously in the work. Contrary to both printed editions, each book is here referred to as canto rather than cantare, and each stanza is numbered (similarly to the 1688 edition, and unlike the 1676 edition). Shelved Room A. The mock-heroic epic Malmantile Racquistato was written by Florentine painter Lorenzo Lippi (16061665) during the 1640s. Writing under the anagrammatic pseudonym Perlone Zipoli, Lippi composed the poem while serving Cardinal Leopoldo de' Medici and his wife at Innsbruck. Il Malmantile is often read as a parodic response to contemporary literary conventions, particularly the epic stylings of Tasso's Gerusalemme Liberata. Yet beyond its burlesque tone, the work serves as a celebration of the Tuscanspecifically Florentinedialect, and is still studied today as a rich repository of regional idioms and turns of phrase. While the core of the poem was composed in Innsbruck between 1643 and 1644, reports from Lippi's contemporaries, many of whom were members of the informal literary academy degli Apatisti, suggest that substantial additions and refinements were made after his return to Florence in 1648. Lippi, wary of scandal or public backlash, resisted calls to publish the poem during his lifetime. Nonetheless, it circulated widely among members of the Apatisti, the Accademia degli Svogliati, and even the Accademia della Crusca. It was not published until 1676, eleven years after Lippi's death, in a flawed and limited edition (only 50 copies) issued by Giovanni Rossi. That edition was viewed by Lippi's admirers as a distorted presentation of the poempossibly even an act of literary revenge. A more authoritative version was published in 1688 under the editorial guidance of Paolo Minucci and the posthumous patronage of Leopoldo de' Medici. The present manuscript appears to have been produced prior to the 1688 edition, but after the completion of the poem before Lippi's death in 1665. Based on textual evidence, it is unlikely to have been copied from either printed edition. Instead, it likely reflects a version circulating independentlyperhaps within Lippi's literary circle or among manuscript readers close to the Medici court. Several features underscore the manuscript's significance as a witness to the early textual transmission of Malmantile Racquistato. Please note that this list is not comprehensive or exhaustive. Dedication to Cardinal Leopoldo de' Medici (1617-1675) The manuscript bears a dedication "al Serenissimo Princeps Cardinal Leopoldo de' Medici"a form appropriate only during Leopoldo's lifetime. The 1676 edition includes no dedication. The 1688 edition dedic.
Weitere BilderIL MALMANTILE RACQUISTATO DI PERLONE ZIPOLI COLLE NOTE DI PUCCIO LAMONI
LIPPI Lorenzo (Firenze 1606 - 1665) sotto lo pseudonimo di PERLONE ZIPOLI
Verlag: Nella Stamperia di S.A.S. alla Condotta ad istanza di Niccolò Taglini, Firenze, 1688
Anbieter: Il Cartiglio di Roberto Cena srlu, TORINO, TO, ItalienIl Cartiglio di Roberto Cena srlu
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In den WarenkorbLegatura coeva in piena pergamena rigida; titolo e pseudonimo dell`autore manoscritti al dorso in epoca recente; tagli blu; alla carta di guardia anteriore nota di possesso \"Carlo de` Medici 1831\". (16)-545-(3). pagine numerate, compresi l`antiporta figurato con motivi allegorici, tre personaggi iscritti entro una cornice ricc…amente decorata sormontata dallo stemma mediceo. Il testo è preceduto dalle dedicatorie a Francesco Maria de Medici, a Leopoldo de Medici e al \"curioso e discreto lettore Puccio Lamoni\", dal proemio e da un Enigma\"Malmantile disfatto\", di Antonio Malatesti. Grandi capilettera, testatine e finalini silografati. L`argomento di ognuno dei 12 \"Cantari\" è inscritto in una cornicetta rettangolare decorata. Il testo venne edito la prima volta nel 1676, dopo la morte dell`autore. Seconda edizione curata da Paolo MInucci che compare con uno pseudonimo anagrammatico nel titolo così come l`autore Lorenzo Lippi, ovvero Puccio Lamoni. Lorenzo Lippi fu, oltre che letterato, un buon pittore della scuola toscana, allievo di M. Rosselli e amico di Salvator Rosa. Il poema, sulla falsa riga della Gerusalemme del Tasso, alterna momenti narrativi eroici ad altri comicie racconta le vicendee la lotta fra Celidora e Bertinella per il possesso del territorio di Malmantile. Ricco di passi spiritosi edrisulta essere particolarmente interessanteper lo studio della lingua toscana. D`interesse linguisticoè l`ampio commento di Minucci. Esemplare in discreto stato conservativo; l`antiporta presenta dei segni di collatura precedente e uno strappo ricucito, all`interrno della lastra segni di usura, rifilato al bordo esterno;alcune macchie alle prime carte e sporadicamente qual e là lungo il testo, più ampie e persistenti alle pagine 260 - 265 - 267 i- 311; forti ossidazioni alla parte superiore interna tra le pagine 460 e fino alla fine a scemare; l`ultima carta, anticamente foderata per richiudere una lacerazione e mitigare due lacune laterali.
