Yoshida yuki (18 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Zustand: Brand New. 160 pages. 7.50x5.00x0.75 inches. In Stock.

Trade Paperback. Zustand: Brand New. 144 pages. 7.50x5.00x0.50 inches. In Stock.

Trade Paperback. Zustand: Brand New. 164 pages. 8.00x5.00x0.50 inches. In Stock.

Trade Paperback. Zustand: Brand New. 160 pages. 7.50x5.00x0.75 inches. In Stock.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Unused copy.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 10.08x7.09x0.55 inches. In Stock.

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: Fair.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.35x5.75x1.10 inches. In Stock.

Hardcover. First Printing. Oblong Quarto, 176 pages. In Very Good minus condition with a Very Good minus dust jacket. Tan slipcase has slight wear including few marks and minor edge wear. Dust jacket protected with a mylar covering, clipped front flap corners. Spine pictorial green and black with white and red lettering. Exterior has mild wear including mild scuffs/few scratches and minor edge wear. Slight age toning to the rear/flaps. Slight age toning and sparse, incidental marks to the interior. Boards have very slight wear including mild tilt to the spine. Text block has very slight wear including mild age toning and minimal soiling to the edges. Previous owner's name to the front pastedown. Frontispiece. Several instances of pencil notations to the interior. Small red Japanese character stamped to the rear end paper. Illustrated. First printing. NOTE: Shelved in Locked Annex Area, Quarto and Folio case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1399081. FP New Rockville Stock.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Text in English. 176 pp. Moderate wear to the dust jacket. In nice condition, slight yellowing. The charm of the Japanese woodblock print is unique. Artists of other countries have made woodblocks, but nowhere else has the medium been exploited with such love and imagination, and nowhere else have the results been works of such appeal. This unique appeal derives from many factors: the special Japanese feling for wood, Japan's magnificent handmade papers, the traditional use of water colors based on Japanese and Chinese painting, the development of unequaled tools, a heritage of devoted craftsmanship. All of these have combined to create a technique whose warmth and character seduce the senses. The charm of Japanese woodblocks has been extolled in hundreds of publications, but never has the source of that charm been analyzed as thoroughly, and expertly as it is here. To the artist, to the collector, to the lover of fine prints, this volume holds the answers to a thousand hows and whys. It is a book which springs from the craftsman's dedication to the right way of working and the artist's wonder at the infinite riches of experience. The authors are specially suited to their task. Toshi Yoshida, under the guidance of his father, Hiroshi Yoshida, began at age thirteen to learn carving and printing from artisans of the old school. These men had been chosen by the elder Yoshida to realize his own prints; they were experts, and having learned by apprenticeship themselves they knew how to put a youngster through the mill. He learned the craft and he learned respect for it. Hiroshi Yoshida was, as his son says, more traditional than modern. But he could do anything his artisans could, he was alert to new effects, and as his own publisher he brought the making of his prints under his own control, under the control of the artist. These were big steps towards the position taken by the creative print makers of today, and his son found no difficulty in moving the rest of the way. He is at home with both traditional and modern prints.…

Hardcover. Zustand: Very Good. 1st Edition. Text in English. 176 pp. Staining to edge of textblock. Minor edge wear. The charm of the Japanese woodblock print is unique. Artists of other countries have made woodblocks, but nowhere else has the medium been exploited with such love and imagination, and nowhere else have the results been works of such appeal. This unique appeal derives from many factors: the special Japanese feling for wood, Japan's magnificent handmade papers, the traditional use of water colors based on Japanese and Chinese painting, the development of unequaled tools, a heritage of devoted craftsmanship. All of these have combined to create a technique whose warmth and character seduce the senses. The charm of Japanese woodblocks has been extolled in hundreds of publications, but never has the source of that charm been analyzed as thoroughly, and expertly as it is here. To the artist, to the collector, to the lover of fine prints, this volume holds the answers to a thousand hows and whys. It is a book which springs from the craftsman's dedication to the right way of working and the artist's wonder at the infinite riches of experience. The authors are specially suited to their task. Toshi Yoshida, under the guidance of his father, Hiroshi Yoshida, began at age thirteen to learn carving and printing from artisans of the old school. These men had been chosen by the elder Yoshida to realize his own prints; they were experts, and having learned by apprenticeship themselves they knew how to put a youngster through the mill. He learned the craft and he learned respect for it. Hiroshi Yoshida was, as his son says, more traditional than modern. But he could do anything his artisans could, he was alert to new effects, and as his own publisher he brought the making of his prints under his own control, under the control of the artist. These were big steps towards the position taken by the creative print makers of today, and his son found no difficulty in moving the rest of the way. He is at home with both traditional and modern prints. …

Lex.-8°, gebundene Ausgabe. Zustand: Sehr gut. 176 Seiten Sehr rares Werk mit SU und Schuber im sehr gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 1000.