yesenin (26 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: Good. IN RUSSIAN; hardcover; light browning of inside boards and endpages; light browning of leaves; o/w in good condition. Book.

Hardcover. Zustand: Very Good. IN RUSSIAN; hardcover; light browning of inside boards and endpages; o/w in very good condition. Book.

Hardcover. Zustand: Very Good. IN RUSSIAN; hardcover; light browning of inside boards and endpages; o/w in very good condition. Book.

Hardcover. Zustand: Good.

Zustand: Very good. - Octavo, softcover bound in printed gray wraps. The spine & extremities are darkened & the head & tail of the spine are chipped. There is a small piece out of the top edge of the front wrap & the top 2 inches of the wrap are detached. vi & 198 pages. Illustrated with a black-and-white portrait frontispiece. The contents are very good. Serge Esenine, born Sergei Alexandrovich Yesenin [or Esenin] was a popular Russian lyric poet, who was briefly married to Isadora Duncan. Though he was given a state funeral after he committed suicide, most of his writings were banned by the Kremlin during the reigns of Joseph Stalin and Nikita Khruschev. The text of this biography is in French.

Paperback. Zustand: Very Good. Series: Collezione di Poesia. 101p slim white paperback, cover a little dusty, edges show foxing, no names or stamps, original, Russian and Italian text on facing pages, Yesenin = Esenin Language: Italian.

Zustand: Very Good. reprint. Cloth spined boards, dj, VG/G+. 72pp, colour illustrations throughout, dustjacket yellowed, otherwise a nice copy. Selected poetical works of the Russian lyric poet Sergei Alexandrovich Yesenin [ 1895 - 1925 ]. He is one of the most popular and well-known Russian poets of the 20th century. His death was possibly an assassination carried out by the OGPU. Many of his poems were banned in the Soviet Union until 1966.

Couverture souple. Zustand: Neuf. AST collection , 2015. 1 volume format In-12 neuf.

Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood with clean text lightly tanned, a few creased pages. Light wear to cover, especially at tips and head and heel edge of spine. Faded stamp on edge of back free endpaper. In Russian.

alle Hefte ohne Seitenangabe, 8°, Obrosch, liebevolle Illustrtationen zu den einzelnen russischen Gedichten,Die Hefte sind auf Russisch, guter Zustand.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Lt. green cl., publisher's gilt logo on cover, gilt lettering to backstr. Dj. unclipped, now in mylar. Taped over blacked-out section on copyright p. has bled through to t.p. 173pp. Parallel text in original Russian and English.

Zustand: new.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: NEW.

Zustand: new.

First UK edition hard back binding in publisher's original leaf green cloth covered boards, blocked and lettered gilt back, publisher's device to the front board. 8vo. 8½'' x 6''. Contains duel text in Russian and English, (viii), 173 pp. Very Good condition book in Very Good condition dust wrapper with rubbing across the spine ends and corners, not price clipped, 15s. Dust wrapper protected. Member of the P.B.F.A. RUSSIAN [Literature].

Zustand: Very Good. 1st edition thus. Plain cloth, VG. 255pp, b/w frontis, plain cloth re-bind preserving the original card wrappers, bookplate & related news paper cliping tipped in, a nice copy. A selection of the poems of Sergei Alexandrovich Yesenin [ 1895 - 1925 ] the Russian lyric poet, and one of the most popular and well-known Russian poets of the 20th century. His death was possibly an assassination carried out by the OGPU. Many of his poems were banned in the Soviet Union until 1966. 375 grams.

Encuadernación de tapa blanda. Zustand: Bien. Editorial Literatura Infantil, Moscú, 1970. Infantil y juvenil. Profusamente ilustrado con dibujos color. 16 pp. 27 x 21. Tapa blanda de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación.

Soft cover. Zustand: Poor. 98 pp. In Russian. Published in Regensburg Displaced Persons Camp. front & back covers are separately detached but present, 1-inch tear at top of title page, cover & pages are age-toned, last page (table of contents) is detached but present.

Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition, limited issue. Slim octavo. 136pp. Text in French. Yapped edges modestly creased along the bottom edge and a very small toned spot at the spine base, a near fine, unopened copy in a near fine unprinted glassine dust jacket with a couple of tiny chips and the spine faintly tanned. Copy 87 of 112 copies "sur Bouffant" (of 149 numbered copies total).

73 S. 26x14,5cm. Umschlag mit doppelter Klappe und Autorenfoto (?). Russische bzw. Texte in kyrillischer Schrift mit ganzseitigen Illustrationen. Selten! Schubl2016 Umschlag teils stärker gebräunt, herstellbedingte Falte, Oberkante angerändert. Broschur etwas berieben, innen zarte Alterstönung.

First edition. First edition. In publisher's illustrated wrappers. Portrait of Alexander Blok on the front panel by Serge Chubine (Sergei Aleksandrovich Zalshupin). 95, (3) p. First edition of this collection of poems by modern Soviet-Russian authors, including Blok, Mayakovsky, Akhmatova, Yesenin and Ehrenburg. Ownership inscription in ink on half-title. Ownership stamp and a shelf mark on title page. Spine artistically restored. Overall in fine condition. In publisher's illustrated wrappers. Portrait of Alexander Blok on the front panel by Serge Chubine (Sergei Aleksandrovich Zalshupin).

My best poems - in Isadora Duncan's company --- First edition of this important collection, considered by Esenin as "the most characteristic and what I consider [my] best", and conceived in Europe in company of Isadora Duncan, his newlywed wife. With the first publication of Esenin's famous and provocative cycle Moscow of the Taverns, censored in the USSR, which banned this edition. At the end of March 1923, Sergei Esenin (1895-1925) handed over the manuscript written in 1922-23 to the Berlin publisher I. T. Blagov. Quiclly released in June, these 'scandalous' poems include in particular for the first time four uncensored poems of his daring and popular cycle Moskva Kabatskaia [Moscow of the Taverns]: "Da! Teper resheno! Bez vozvrata" ["Yes! It's settled! Now and forever"], "Snova poiut zdes, derutsia i plachiut" ["They are drinking here again, brawling, sobbing"], "Syp, garmonika! Skuka, skuka" ["Shoot, accordion! Boredom, O boredom"], and "Poi zhe poi na prokliatoi gitare" ["Sing, sing with the damned guitar"]. Printed without any separation from each other, the poems were dedicated to Esenin's friend, the poet Aleksandr Kusikov. The themes of hooliganism and desperate drunkenness in this cycle were deeply autobiographical. During Esenin's life in Russia and travels in Europe, he was the subject of continuous scandals and sometimes even criminal cases involving debauchery and fights. Upon his return to Russia, he developed his Moskva Kabatskaia into a separate work and made four attempts to publish this "problematic" work (Bubnov). The collection was eventually issued in 1924 with omissions and without several poems, including the aforementioned "Poi zhe poi na prokliatoi gitare" ["Sing, sing with the damned guitar"]. Our first edition also includes Esenin's other famous poems "Ispoved khuligana" ["Hooligan's Confession"], "Ne zhaleiu, ne zovu, ne plachu" ["I don't pity, don't call, don't cry"], "Pesn o sobake" ["A Song About a Dog"], and a chapter "Uralskii katorzhnik" ["The Ural Convict"] from the poem "Pugachev" (1922). "I feel like a master of Russian poetry and therefore I am pulling words of all shades into the poetic speech, there are no unclean words. There are only unclean ideas. The embarrassment of my bold word lies not to me, but to the reader or listener", Esenin wrote in the preface, foreseeing the critics' uneasy reaction to his use of 'vulgar' and 'base' vocabulary. Scarce outside Russia: we couldn't trace any example being offered at auction in recent decades. Provenance: Physical description:Octavo (18.5 x 12.8 cm). 57 incl. first blank and title, [2] pp. Near contemporary half burgundy cloth over beige boards, dar red morocco label to upper board lettered in gilt; kept in modern grey cloth solander case with red lettering on spine. Condition:Upper board with light mark along the outer edge; lightly browned throughout; a very good, attractive example. Bibliography:Missing in the Rozanov and the Lesman collections, who both had the 1924 Soviet edition of 'Moscow of the Taverns'. Bubnov S. A., "Kniga stikhov S. A. Esenina "Moskva Kabatskaia" v vospriiatii sovremennikov poeta", Izvestiia Saratovskogo Universiteta // Filologiia. Zhurnalistika, vyp. 3, T. 14, 2014.

Berlin: Izd. I. T. Blagova (Tipografiia "Nakanune"), [1923]. Octavo (18 × 12.5 cm). Original publisher's wrappers printed in red; 57, [1] pp. Very good, save for small nick to lower spine extremity (see scans); empty first leaf detached; text toned due to stock. First edition of the rarest book of poems by Sergei Esenin (1895-1925), one of the most popular Russian lyric poets of the twentieth century. Esenin submitted the book to I. T. Blagov for publication in Berlin while en route to America with his third wife, the dancer Isadora Duncan. The collection "marked a transition to a darker theme of drunkenness and imminent death," a tendency continued in his subsequent critically acclaimed collection "Moskva kabatskaia" (Moscow Taverns, 1924). Four poems, including "Da! Teper' resheno! Bez vozvrata.," "Snova p'iut zdes', derutsia i plachut," "Syp', garmonika! skuka. skuka.," "Poi zhe, poi! Na prokliatoi gitare." appeared for the first time in this collection. Esenin faced many difficulties during and after the trip. He and Duncan were initially denied entry into the United States on accusations of intent to spread Bolshevik propaganda. Esenin was in turn arrested and interrogated several times on his return to the USSR. This collection was famously banned from being imported into the Soviet Union (Turchinskii, p. 190). Perhaps sensing the problems his book would face, Esenin wrote a short preface in Berlin that began with the words: "I feel myself to be a lord in Russian poetry and for this reason I drag all manner of language into poetry, there is no such thing as unclean language. There are only unclean notions." Known as a "peasant poet," Esenin was born to a peasant family in the Ryazan region. He claimed to have begun writing poetry at the age of nine, inspired by folk songs and ditties. In 1914, equipped with a teacher's diploma he moved to Moscow and worked at a printing house while trying to continue his education, unsuccessfully due to lack of funds. A year later he went to St. Petersburg, where he met major poets of the Russian Silver Age, Alexander Blok and Andrei Bely who were instrumental in his subsequent career and Nikolai Klyuev, another "peasant poet" with whom he formed a deep friendship. Esenin supported the 1917 Revolution and the rise of Bolshevism, but never joined the party, claiming to be further left of it. He had progressively more run-ins with the state toward the end of his life and was found dead in one of the rooms of Hotel Angleterre, at the age of 30, having left as a suicide note the poem "Do svidania, moi drug, do svidania," written in his own blood. Nevertheless, rumors that his suicide was in fact a murder continue to circulate. The poet published nearly two dozen collections of poems in his ten years of poetic activity, with this collection being the most scarce in the trade. We cannot trace any auction records in the West. A copy in comparable condition reportedly sold for $12,000 in Moscow (March 3, 2016, Litfond Auction no. 9). This edition was famously forbidden from being imported by Soviet authorities.