Yamada sadami (33 Ergebnisse)

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair.

Zustand: Good. Good condition. (art, sumi-e, painting, guide) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Zustand: Good. Reprint . Heavy book may require extra postage unless posted within South Africa. Publication of 37 pages. Tall book. Small bookplate on the first page. The wraps are a little shelf rubbed and minor marks. Internally the pages are clean and complete. The text is legible. Staple bound. GK. Our orders are shipped using tracked courier delivery services. …

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade paperback. Zustand: Very good. Third printing [stated]. 32 pages, Oversized book, measuring 8 1/4 by 11 3/4 inches. Cover has some wear., Includes information on Sumi-e and Zen, Sumi-e and "White Space," Painting Trees, Painting Tree Leaves, Depicting Mountain Ridges and Rocks, Rock Composition, Painting Mountains, Painting Practice (Mt. Fuji, Village on a Shore, Stream, Clear Mountains, View of Naples, View of Segovia, Shores of Etretat, New York, Mt. Asama, Lake, Paris, Central Park New York, and Examples of Sumi-e. The Society was created in New York in 1963 by Professor Motoi Oi to foster and encourage an appreciation of East Asian brush painting. For the initial fifteen years (1963-1978) its annual exhibitions were held in New York City. Over the years, the Society has grown and there are many chapters in the United States and a sister organization in Canada. The author was born in Gifu, Japan, in 1915, and graduated from the Tokyo Fine Arts University in 1937. He studied sumi-e under the famous Japanese painters, Somei Yuki and Gyokudo Kawai. He also has served as the President of the Japan Sumi-e Association. The Japanese term "sumi" means "black ink", "e" means "painting". It indicates one of the art forms in which subjects are painted with black ink in all possible gradations ranging pure black to the lightest shades achievable by dissolving ink in water. However, this does not mean that everything painted in this way deserves to be called sumi-e. Real sumi-e must correspond to typical features, such as simplicity and spontaneity that directly strike the viewers' sensibility. In order for a painting to be "alive", all its components must be alive. This type of painting already includes the sketch; there is no need for preparation, as in traditional painting; any superfluous form or detail is left out. This way of painting was introduced into Japan by Zen monks and it then became rapidly successful because in this painting-method, as in Zen practice, reality is expressed by reducing it to its pure, bare form. Sumi-e materials Rice paper is found in various varieties of thickness, consistency, absorption, texture, etc. To get started, we suggest using one with the least absorbency and of average size (24.5 cm x33 cm). Brushes are all made of natural bristle (horse, badger, goat, ox, weasel, etc.). They vary in shape, size, length and bristle type. Generally, they can be classified according to brush length, as large, medium or small, and according to bristle length, as long, medium or short. For beginners, it is advisable to use brushes that have a mixture of both soft and stiff bristles. They are the easiest to use and hold the ink well (average bristle length: 4.5 - 5.5 cm). When you've finished painting, you need to wash the brush at once with cold water, dry it and hang it up in a dry place. China ink comes in bars made of soot from natural pine resin or rape-seed oil mixed with glue extracted from hide. The China ink bars are dissolved with water while rubbing them on a special stone known as a SUZURI. Ink stone (Suzuri) It is usually rectangular, includes surfaces on which SUMI ink is rubbed, and has a small area which holds water. To prepare the ink, you fill this area approximately two thirds full with water, then you dip the bar, bringing a little water along with it to the surface of the stone and start rubbing with a circular movement; the movement has to be clean, constant and vigorous, without exerting excessive pressure.…

Hardcover. Zustand: Good. Stapled book with some marks and handling wear including a long crease on the front cover.

Softcover. Ninth printing. 151 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten gut. Sprache: Englisch Gewicht in Gramm: 600.

dj. 263 Pages. Hardbound in very good condition in a very good dust jacket in printed box.

1. Auflage. 152 Seiten. OBr., Quart, 148 (4) S.; sehr gut erhaltenes Exemplar. Softcover.

Boudn in cloth, with dust jacket and illustrated cardboard cassette. Profusely illustrated in b/w. 263 p. -(Cassette worn, signs of use to the dust jacket, fly-leafs foxed, but otherwise in good condition.).

Hardcover. Zustand: Very Good. VG cloth in a worn card slip case. Japanese and English. 211 pages : illustrations ; 30 cm.

Hardcover. Zustand: Very Good. VG cloth in a worn card slip case. Japanese and English. 201 pages : chiefly illustrations (some colour) ; 28 cm.

Hardcover. Zustand: Very Good. VG cloth in a worn card slip case. Japanese and English. 39, 240 pages : chiefly illustrations : 28 cm.

Couverture souple. Zustand: bon. RO60123311: 1978. In-4. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 151 pages. Dessin en noir et blanc en frontispice. Illustré de nombreux dessins en noir et blanc dans et hors texte. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Paperback. Zustand: Good. This highly practical guide designed teaches the fundamentals of traditional Japanese ink wash painting (sumi-e) with a specific focus on natural scenery and is part of Sadami Yamada's In Three Weeks series.

Paperback. Zustand: Gut. Dt. Erstveröff. 148 S.: überwiegend Illustrationen; 30 cm. Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 760.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. Dust jacket placed in mylar for preservation. Minor loosening to binding. Secure packaging for safe delivery.

Hardcover. Zustand: Good. Pages 263; cardboard slipcase in good condition, hardback with red cloth boards and white titles to spine in good condition, dustwrapper in good condition. With black and white photographs full page throughout the book and instructional folding techniques alongside, this is a handsome edition of paper crafts. A heavy book may incur postage.…

Mit Fotos u.Faltskizzen. 261 S. Orig.Ln m.OU. Leichte Altersspuren, gut.

Hardcover. Zustand: Like New. First Edition. First Edition, 2nd Printing (1971). Not price-clipped. Published by Japan Publications Trading Co., 1966. Folio in slipcase. Hardcover. Book is like new. Dust jacket is like new, clipped front panel, and very light shelf wear. Slipcase is like new with a creased corner. A fine copy of this look at Chinese ink art, and techniques.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. "Published 1967" stated. No subsequent date, edition or printing indicated. Near fine plus, if not fine hardback in near fine plus, if not fine dust jacket (63s net). Only trivial signs of age/wear/previous use to book and dust jacket, primarily to tips of fore-edge corners.…

Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, manca sovraccoperta Condizioni dell'interno: Buone.

Pappband. mit Schutzumschlag. 1. Auflage. Quart. Erste Auflage, 261 S. Leinen mit Schutzumschlag im Pappschuber. Mit zahlr. schw.-w. Abb. Schuber geringf. berieben, sehr gutes Exemplar.

Couverture souple. Zustand: bon. R300320771: 1981. In-4. Broché. Etat d'usage, Coins frottés, Dos plié, Intérieur acceptable. 151 pages - nombreuses illustrations en noir et blanc dans et hors texte et en frontispice. Texte en anglais. Léger accroc en coiffe de tête. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon. …

4°. 148,(4) S., mit zahlreichen Abbidungen. Orig.-Kartonage. Einband etwas berieben; Ecken und Kanten berieben und bestoßen.

Hardcover. Zustand: Good.

Softcover. 148 S. Sehr guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Ansonsten sehr gutes Exemplar. 9783770114603 Sprache: Deutsch Gewicht in Gramm: 1000.