wyrley william (14 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnExcerpt from The True Use of ArmsWyrley was appointed Rouge Croix Pursuivant of Arms, by Patent, dated 15 May, 1604. While in office he made numerous Collections, some of which are in the College. He died in February, 1617.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Taschenbuch. Zustand: Neu. Neuware - The True Use of Arms is a book written by William Wyrley in 1853. It is a historical treatise on the proper use of arms, specifically focusing on the use of swords and other handheld weapons in battle. The book is divided into several sections, each of which explores a different aspect of sword fighting and warfare. The first section of the book provides an overview of the history of sword fighting, tracing its evolution from ancient times to the present day. Wyrley discusses the different types of swords that have been used throughout history, as well as the various techniques and strategies that have been employed in battle. The second section of the book is devoted to the practical use of swords in combat. Wyrley provides detailed instructions on how to hold and wield a sword, as well as how to defend oneself against different types of attacks. He also discusses the importance of physical fitness and mental discipline in sword fighting, and provides tips on how to develop these qualities. The third section of the book focuses on the use of other handheld weapons, such as spears, axes, and maces. Wyrley provides similar instruction on how to use these weapons effectively in combat, and discusses their advantages and disadvantages compared to swords. Overall, The True Use of Arms is a valuable resource for anyone interested in the history of sword fighting and warfare, as well as for those who wish to learn practical techniques for using handheld weapons. Wyrley's detailed instructions and historical insights make this book an engaging and informative read.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

hardback. Zustand: Good. No Jacket. hardback, slim post octavo, blind stamped brown cloth lettered gilt to spine. Rubbed to the extremities, upper hinge cracked but the stitching of the text block remains tight. Catalogue extract at the head of the front pastedown, together with an inked note referencing the limitation of the book to 75 copies [we believe this may refer to the large paper edition, not this one}. Previous owner details excised from the front pastedown, the text is clean and unmarked, vi b&w plates, vii + 42 pp + 12pp publisher List to rear. This is the first reprint of a work published in 1592.

Rare first edition of this essay on heraldry, finely bound. Wyrley, an antiquarian and officer of arms, explains the symbolism of armorial devices with illustrations. Appended to the essay are two long poems about the knights Sir John Chandos and Sir John de Gralhy. This volume is from the library of Stowe House, Buckinghamshire, which was inherited in 1834 by Richard Temple-Nugent-Brydges-Chandos-Grenville, 1st Duke of Buckingham and Chandos. His wife, Anne Elizabeth, was the sole heir of the 3rd Duke of Chandos and a descendant of Sir John Chandos. Wyrley highlights the importance of heraldic devices as distinctive marks especially in war. He rejects the practice of dividing a shield into too many parts, and shows how the same blazon can be varied in an effective way for different members of the same family using illustrations of shields of the Basset family. William Dugdale republished part of the tract in his Ancient Usage of Bearing Arms (1682), misattributing it to Wyrley's mentor Sampson Erdeswicke. The two poems are written in the style of The Mirror for Magistrates, a Tudor-era collection that recounts the lives and tragic deaths of historical figures. Both pieces take the form of moralized complaints against Fortune, voiced by their ill-fated subjects. Sir John Chandos, in the tenth stanza of his poem, praises the authors of the Mirror and wishes to be counted among their storied figures. This work is rare in commerce; we have traced no other copies at auction in over 45 years. Provenance: a) Lot 5699 in the S. Leigh Sotheby & Co. sale "The Library Removed from Stowe House, Buckinghamshire" (8 January to 9 February 1849), with notes on the initial and final blanks, one indicating that it was bought for £2 10s. b) Herbert Norman Evans (1802-1877), doctor of Hampstead Heath, with his ownership inscription. b) Armorial of Henry Thomas Ellacombe (1790-1885), divine and antiquary, cut down from his bookplate and affixed on the front pastedown. c) Francis Pierpont Barnard (1854-1931), British archaeology professor, with his bookplate, shelf mark, and ownership inscription. ESTC S120446; USTC 512292. Quarto (188 x 129 mm), pp. [i], 159, [1]. Bound without initial blank. With 15 woodcut illustrations of armorial devices (13 hand-coloured); title page within elaborate woodcut border and enclosing woodcut ornament, large historiated initial, tailpiece. Early 19th-century deep red straight grain morocco, smooth spine divided by gilt and blind rolls, lettering and floral pointille decoration in compartments, covers bordered with a sequence of blind and gilt frames, central panel with floral pointille cornerpieces, board edges and turn-ins similarly decorated, blue pulled-paste paper doublures and free endpapers, edges gilt, blue silk bookmarker. Two long bibliographical notes on the front blanks and occasional pencil annotations in text in a 19th-century hand, early pen trials on two final leaves. Extremities refurbished, superficial splits to inner hinges, but firm, contents toned, intermittent minor damp stain to margins, final leaves a little soiled, occasional mark, red tint on woodcuts smudged and offset in places, else clean. A very good copy, handsomely bound.