wright harold j l (20 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. 1947. Limited Edition no. 208 of 400. 48 pages. No dust jacket. Blue cloth with gilt lettering. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.

Hardcover. Zustand: Used - Very Good. 1st Edition. Excellent condition, spine, cover and binding all fine, contents extremely clean. No inscription. Dustcover in very good condition. Being a lecture delivered to the Print Collectors Club on Thursday, 2nd May, 1946, by Harold J. L. Wright. 48 pages.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. 27 illus., 10 x 7.5", cloth, 48pp. Endpapers foxed, minor cover wear. David Young Cameron was one of Scotland's most prolific and influential artists, he received the most recognition for his printmaking.

Soft cover. Zustand: Very Good. 39 p. : ill. ; 22 cm. Exhibition originally organized and shown by the Birmingham City Art Gallery, Feb.-Mar. 1952, and subsequently shown elsewhere by the Arts Council. Reprint of the original catalogue compiled by Harold Wright.

Hardcover. Zustand: Very Good. From the Library of John Russell Taylor.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. This copy is in near fine condition with a very good dust unclipped jacket. An excellent clean copy.

Taschenbuch. Zustand: Neu. Neuware - 'The Lithographs of John Copley and Ethel Gabain' offers a comprehensive and scholarly examination of the graphic achievements of two of the most significant figures in the early twentieth-century British lithography revival. Written by Harold J.L. Wright, this work serves as an essential reference for the study of modern printmaking, meticulously cataloging the diverse output of these two masterful artists.The volume highlights the technical brilliance and artistic innovation that John Copley and Ethel Gabain brought to the medium. Copley is celebrated for his dynamic compositions and deep exploration of human emotion and movement, while Gabain is renowned for her elegant, atmospheric depictions of figures, often characterized by a delicate play of light and shadow. Together, their work represents a pinnacle of the lithographic art form during a period of renewed interest in the medium's expressive possibilities.Art historians, collectors, and enthusiasts of fine prints will find this book invaluable for its detailed insights into the creative processes and thematic concerns of these influential artists. By documenting their extensive body of work, 'The Lithographs of John Copley and Ethel Gabain' preserves a vital chapter in the history of British art and underscores the enduring legacy of the lithographic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Good. No Jacket. * PUBLISHER : THE PRINT COLLECTORS' CLUB * YEAR : 1947 * ISBN : N/A * No OF PAGES : 48 * CONDITION : USED - GOOD * OTHER: THE BLUE BOARDS ARE LIGHTLY RUBBED AND WORN. THE LETTERING IS REASONABLY BRIGHT ON THE SPINE. THE BINDING IS FIRM. THE PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Buch. Zustand: Neu. Neuware - 'The Lithographs of John Copley and Ethel Gabain' offers a comprehensive and scholarly examination of the graphic achievements of two of the most significant figures in the early twentieth-century British lithography revival. Written by Harold J.L. Wright, this work serves as an essential reference for the study of modern printmaking, meticulously cataloging the diverse output of these two masterful artists.The volume highlights the technical brilliance and artistic innovation that John Copley and Ethel Gabain brought to the medium. Copley is celebrated for his dynamic compositions and deep exploration of human emotion and movement, while Gabain is renowned for her elegant, atmospheric depictions of figures, often characterized by a delicate play of light and shadow. Together, their work represents a pinnacle of the lithographic art form during a period of renewed interest in the medium's expressive possibilities.Art historians, collectors, and enthusiasts of fine prints will find this book invaluable for its detailed insights into the creative processes and thematic concerns of these influential artists. By documenting their extensive body of work, 'The Lithographs of John Copley and Ethel Gabain' preserves a vital chapter in the history of British art and underscores the enduring legacy of the lithographic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. In.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dimensions 250mm x 190mm.pp. 80. Original publisher's cloth binding in turquoise blue, lettered gilt at spine, with an attractive Print Collectors Club logo in gilt on upper board. Sixteen Black and white plates by F.L. Griggs. Includes a catalogue by Campbell Dodgson. Very good indeed. Covers very slightly soiled.

Hardcover. Zustand: Brand New. 392 pages. 9.30x1.10x6.40 inches. In Stock.

Cloth. Zustand: Very Good. Alphonse Legros (illustrator). First edition. A smart limited edition of this lecture on the artworks of French-British artist Alphonse Legros. First edition. Limited to three hundred and fifty copies, of which three hundred were presented to the Members of the Print Collectors' Club. This is number two hundred and six. Illustrated with seventeen collotype plates. Collated complete. A copy of the lecture delivered to the Print Collectors' Club on Friday November 20th 1931, on the work of Alphonse Legros, a French, later British, painter, etcher, sculptor, and medalist who was important as a teacher in the British etching revival. Written by Harold J. L. Wright, a British art historian. In the original quarter cloth binding with paper covered boards. Externally, very smart with minor rubbing and light bumping to the extremities. Internally, firmly bound. Pages are very bright with light scattered spotting. Very Good. book.

Cloth. Zustand: Very Good Indeed. Sir D. Y. Cameron et al. (illustrator). Two limited edition works featuring lectures on art and engravings, with numerous plates throughout. Limited editions. 'Etchings and Drypoints' is number 306 out of 400, of which 300 are for presentation to members of the Print Collectors' Club. 'Britain Afloat and Ashore' is number 332 of out of 400, of which 300 are for presentation to members of the Print Collectors' Club.Two volumes.Illustrated with thirty-one monochrome plates to 'Britain Afloat and Ashore', and twenty seven monochrome illustrations over eighteen pages to 'Etchings and Drypoints', with a duplicate of the pages 33-36. Collated, complete.This set features two limited edition works, featuring lectures delivered to the 'Print Collector's Club', both on the subject of art. The set includes; 'The Etchings and Drypoints of Sir D. Y. Cameron', a lecture on the Scottish painter and etcher Sir David Young Cameron, delivered by Harold J. L. Wright.and'Britain Afloat and Ashore', a lecture on pictures and engravings with depict Britain's national achievements, delivered by Captain Harry Parker. In the publisher's original cloths. Externally very smart with fading to the spine to 'Britain Afloat', and a slight mark to the front of 'Etchings' only. Spotting to the endpapers to 'Etchings' and to the rear to 'Britain Afloat'. Internally firmly bound with bright pages, and occasional spotting to 'Etchings' and the odd spot to 'Britain Afloat'. Very Good Indeed. book.

Copertina rigida. Zustand: Ottimo. Testo inglese. "Revised editions with many new illustrations". Cm.31,3x23,3. Pg.(220). Legatura in tela editoriale con sovracoperta. Tavole e illustrazioni nel testo. 1400 gr.

Hardcover. Zustand: Very Good. No Jacket. 208, xx, [1] ; illustrated, 4 in color ; 21 cm. ; John Horace McFarland (1859-1948) was an American master printer and horticulturist. Throughout his career, he advocated for civic beautification, and he became a leader in the conservation movement of the early twentieth century. His wide-ranging achievements made a lasting impact on printing processes, horticulture, and environmental protection. During McFarland's early years, his father operated a nursery and a small weekly newspaper in Harrisburg, Pennsylvania. McFarland worked in both of his father's businesses as a youth. These early experiences instilled the passion for horticultural beauty and the business expertise that distinguished him personally and professionally. He eventually purchased his father's press. Combining the skills learned from these early experiences, he established a successful printing company of his own. He founded the J. Horace McFarland Company/Mount Pleasant Press, specializing in seed catalogs and nursery trade publications. Over the course of his lifetime, McFarland wrote and lectured extensively on horticulture, printing methods, and civic improvement. McFarland was a prominent member of the American Rose Society. It truly happened (poem)/Florence van Fleet Lyman -- The rose in poetry/Edmund M. Mills -- The music of the rose/Charles G. Adams -- The resurrection of the rose/Ruben Dario -- A tired woman's roses/Mabel Osgood Wright -- The Sunday rose festival/Edmund M. Mills -- The Sing Sing rose-garden/Richardson Wright -- About municipal rose-gardens/Harold A. Caparn -- The best in small rose-gardens (a symposium) -- Designing a small rose-garden/Harold A Caparn -- The small rose-garden in the West/Spencer S. Sulliger -- Planning the small rose-garden/Paul A. Kohl -- The ideal rose-garden/Liberty H Bailey -- Find a white rose of a thousand dollars!/Jesse A. Currey -- The rose/from the San Francisco Journal -- Who will carry on?/J. H. Nicolas -- Quick germination of rose seeds/Allen C Fraser -- Rooting budded roose-cuttings/Martin Bilon -- What do roses cost?/W. C. Egan -- "Heart of Gold" in 1926, an official announcement -- Heresy in rose-growing/G. A. Stevens -- Ordinary fertilizers vs. special plant-foods/Sidney H. DOggett -- The conquest of mildew/H. H. Hazelwood -- A mildewless rose-garden/W. DeP. Knowlton -- A cautionary word about fungicides/L. M. Massey -- The color of a red rose/James M. Petrie -- A California bloom record/P. J. Lauber -- More Denver rose news/Dr. William L. Hess -- Own-root roses in COlorado/John T. Roberts, Jr -- Georgia roses/Mrs. E. P. Crenshaw -- Texas roses/W. E. Haisley -- Is the South growing the right roses? -- A Chevy Chase rose-garden in 1924/Whitman Cross -- Some new roses in central New Yorkk/Mrs. Frank C. Soule -- The world's most important rose test-garden/J. H. Nicolas -- An intimate view of roses in France/J. Duperyat -- The rose news from Italy/Countess Senni -- German rose experiences/Wilhelm I. H. Kordes -- The rose in Spain/Pedro Dot -- The queen of flowers in the Philippines/W. W. Weston -- Rose-growing in a hot climate/R. A. Nicholson -- The favored roses of America, referendum report -- The 1925 members' rose forum -- What kind of rose catalogues do you want?, editorial inquiry -- The value of design in a flower show/A. D. Taylor -- A survey of the florists' roses/Wallace R. Pierson -- The 1925 rose cut-flower situation/S. S. Pennock -- The new roes and the grower/Anthony Ruzicka -- The English Gold-Medal roses/Courtney Page -- Where can I buy the new roses? -- The world's new roses -- Roses registered -- Rose notes. ; some wear and soiling ; VG. Book.

Cloth. Zustand: Fine. Charles Meryon (illustrator). A collection of etchings by the pioneering French etcher Charles Meryon, profusely illustrated throughout, written by Loys Delteil and translated and edited by Harold Wright. This work is a catalogue of etchings by the French artist Charles Meryon. Meryon was a French artist who is known for being a pioneer and one of the most significant etcher on the nineteenth century. He worked in etching as he was colour blind. His masterpiece is generally considered to be 'Abside de Notre Dame'. Illustrated profusely throughout. Written by Loys Delteil. Delteil was a French engraver as well as being an art historian. Translated, edited and with additions by Harold J. L. Wright. With a booklet of addenda and errata loosely inserted. With a newspaper clipping from the Daily Telegraph on the 23rd December 1921 loosely inserted, being an article about Charles Meryon. In a quarter cloth binding with paper to the boards. Externally, smart. A little bumping to the head and tail of the spine. Internally, firmly bound. Pages are bright and clean. Fine. book.

Zustand: Good. First edition (hardback), limited to 135 copies, of which this is copy number 112. 4to (28cm by 19cm), 114pp. 66 etchings and dry-points in the text, plus a signed dry-point as frontispiece (specially executed by Russell Flint for this book). Original blue cloth, gilt titling to the spine, top edge gilt. Generally a sound copy, with the binding tight and the contents clean, but please note that there are several lighter-shade streaks to the boards (probably the result of water being spilt on the binding at some point in the past), and the tissue protecting the frontispiece is creased. Signed by W Russell Flint on the limitation page (as well as on the frontispiece).