Wright christopher buckland (25 Ergebnisse)

Soft cover. 8vo. pp 36. Publisher's colour illustrated wraps. Illustrated throughout in black and white. Published on the occasion of the exhibition at Wolseley Fine Arts, 630 October 1999. 500 copies printed.ISBN: 1900883139 Very good indeed, light rubbing along edges.

8vo, (238x170mm), [6]p. A good copy in original stiff illustrated .wrappers Please note that the advised postage is based on an average book weight of approx. 1 kilo packed, if possible the postage will be reduced to the correct amount and you will be notified by email.

hardback. First Edition. 27 x 22 cm 160 pp with numerous illustration throughout. Cloth,near fine in dustwrapper. Near fine in near fine dustjacket.

Zustand: Very Good. Together with original slipcase. From the Library of Ying Yeung Li.

Hardcover. Zustand: As New. Limited Edition. One of 54 special copies containing 2 tipped in prints,' The Blue Dress ' and ' The Red Room '. 71 pp, illustrated in colour and black and white. As new hardback in quarter vellum on patterned boards' housed ' in cloth covered box. Loose print ' Cafe Dansant No 2 ' included in inserted folder. Buckland Wright, John (illustrator).…

4to. pp. 160. profusely illus. (a few in colour). biblio. cloth. dw. Very good copy. First Edition. Published in conjunction with an exhibition. Catalogue Raisonné.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Bound in black cloth with gilt lettered spine. Illustrated dustjacket. Number 54 of a limited edition of 150 copies signed by Christopher Buckland Wright and with an additional wood engraving 'Nu Couche' on Gampi vellum paper. Printed for the first time from the block owned by the artist's family. Black & white and color reproductions of engravings. Signed by Author(s). …

One of 246 copies of which six were not for sale. Printed on Saunders mould-made paper by Simon Lawrence. The text was set in Garamond at Whittington by Peter Sanderson. The marbled paper was made in Venice by Enrico Ricciardi. Quarter cloth binding and cloth covered Solander box by Smith Settle, printed labels to spines of book and Solander box, blue endpapers. The seven tipped-in plates were printed in Sheffield by J.W. Northend Fine Print. Octavo. [2] [1-6] 7-56 [6]. A book in Fine condition in a Fine Solander box. …

One of 220 copies which include an original tipped-in copper engraving printed by Anthony Dyson at his Black Star Press, used as frontispiece. Quarter cloth and beautiful marbled sides (in a false Suminagashi pattern) made in Madrid by Antonio Velez Celemin, housed in a slipcase. A book in Fine condition in a Fine slipcase. Printed in three editions by Sheffield-based Northend Creative Print Solutions. All three editions feature the same collection of more than 400 prints, comprising a full catalogue of all the artist's engravings, including surviving copper plates found in Wright's studio by his son following the artist's death. The 100 copy A edition was full bound in cloth with a letterpress-printed label (printed inhouse by Fleece Press owner Simon Lawrence on a circa 1930s Autovic). A further 220 copy B edition, featuring an original tipped-in copper engraving printed by Black Star Press included as a frontispiece, was quarter bound in cloth and marbled paper over boards, with a paper spine label, and housed in a slip case. The hand-marbled cover paper was produced in Madrid by Antonio Velez Celemin in a "false Suminagashi pattern" incorporating a large heart that the judges said provided a "considered link between the contents of the book and the cover. Lawrence said: "There's a large red and black heart in the middle of the marbling on the front of the book, which is incredibly clever and difficult to do with marbling. You have a bath of water with inks floating on top that you have to draw into a particular pattern that is then drawn into paper that has been primed with alum. Every single one is different." The final 40 copy C edition included four extra original prints housed in a separate folder; the book itself was quarter bound in vellum and enclosed in a clamshell box. Lawrence selected an uncoated paper from Swedish paper mill Lessebo Bruk for the book. Binding was done by the Finedon-based Fine Book Bindery, which also made the slip cases and boxes for the B and C editions. Separations were done by Ian Wright Creative.…

First Edition. Wood-engraved frontispiece, colour and black-and-white plates and illustrations throughout, some tipped-in One of 300 copies, this being one of 150 in quarter cloth. Set in Modern No. 7 by Peter Sanderson at the Whittington Press on Magnani Velata avorio 'Biblos'. Printed in red and black Folio Fine copy, as new. in slipcase Rogerson 56 Light brown quarter cloth with patterned boards from a design by the artist, spine with printed label, by Smith Settle.…

15 printed wood engravings from Free Vistas and Yew Leaf and Lotus Petal by John Buckland Wright. 7 tipped in plates. One of 246 copies printed on Saunders mould-made paper by Simon Lawrence. 8vo, original russet cloth backed, gold, brown and white marbled paper covered boards, printed paper spine label, housed in the original russet brown cloth covered clamshell box. A fine copy. With an als from the printer at the time of publication to David Chambers, with a humorous pochoir image of tennis players as a header.…

folio. pp. 71, [4]. wood-engraved frontispiece, numerous wood engravings & tipped-in reproductions (some colour). quarter cloth with patterned paper sides derived from an original design by the artist. matching cloth slipcase. Fine copy. First Edition Limited to 300 copies, this one of 150 in quarter cloth.…

Hardcover. Zustand: Fine. 1st Edition. Set in Van Dijck type and printed in black with chapter headings in reddish-brown on a special making of Magnani paper. Number 27 of 44 (266) copies specially bound and with an extra print from the copper engraving Nymph Surprise II (1935). Illustrated with 12 tipped in plates and 16 engravings printed from the blocks (in various colours). Quarter ivory vellum with JBW patterned sides, yellow on white, lettered in gilt on the spine. Slipcase. A fine copy.…

One of 90 standard copies with a print of Café Dansant No. 2, quarter bound in vellum using a patterned paper derived from an original design by the artist, and housed in a cloth-covered drop-back box, from a total edition of 300 copies. The paper is Magnani avorio Biblos and the type is Modern No. 7 set at Whittington by Peter Sanderson. The print is protected within a brown paper cover with black lettering to the front panel. Quarto. pp. [1-4] 5-71 [3 blank] [limitation page] [3 blank] with illustrations throughout. A book and print in Fine condition in a Fine drop-back box. There were 150 standard copies (half bound in quarter cloth and housed in a slipcase), 90 standard copies with a print of Café Dansant (quarter bound in vellum and housed in a drop-back box), 54 special copies with two prints mounted in the book and 6 extra-special copies with extra proofs (not for sale). …

Hard Cover. Zustand: Near Fine. Hardback, quarter vellum and printed paper covered boards, with slipcase. 33 x 24cm. 87pp. Number 10 of 44 copies of the vellum edition, from an overall edition of 266 copies, containing a tipped in copper plate entitled Nymphe Surprise No.II, plus 12 tipped in plates and 16 engravings printed from the blocks, some in colour. Signed by Christopher Buckland Wright to the colophon. An excellent copy.…

One of only 100 'A' copies bound in full cloth, of a total edition of 366. Tipped-in copper engraved frontispiece plus 413 illustrations. Oblong 4to., bound in full imperial purple cloth with printed paper spine label. In a later folding card protective cover. Errata slip pasted to front pastedoan, prospectus inserted loose. A fine copy. The sixth book in the series of Fleece Press books exploring the work of John Buckland Wright. This is a catalogue raisonne of all the prints he produced from metal plates including drypoints, copper engraving and the intaglio process from his earliest plates in 1927 up to those he was working on at the time of his death and published posthumously. The scope is broad as it includes all the preparatory and final versions for the autonomous prints, Ex Libris and commercial work. …

Hardback. Copy F (Originally Not for Sale). St Marys Books are incredibly proud to present this rare 2014 edition of Sensuous Lines A Catalogue Raisonne of the intaglio prints of John Buckland Wright Published by The Fleece Press this is copy F part of six copies containing extra prints which were not for sale making this item particularly scarce Housed in a beige linen clamshell case this copy is bound in a quarter vellum with a false Suminagashi marbled paper made for the book by Antonio Velez Celemin in Madrid This book is accompanied by four original prints in a blue paper folder alongside five aditional original prints in a separate folder Within the pages of this book the viewer is treated to a collection of the surviving copper plates left in John Buckland Wrights studio at the time of his death compiled by his son Christopher into this fascinating 284 page full catalogue which won Best British Book at the BPIF Book Awards in the year of its publication This copy is in very good condition with few notable blemishes or imperfections it appears virtually asnew Sensuous Lines is looking for a new home and would make for the perfect gift for any art enthusiast. John Buckland Wright (illustrator). book.…

One of 204 copies bound in quarter natural vellum and Compton marbled paper, from a total edition of 240 copies. Printed on specially made Zerkall paper, dampened before use, using 16 point Centaur and Arrighi type cast by Peter J Sanderson at Whittington Court. Folio, 14¾" x 10½", pp. [2] [1-6] 7-28 [2 with engravings title page and title of the first engraving respectively], [[50], with 25 engravings on recto of pages and titles on verso] [2] [colophon] [3]. Eight tipped in plates. The second of a series of Fleece Press books on the wood and copper engravings of John Buckland Wright. The others are:'Bathers & Dancers' (1993), 'Surreal Times' (2000), 'Endeavours & Experiments' (2004), and 'To Beauty' (2006). A book in Fine condition housed in a Fine cloth solander box. Six of the 240 copies, lettered A to F were not for sale, bound in full classic vellum and accompanied by a set of prints made on Japanese gampi vellum. Thirty of the 240 copies were bound in classic vellum and signed by Christopher Buckland Wright. All 240 copies were housed in solander boxes. …

Hard Cover. Zustand: Fine. First Edition. Hardback, quarter vellum with patterned paper covered boards, housed in a clamshell box. 31.5 x 23.5cm. Number 19 of 60 specially bound copies with an additional original print 'Cafe Dansant No 2' loose in wraps plus two additional tipped in colour plates The Blue Dress' and The Red Room. Also loosely inserted with this copy a folding poster for the Oxford Fine Press Book Fair and a 16pp extract from 'Surreal Times'. An excellent copy. Signed by Author.…

Hardcover. Zustand: Fine. 1st Edition. Quarter bound in vellum with patterned paper boards and gilt title on spine. This is number 56 of 60 specially-bound copies ( total edition of 300 copies) with additional, original print 'Cafe Dansant No 2' numbered and dated in pencil, loose in printed wrapper. The 60 copies of this limited edition also contain 2 extra tipped-in prints 'The Blue Dress' and "The Red Room'. Color and black & white woodcut illustrations from the original blocks, some tipped-in. Printed on Magnani avorio Biblos. Housed in orange cloth clamshell case with paper title label on spine. (4), 71 pp. Book 31,5 x 23 cm., loose print 34 x 27,5 cm., case 37,5 x 30 cm. In very fine condition.…

Softcover. Zustand: Sehr gut. 43,(2) S. mit zahlreichen Illustrationen (Holzschnitte von J.Buckland Wright); illustr.Original-Büttenbroschur; Gr.8°. Eins von 200 numer.Exemplaren. Druck auf unbeschnittenem Bütten. Beiliegend eine gedruckte Doppelkarte zum Jahreswechsel 1991/92, mehrfarb.Druck auf Bütten, innen von Martino Mardersteig signiert.…

Limited edition, one of 150 copies from a total edition of 300, 4to, 71, (5) pp. 54 illustrations, 11 tipped in and 16 in colour. Quarter cloth, patterned boards, slipcase.

First edition. Quarto. 160 pages. Preface by John Piper. Essays by various writers. Catalogue of prints and illustrated books. Numerous illustrations.One of 150 numbered copies signed by the editor and with an extra engraving, ''nu couché'', from the original block for a never-completed book.Fine in fine dustwrapper.…

Limited edition, one of 246 copies, 8vo, 56, (4) pp. 22 illustrations, 5 tipped in. Quarter cloth, marbled boards, folding cloth case, a fine copy.