wouvermans (6 Ergebnisse)

No Binding. Zustand: Very Good. Engraved By Sands (illustrator). A fine original copper engraved plinth. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage. His pictures are mostly small landscapes, with plently of figures in energetic action. His cavalry skirmishes, with a white horse generally in the foreground, were specially characteristic and popular.

Blattgröße circa 34,5 x 26 cm. Zustand: Sehr gut. 1 Blatt Fantastische Lithographie auf festem Velin. An den breiten Rändern partiell leicht getönt / lichtrandig. Nicht in der Abbildung störend. Siehe Fotos. Auf den Fotos entsteht manchmal ein farbiger Moiré Effekt, die Drucke sind aber in schwarz weiß. -- Reisende mit bepackten Pferden bereiten sich an einem Flussufer auf die Überfahrt mit der Fähre vor. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001.

No Binding. Zustand: Very Good. A splendid antique portrait, circa 1811. Mounted/matted and ready to frame. Attractive and decorative.

Softcover. Zustand: Gut. 16,0x21,0 cm Original-Stahlstich Blatt mit leichten Knickspuren,sonst GUTES EXEMPLAR.---Reisende mit Pferden und Gepäck Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.

Hardcover. Zustand: Very Good. Paris: Jean Moyreau, 1737. Folio (560mm x 435mm): with 45 hand-colored plates (of a total possible count of 100, lacking the portrait), of which 6 are double-pages. Bound in contemporary morocco by Manoury (re-jointed, with repairs to the had and tail). This work is composed entirely of very large folio engraved plates depicting landscapes, hunting scenes, and battles by Philip Wouvermans (or Wouwermans, 1619-1668), a Dutch painter renowned for his exceptional and highly sought-after depictions of horses. The present collection contains a wide variety of subjectsfrom a humorous "traffic jam" on a rural road that results in a pitcher of spilt milk, to more sombre depictions of warfare but the common thread throughout all of these images is the presence of horses and deference to equine culture. As Benezit tells us, "Many artists have painted horses, but none with such devotion, none who cared about the social life of the animal, so to speak. He painted as a technician but also as a poet." According to Bryan, these engravings are the most significant work of Jean Moyreau, a French printmaker and publisher who was admitted into the Académie française in 1736. Lewine tells us that Moyreau engraved a total of 78 plates after Wouvermans (the last being in 1754), and that "other artists have done work in the engraving line after Wouvermans up to 1780, and these later productions are often found added in large or small numbers;" as a result, "copies differ as regards the number of plates, as they were published at intervals." Lewine records as many as 106 plates in a single copy, but bibliographies usually record a maximum of 100. Regardless of the number of plates present, this work is very rare on the market: RBH records just four copies in more than 40 years, only one of which was "complete" with 100 plates. Cohen-de Ricci 1068; Lewine, p. 576; Benezit IX, 1426 and XIV, 1096; Bryan III, 378.

A very handsome and lively engraving of a deer hunting party in the throes of cornering its prey in a river. Copper engraving. Fine condition Uncoloured. Size: 29 x 24 cm. (11½ x 9½ inches).