words housman (30 Ergebnisse)

Soft cover. Zustand: Very Good. First Edition Thus. 1921. 6pp. Augener's Editions, No. 15647. Light wear to edges, light soiling to covers. Minor inscription to front cover. An excellent copy.

sheet music. Zustand: Fine. sheet music, cover and text all in Fine condition, text clean and unmarked, name and date of PO in pencil on front cover.

Softcover. Zustand: Very Good. Stated "Sheet Music Edition V. 1114." Quarto. Two nested bifolia making eight pages. Music shop sticker on the front cover, toning, and some very light edgewear, very good. For high voice and piano (with pedal marks). Plate number, 25548-5.

Softcover. Zustand: Near Fine. Sheet music. Quarto. Single bifolium with a single-sheet-insert making six pages. Publisher's price sticker on the front cover, light toning and light bumping to the corners, else near fine. For voice and piano. Plate imprint, "47187c.".

Softcover. Zustand: Fair. Sheet music. Folio. Three nested bifolia making 12 pages. Outer bifolium separating along the fold with an old tape repair running along the fold, edgewear, soiling to the exterior, and composer's name stamp on the front cover, a complete but fair to good only copy. For string quartet, voice, and piano. Plate imprint, "H. 9487." This is from a series of songs composed by R. Vaughan Williams called *On Wenlock Edge*, the words for this song are from A.E. Housman's poetry collection, *A Shropshire Lad*.

Softcover. Zustand: Very Good. Sheet music. Quarto. Two nested bifolia making eight pages. Price sticker on the front cover, light toning and light bumping to the corners, very good or better. For high voice and piano (with pedal marks). Plate number, 44377.

Softcover. Zustand: Very Good. Quarto. Two nested bifolia making eight pages. Publisher-cancel sticker, price-cancel sticker, and a music shop stamp on the front cover, and bumping to the corners, still a complete and very good copy. For voice and piano. Plate imprint, "W. 6101.".

Softcover. Zustand: Near Fine. First edition. Quarto. Single bifolium making four pages. Cancel-price sticker and music shop stamp on the front cover, and light bumping to the corners, else near fine. For high voice and piano. Plate number, 37183. Samuel Barber's compositions have earned a well deserved place within the canon of American music. He is probably best known for his heart-wrenching piece, *Adagio for Strings*. Here, he creates a musical setting for the words of English poet A.E. Housman.

Softcover. Zustand: Near Fine. First edition. Quarto. Single bifolium making four pages. Light toning and light bumping to the corners, else near fine. For medium voice and piano. Plate imprint, "E.C.S. No. 2404." The composer of this piece, Daniel Pinkham, was the organist at King's Chapel in Boston for over forty years.

Softcover. Zustand: Near Fine. Sheet music. Quarto. Single bifolium with a single-sheet-insert making six pages. Light toning and light bumping to the corners, else near fine. For voice and piano. Plate imprint, "47187c.".

Softcover. Zustand: Near Fine. Later printing. Quarto. Single bifolium making four pages. Price stamp on the front cover, light edgewear, and light soiling to the exterior, very good or better. For voice and piano. Plate imprint, "B.&H. 17053.".

Softcover. Zustand: Very Good. First edition. Quarto. Single bifolium making four pages. Light edgewear, bumping to the corners, and toning, very good. For voice and piano. Plate imprint, "S. 2651.".

Softcover. Zustand: Very Good. Sheet music. Quarto. Single bifolium making four pages. A crease at the top of the fold, light edgewear including bumping to the corners, and light age toning, very good. For voice and piano. Plate imprint, "S. 2650." *OCLC* locates seven holdings.

Softcover. Zustand: Very Good. First edition. Quarto. Single bifolium with a single-sheet-insert making six pages. Edgewear including a tear to the bottom of the back cover, an abrasion to the front cover from the removal of a price sticker, and toning to the exterior, a complete and good or better copy. For high voice and piano. Plate imprint, "N2154." The back cover features short samples of "four unusual love songs." A note beneath the music reads, "It is suggested that the style burlesque 'grand opera.'" *OCLC* locates four holdings.

Softcover. Zustand: Near Fine. Sheet music. Quarto. Two nested bifolia making eight pages. Light toning and light bumping to the corners, else near fine. For low or medium voice and piano (with pedal marks). Plate number, 36252.

Softcover. Zustand: Near Fine. Later printing. Quarto. Single bifolium making four pages. Sticker shadow on the front cover, light toning and light bumping to the corners, very good or better. For voice and piano (with pedal marks). Plate number, 43911.

Softcover. Zustand: Near Fine. First edition. Quarto. 8pp. Stapled wrappers. Some light edgewear, and publisher's price sticker on the front cover, else near fine. For voice and piano. Two songs from the song cycle *We'll To The Woods No More.*.

Softcover. Zustand: Very Good. Presumed first separate edition. Quarto. Two nested bifolia making eight pages. Some separation at the bottom of the folds of both bifolia, some separation at the top of the fold of the outer bifolium, soiling and rubbing to the exterior, and light edgewear including bumping to the corners, still a very good and complete copy. For voice and piano. Plate imprint, "H. 4525." The copyright date reads "1904," but it's very odd for a piece of sheet music from this era to be this size, typically it was a bit larger, so it may be a post-1918 reprint (around 1918 is when sheet music began to be sold in the quarto size to fit the smaller piano benches that were becoming popular). *OCLC* locates eight holdings of this separate edition.

Softcover. Zustand: Very Good. First edition. Quarto. Single bifolium making four pages. Soiling to the exterior, bumping to the corners, very good. For voice and piano. Plate imprint, S 2649." *OCLC* locates nine holdings and it appears to be equally uncommon in the trade.

Softcover. Zustand: Near Fine. First edition. Quarto. Single bifolium making four pages. Bumping to the corners, else near fine. For voice and piano. The composer of this piece, Richard Grayson, was Professor of Music at Occidental College and was particularly known for his improvisational skills. *OCLC* locates only four holdings.

Softcover. Zustand: Near Fine. First edition. Quarto. Two nested bifoliums making eight pages. Music shop stamp and price-cancel sticker on the front cover, light bumping to the corners, else near fine. For voice and piano (with pedal marks). Plate number, 37473.

Softcover. Zustand: Very Good. Stated "Sheet Music Edition V. 1113." Quarto. Two nested bifoliums making eight pages. Outer bifolium with a small tear to the bottom of the fold, music shop stamp on the front cover, light rubbing to the exterior, very good or better. For high voice and piano (with pedal marks). Plate number, 25525-5. The back cover features short samples of "The Wanderer," "A Barnegat Love Song," "Sea Fever," and "Let Lions Roar.".

Softcover. Zustand: Very Good. Sheet music. Quarto. 46pp. Stapled wrappers. One signature loose and laid in, front wrapper separating from along the bottom of the spine, toning, minor edgewear, very good. Plate imprint, "H. 9487." The lyrics come from Housman's book, *A Shropshire Lad*. Includes the following songs: "On Wenlock Edge," "From Far, From Eve and Morning," "Is My Team Ploughing," "Oh, When I Was in Love with You," "Bredon Hill," and "Clun." Laid in are three copies of a program from a performance of this piece by Marvin Worden and David Karp at a student union on January 11, 1967.

Softcover. Zustand: Very Good. Later printing. Biographical statement by Christopher Palmer. Quarto. Two nested bifollia making eight pages. Light edgewear, bumping to the corners, and an old price stamp on the front cover, still a complete and very good copy. Plate number, 1008. The biographical statement reads in part, "His [Orr's] favourite poet has always been A.E. Housman (of whom he has made more settings than any other composer) . All Orr's settings are governed by an exquisite taste and sensibility and are impregnated with that subtle and never-cloying elegaic sweetness which is of the essence of the English spirit in art." *OCLC* locates eight holdings.

Softcover. Zustand: Very Good. First edition. Folio. 7pp. Wrappers. A tear along the top of the rear wrapper and chipping to the other corners, toning to the wrappers, very good. For voice and piano. Plate imprint, "Ph. H. 4." *OCLC* locates four holdings and it appears to be equally uncommon in the trade.

Softcover. Zustand: Very Good. First edition. Quarto. 4pp. Sewn wrappers. Stamp "complimentary copy" and owner name on the front cover, minor edgewear, light scattered foxing throughout, and toning to the wrappers, very good. For voice and piano. *OCLC* locates three holdings and it appears to be equally uncommon in the trade.

Softcover. Zustand: Good. Sheet music. Quarto. Two nested bifolia making eight pages. "Imported copy" stamp on the front cover, bifolia bound together with a Gamble hinge, tape shadow in the margin of page one, edgewear, and the exterior soiled, a complete but good only copy. Plate number, 6181 on the front cover, and 24883 underneath the score. Alfred Edward Housman was a celebrated English scholar and poet, but less well known is the English composer and philanthropist, Graham Peel. Peel's obituary in *The Newcastle Sun* mentions this composition by name calling it "one of his most successful songs," and goes on to say that his charity work was "of an unobtrusive character, and there are hundreds of poor people who will remember his kindness and gratitude," closing with the statement, "He was one of the first to take parties inside prisons to entertain the inmates.".

Softcover. Zustand: Very Good. First edition. Quarto. [2], 41pp, [1] ads. Wrappers. External tape repairs at the top and bottom of the spine, music shop stamp on the front wrapper, soiling to the wrappers, and bumping to the corners, still a very good copy with the music clean and bright. For voice and piano. Plate imprint, "H 4525." Includes ten songs, "Loveliest of Trees the Cherry Now," "When I was One-and-Twenty," "There Pass the Careless People," "In Summertime on Bredon," "The Street Sounds to the Soldiers' Tread," "On the Idle Hill of Summer," "White in the Moon the Long Road Lies," "Think No More, Lad: Laugh, Be Jolly," "Into My Heart an Air That Kills," and "The Lads in Their Hundreds.".

Softcover. Zustand: Near Fine. Revised edition. Quarto. [2], 46pp. Stapled wrappers. Price canceled in black marker on the front wrapper, light bumping to the corners, else near fine. For tenor voice, piano, and string quartet. Plate imprint, "H. 9487." The lyrics come from Housman's book, *A Shropshire Lad*. Includes the following songs: "On Wenlock Edge," "From Far, From Eve and Morning," "Is My Team Ploughing," "Oh, When I Was in Love with You," "Bredon Hill," and "Clun.".

Softcover. Zustand: Very Good. Sheet music. Quarto. Two nested bifolia making eight pages. Cancel price stamp on the front cover,corners lightly bumped, light toning, very good or better. For voice and piano. Plate number, 6181 on the front cover, and 24859 underneath the score. Alfred Edward Housman was a celebrated English scholar and poet, but less well known is the English composer and philanthropist, Graham Peel. Peel's obituary in *The Newcastle Sun* mentions this composition by name calling it "one of his most successful songs," and goes on to say that his charity work was "of an unobtrusive character, and there are hundreds of poor people who will remember his kindness and gratitude," closing with the statement, "He was one of the first to take parties inside prisons to entertain the inmates.".