woollett william (24 Ergebnisse)

Hardcover. Zustand: Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Trade Paperback. Zustand: Very Good. William Woollett (illustrator). Large format wraps. 133pp. With black and white illustrations throughout. Woollett, an architect and artist in Los Angeles in the 1930's, produced these drawings, etchings and lithographs chronicling the construction of the Hoover Dam. With descriptive text explaining each view and a historical introduction by Gebhard. In about VERY GOOD condition. Small scuff at the upper front cover, with another on the rear cover. Minor uneven fading and wear to the extremities. Very minor soiling and rubbing. Slight curl at the upper corner.

First printing. Completed shortly before the author's death, this book is an attempt to preserve a little bit of the history of California. Illustrated with drawings made by Woollett as a young architect, as early as 1915. F/NF (light edgewear, crease on front flap.).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

35.3 x 30.3 cm. image on 36.5 x 35 cm. sheet. Illus. w. copper engraving. Folio. From an Original Drawing by T. Hearne. The Figures by W. Woollett, the Landscape by W. Ellis. Shows a picnic scene with landscape and coach in background. This is the second published state with the added text below the oval: "When lovely woman stoops to folly; and finds too late that men betray; What charm can soothe her melancholy; What art can wash her guilt away; The only art her guilt to cover; To hide her shame from every eye; To give repentance to her lover; And wring his bosom - is to die." Fagan: Catalogue Raisonné . William Woollett: CV. Margins trimmed smaller, but not affecting image or text, margins soiled and foxed, two pin pricks, some minor soiling and rubbing in background but not within central image, still about very good.

Cloth. Zustand: Good +. First Edition. The uncommon 1879 1st edition of this early guide to altering and remodeeling older homes. Solid and Good+ in the publisher's dark-green cloth, with limited staining/soiling to the rear panel and mild scuffing at the front panel. Missing the front fly-leaf, spotting and some soiling at the preliminaries, as well as light staining along a number of top-edges. Oblong quarto, 23 illustrations --including the frontispiece-- complementing William Woollett's text. (From the library at the Smithsonian, whose stamp adorns the title page).

William Woollett (illustrator). THE RARE CATALOGUE RAISONNE OF ENGRAVINGS BY AND AFTER WOOLLETT. 123 prints by Woollett and 16 after Woollett exhaustively described, with precise descriptions of states. Frontispiece portrait of Woollett by Fagan. Printed on extremely fine laid paper. 4to. Publisher's cloth with printed paper label on front cover. Top edge gilt, other edges uncut. Tiny traces of wear to corners of binding, else FINE AND BRIGHT, a pristine copy.

Gartenarchitektonische Ansicht der Insel im von Charles Hamilton im 18. Jahrhundert angelegten Landschaftsgarten im englischen Painshill; im Vordergrund Steg mit barockem Paar, im Hintergrund der Landschaftsgarten; Kupferstich von William Woollett (1735 Maidstone - 1785 London). 33 x 51 cm, Blattgröße 38 x 59 cm, Schrift in Englisch und Französisch. - kräftiger Abdruck, sauberes Blatt. Thieme/Becker XXXVI, 751. Nagler, XXVI, 20 ff. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Good. Later color print on thick rag paper. 56.5 x 75cm. sheet size. The inscription beneath each title states that they were engraved after original paintings in the collection of the publisher, Thomas Bradford, and gives the date of issue ? they were each issued separately between 1769 and 1771. The author of the verses is unknown; that the hunters are portrayed as ordinary townsfolk and not privileged landowners makes both the paintings and the poem unusual for that era (Egerton). The first scene was painted by Stubbs and purchased by Bradford after being exhibited at the Society of Artists in 1767. Bradford then commissioned the next three paintings in order to have images to publish a set of four prints to be sold by subscription (Lennox-Boyd). The original paintings were all exhibited at the Society of Artists over the next few years; today they are in the collection of the Yale Center for British Art, a gift of Paul Mellon. The engravings are not identical to the paintings, possibly because some details were difficult to translate into engraving (Lennox-Boyd). Bradford died or retired around 1774, and the copperplates were sold. The images remained popular and firms such as Sayer & Bennett, Laurie & Whittle, Thomas Gosden, Boydell and Boydell's successors continued to reprint and sell the engravings well into the 19th century.George Stubbs (1724-1806) was one of the greatest sporting artists of Georgian England. He combined science and art by painting animals with anatomical precision. After a visit to Rome and a period of residence in Liverpool, he returned to England in 1760. He also drew horses based on dissections, and in 1766 published a monumental series of engravings, Anatomy of the Horse, which cemented his reputation as a master of the subject. His vast body of work includes paintings of the prize horses of England of the late 18th century, often with their proud owners or trainers. He also painted hunting scenes, and wild animals such as lions and tigers, including some with lions stalking horses. Stubbs served as president of the Society of Artists in 1773 and though he had his quarrels with the Royal Academy, he exhibited there periodically and was elected as an Associate in 1780. Many of his paintings are in the world's major museums, with a large number represented in the Yale Center for British Art (Paul Mellon Collection). Some of the greatest engravers and printers of the day were engaged to render Stubbs' animal pictures as prints, including William Woollett (1735-1785), and Stubbs' son, the printmaker George Townly Stubbs (1756-1815) (sometimes spelled "Townley").William Woollett was an engraver working in London, highly regarded for his landscape engravings and one of the first English engravers to become well known in Continental Europe. A pupil of John Tinney, he studied at St. Martin's Lane Academy. His earliest engravings were topographical plates published by Tinney from around 1755 to 1757. He worked for the prominent publisher John Boydell from 1760. He exhibited at the Society of Artists from 1760 to 1777, and became a member in 1766, also serving as secretary for several years. From 1775 to 1785, Woollett served as Historical Engraver to the King. Woollett was also friends with the eminent painter George Stubbs, translating many of his paintings into engravings, including The Spanish Pointer, probably the most popular Stubbs dog print at the time. He is buried in Westminster Abbey.on thick rag paper. . 52.3 x 69 cm. 2 inch tears in left and frighrt marins of 2.75 inches. Matt will cover.

Zustand: ACEPTABLE. [Un] Grabado representando una escena de caza del jabalí al estilo del siglo XVIII inglés. Llevado a cabo por William Woollett (1735-1785),un célebre grabador inglés del siglo XVIII, destacado por su maestría técnica en paisajes y escenas históricas, que llegó a ser nombrado Grabador Oficial del Rey Jorge III y es considerado uno de los máximos exponentes de la escuela de grabado británica;en base a la obra del pintor francés Jean-Baptiste Pillement (1728-1808), un influyente pintor y decorador francés del siglo XVIII, famoso por sus exquisitos paisajes rococó y sus grabados de estilo chino (chinoiseries). Su obra tuvo un impacto global en las artes aplicadas, sirviendo de inspiración para el diseño de porcelanas, papeles pintados y textiles en toda Europa. La escena representauna dinámica escena de caza mayor en un bosque frondoso, y en el centro, se observa a cazadores a caballo y a pie junto a una jauría de perros que acorralan a un jabalí, todo enmarcado por una composición detallada de árboles de gran altura. ["Gravé par W.m Woollett d'après Le dessein Original de Jean Pillement. ; London Published according to Act of Parliament August 29. 1760. ;A Paris chez le Cap.ne Joullain Quai de la Ferraille N.° 32???????."] . Formato (cm): 42'5x35'5.

Cornelis Dusart (illustrator). 'THE COTTAGERS.'Original antique master print showing a cottage with peasants, children and animals in the 18th century.Made by William Woollett after Cornelis Dusart.Medium: Etching / engraving with hand colouring. on hand laid (verge) paper.Sheet size: 39 x 51 cm (15.35 x 20.08 inch). Image size: 36 x 49 cm. (14.17 x 19.29 inch).THE COTTAGERS-PEASANTS-CHILDREN-ANIMALS | DPO-A2-003-16BACKGROUND INFORMATIONPublished in London, dated 1765.Biography engraver: William Woollett (1735-1785) was an English engraver, born in a family originating in the Netherlands. His works combine etching, drypoint and engraving, and his works rank among the greatest English engravings.Biography artist: Cornelis Dusart (1660-1704 was a pupil of Adriaen van Ostade. He specialised in highly finished genre scenes and was particularly active with the mezzotint technique. Condition: fair, given age. Several restorations, esp. near plate mark, margins reinforced on verso. Some foxing in the margins. Paper loss bottom left corner, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.