Wonjung bae (12 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware - Nam Tchun-Mo (\*1961) represents a contemporary continuation of the Dansaekhwa movement, a South Korean art movement that was already working in a radically abstract, largely monochrome, and increasingly three-dimensional manner in the 1960s. Through repetitive actions in a meditative painting practice, he creates a contemporary interpretation of 'golbeop' ( ), a classical principle of East Asian painting that emphasizes the structural vitality and life force of brushwork. He organically traverses tradition and contemporaneity, craftsmanship and abstract form, physicality and spirituality, as well as personal memories and collectivecultural experience. The central formal elements of Nam Tchun-Mo's practice are lines reminiscent of furrowed fields and elements of traditional architecture such as lattice windows and rafters.'A Well That Never Dries' is the second book about and with Nam Tchun-Mo in our program after 'Beam Lines Spring Stroke' (2019) with which we venture away from photography into painting and sculpture, a rare but very welcome excursion for us.Nam Tchun-Mo lives and works in Daegu, Korea and Cologne, Germany. He exhibits regularly in Korea and Europe, mainly France,Germany, Luxembourg, Belgium.; Nam Tchun-Mo (\*1961) steht für eine zeitgenössische Fortsetzung der Dansaekhwa-Bewegung, einer südkoreanischen Kunstbewegung, die bereits in den 1960er Jahren radikal abstrakt, weitgehend monochrom und zunehmend dreidimensional arbeitete. Durch repetitive Handlungen in einer meditativen Malpraxis schafft er eine zeitgenössische Interpretation von 'golbeop'( ), einem klassischen Prinzip der ostasiatischen Malerei, das die strukturelle Vitalität und Lebenskraft des Pinselstrichs betont. Er verbindet auf organische Weise Tradition und Zeitgenossenschaft, Handwerkskunst und abstrakte Form, Körperlichkeit und Spiritualität sowie persönliche Erinnerungen und kollektive kulturelle Erfahrungen. Die zentralen formalen Elemente von Nam Tchun-Mos Praxis sind Linien, die an gefurchte Felder erinnern, und Elemente traditioneller Architektur wie Gitterfenster und Dachsparren.'A Well That Never Dries' ist nach 'Beam Lines Spring Stroke'das zweite Buch über und mit Nam Tchun-Mo in unserem Programm, mit dem wir einen der bei uns seltenen aber umso schöneren Ausflüge, weg von der Fotografie, in die Malerei und Skulptur wagen.Nam Tchun-Mo lebt und arbeitet in Daegu, Korea und Köln. Er stellt regelmäßig in Korea und in Europa, insbesondere in Frankreich, Deutschland, Luxemburg, Belgien aus.…

Zustand: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

paperback. Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.Hartmann Books, Liststraße 28/1, 70180 Stuttgart 132 pp. Englisch, Koreanisch.…

Zustand: NEW.

8vo. Pp: 169. Publisher's colour illustrated softcovers with flaps. Copiously illustrated throughout in colour. Printed on the occasion of the exhibition Birth of the Modern Art Museum at MMCA Deoksugung in Seoul. Texts by Kim Jonghun, Kim Inhye, an Bae Wonjung.ISBN: 9788963031880 Near fine, no signs of wear. Mark to bottom page edge.…

Buch. Zustand: Neu. Nam Tchun-Mo A Well That Never Dries | Wonjung Bae | Buch | 132 S. | Englisch | 2026 | Hartmann Books | EAN 9783960701408 | Verantwortliche Person für die EU: Hartmann Projects GbR, Markus Hartmann, Liststr. 28/1, 70180 Stuttgart, info[at]hartmannprojects[dot]com | Anbieter: preigu. …

Hardcover. Zustand: Brand New. 240 pages. 8.75x2.00x11.25 inches. In Stock.

Buch. Zustand: Neu. Neuware - The first international publication on a pioneer of Korean Abstract Art>This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo's artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work.Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist's creative environment and contemplative process.…

Buch. Zustand: Neu. Neuware -Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop ( )a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke. His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters. 132 pp. Englisch, Koreanisch.…