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In den WarenkorbPaperback. Zustand: Brand New. 224 pages. 9.01x6.01x9.00 inches. In Stock.
Sprache: Englisch
Verlag: Northwestern University Press, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
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In den WarenkorbZustand: New.
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Verlag: Northwestern University Press, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
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Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Wisconsin Press, 2018
ISBN 10: 0299318303 ISBN 13: 9780299318307
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Northwestern University Press, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
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In den WarenkorbZustand: NEW.
Sprache: Englisch
Verlag: Northwestern University Press, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
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Zustand: New.
Sprache: Englisch
Verlag: University of Wisconsin Press, 2018
ISBN 10: 0299318303 ISBN 13: 9780299318307
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In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: Northwestern University Press Sep 2025, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Examining theatrical performance under Stalinist cultural mandatesTalk of Joseph Stalin's 'show trials,' the public prosecutions in Moscow's Hall of Columns in the late 1930s, is so familiar as to obscure the relationship between actual shows - in the Soviet Union's major theaters - and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a 'genuine Soviet person.' Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov, Mikhail Bulgakov, Yuri Olesha, and Natalia Sats and the efforts of theater companies, like the Moscow Arts Theater, the Meyerhold Theater, and the Central Children's Theater, to adhere to this cultural mandate while grappling with repression, censorship, and conflicting interpretations of its aims. Drawing on archival materials, diaries and memoirs and eyewitness accounts, Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs.
Sprache: Englisch
Verlag: Northwestern University Press, 2025
ISBN 10: 0810149249 ISBN 13: 9780810149243
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Taschenbuch. Zustand: Neu. Travesty Actors | Self and Theater in Stalinist Culture | Boris Wolfson | Taschenbuch | Studies in Russian Literature and Theory | Einband - flex.(Paperback) | Englisch | 2025 | Northwestern University Press | EAN 9780810149243 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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In den WarenkorbHardcover. Zustand: Brand New. 304 pages. 9.00x6.00x0.61 inches. In Stock.
Sprache: Englisch
Verlag: The University of Wisconsin Press, 2018
ISBN 10: 0299318303 ISBN 13: 9780299318307
Anbieter: Kennys Bookstore, Olney, MD, USA
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Sprache: Englisch
Verlag: University of Wisconsin Press, 2018
ISBN 10: 0299318303 ISBN 13: 9780299318307
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EUR 93,66
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In den WarenkorbZustand: New. Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialogue for the first ti.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 136,01
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In den WarenkorbHardcover. Zustand: Brand New. 224 pages. 9.01x6.01x9.13 inches. In Stock.
Sprache: Englisch
Verlag: University Of Wisconsin Press Sep 2018, 2018
ISBN 10: 0299318303 ISBN 13: 9780299318307
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies.Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.