Wolf robert ed (15 Ergebnisse)

Paperback. Zustand: Good+. Reissue Edition; First Printing. 274 pages; fading on spine. Minor shelf wear. Minimally cocked spine. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine DJ. First Edition. First Edition Stated. Fine In Unworn Dj Priced $5.95 With Minute Nick And 1/4" Closed Tear At Top Of Spine.

PAPERBACK. 1st edition. slim 12mo, unpaginated. mild wear to both sides with a couple scuffs, strong and tight binding, clean throughout, Good+.

Softcover. Zustand: Near Fine. First edition. Red wrappers. 95-188pp. Spine lightly tanned and cocked, corners bumped, near fine. Articles, notes and queries, and book reviews by Leonard W. Moss, Stephen C. Cappannari, Merle L. Simmons, Robert Stevenson, Morris E. Opler, Macedward Leach, Ed Cray, Tristram P. Coffin, Americo Paredes, S.J. Sackett, Walter E. Boyer, Leonard Roberts, Howard Mumford Jones, Daniel G. Hoffman, Bela Gunda, Morton Y. Jacobs, Claude M. Simpson, Norman Cazden, Morton H. Levine, Arthur Freeman, Richard M. Dorson, Wolf Leslau, Gertrude P. Kurath, Marshall W. Stearns, Charles O. Frake, David Bidney, Bacil F. Kirtley, Carmen Cook de Leonard, and J. David Sapir. …

Soft cover. Zustand: Very Good. 1st Edition. New York: The Realist Association, 1972. Light toning (as always), wear, chipping to bottom corner (see scan). Binding tight, very readable. Address label. 40 pp. First Edition, First Printing. NewspaperMagazine/SaddleStitch. Very Good. Illus. by Charles M. Schulz, Art Spiegelman, Gary Trudeau. 4to - over 9¾" - 12" tall.…

Zustand: New. In English.

Softcover. Zustand: Very Good. Magazine. Illustrated in black and white. Pictorial wrappers. Lightly sunned spine with a small tear at the crown, moderate rubbing on rear wrap, very good. Literary magazine that includes works by Aldous Huxley, Wallace Stegner, John Updike, William Stafford, Lew Welch, Mordecai Gorelik, Alex Karmel, Alan Friedman, Robert Peterson, Joanne de Longchamps, Donald Hall, Harold Witt, Stanley Kiesel, Leonard Wolf, Ben Shahn, and Ed Bunker.…

Paperback. Zustand: Brand New. 431 pages. 6.00x0.98x9.00 inches. In Stock.

Cloth. Zustand: Very Good. An illustrated collection of poetry by James Montgomery. Edited by the nineteenth century cleric and author Robert Aris Willmott, this collection of poetry by James Montgomery is accompanied by illustrations by Birket Foster and other popular Victorian illustrators. James Montgomery was a Scottish born hymn writer and poet whose concern for humanitarian causes is reflected in his poetry. Considered politically inflammatory at the time, Montgomery was twice imprisoned for sedition, first in 1795 for printing a poem celebrating the fall of the Bastille, and secondly in 1796 for condemning a magistrate for using force to disperse a political protest in Sheffield. This volume contains thirty six poems, including The Wanderer of Switzerland, which addressed the French annexation of the titular nation, and The West Indies, a poem on the abolition of the slave trade. With a binder's sticker from Leighton, Son and Hodge to the rear pastedown. Recased in the publisher's original red cloth binding. Externally, smart. Lightly rubbed to the boards and the spine. A little bumped to the head and tail of the spine, with a small closed tear in the cloth to each. Internally, firmly bound. Pages are bright and generally clean with sporadic patches of light foxing. Very Good. John Gilbert; J. Wolf; Birket Foster; Brothers Dalziel (illustrator). book.…

Complete in three issues; 224 pages plus volume XXII Index laid-in; Individual issues from this and other volumes also available. Paperbacks in very good condition.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New. …

Zustand: New. Editor(s): Kecskes, Robert; Wagner, Michael; Wolf, Professor Christof (GESIS GESIS - Leibniz Institute for the Social Sciences GESIS - Leibniz Institute for the Social Sciences GESIS - Leibniz Institute for the Social Sciences GESIS - Leibniz Institute for the Social Sciences). Num Pages: black & white illustrations, bibliography. BIC Classification: JHB. Category: (G) General (US: Trade). Dimension: 210 x 148 x 27. Weight in Grams: 617. . 2004. Paperback / so. . . . . Books ship from the US and Ireland.…

Wilhelm Fink Verlag, München, 1983. Braune Original-Karton-Einbände, 252; 543; 735; 732; 600 Seiten (insgesamt ca. 2.900 Seiten), gr.8° (24 cm). Die Erstausgabe dieser, jeweils sehr wirkmächtigen Standardwerke, erschien 1964 (bzw. 1969), 1966, 1968, 1971 & 1973.- Einbände mit kleinen Gebrauchsspuren und leicht nachgedunkelt, Schnitte etwas nachgedunkelt, Papier andeutungsweise gebräunt, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Gleichwohl insgesamt sehr schöne Exemplare. Zustand: sehr gut. GEWICHT (mit Verpackung): > 4,5 Kg. - Achtung! Hinweis: Gewichtsbedingt gelten womöglich höhere Portosätze als die automatisch angezeigten. Wir behalten uns vor, das faktische Porto zu berechnen. PLEASE NOTICE: Maybe the shipping costs are more expensive than here automatically marked. Changes reserved due to the de facto shipping. [STANDORT Vielbändiges (5+)].…

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.…

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.…