wise leslie (17 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Good. HARDCOVER; light foxing of covers and edges; o/w in good condition. Book.

Hardcover. Zustand: Brand New. 48 pages. 11.00x11.00x11.10 inches. In Stock.

Hardcover. Zustand: Brand New. 48 pages. 11.00x11.00x11.10 inches. In Stock.

Hardcover. Zustand: Very Good. First edition. Quarto. Spine ends and corners rubbed and bumped, very good lacking the dustwrapper. Exhibition catalogue.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Second printing. Quarto. Some foxing on the topedge, else fine in a very good dust jacket, with edgewear, mostly along the topedge, and just a bit of foxing on the interior.

Zustand: New. pp. 299.

Zustand: Used. pp. 299.

Zustand: Bueno. : Este libro de tapa dura, publicado en enero de 1995, aborda controversias en el manejo del cáncer de mama. Escrito por Leslie Wise y Houston Johnson, consta de 608 páginas y tiene unas dimensiones de 10.5 x 7.5 x 1.5 pulgadas, con un peso de 3.2 libras. Publicado por Futura Pub Co, el libro está en inglés y cubre temas como ginecología, obstetricia, oncología, medicina reproductiva y terapias combinadas. EAN: 9780879935627 Tipo: Libros Categoría: Salud y Bienestar|Ciencias Título: Breast Cancer: Controversies in Management Autor: Leslie Wise| Houston Johnson Editorial: Futura Pub Co Idioma: en Páginas: 608 Formato: tapa dura.

Paperback. Zustand: Brand New. 244 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Zustand: New. pp. 424 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'When a thing ceases to be a subject of controversy, it ceases to be a subject of interest. ' WILLIAM HAZLITT (1778-1830) This is the fourth volume in a series which we started in 1997. In 1976, Varco and Delaney edited a 'surgical bestseller' entitled Controversy in Surgery. This was fol lowed by a second volume in 1985. The immense success of these books among both surgical trainees and experienced surgeons, and their wide international ap peal, supported the editors' notion that a view of controversy is integral to teach ing. However, despite major advances in surgical science and practice, no other similar publication has since been put together with the objective of addressing major controversies in surgery. The aim of this series is to address such deficiency by covering the most crucial current controversies in general, vascular and trauma surgery. Since almost everything is controversial in surgery, we will be able to tackle different issues almost each year. The editors have selected a nationally/internationally recognized authority for each topic. Most books available today are either 'North American:' 'British-Com monwealth' or 'British-European:' contributing to the constant transatlantic rival ry. Our series specifically aims to bridge this 'culture gap' and includes North American, British, European, and other authors while maintaining a cohesive structure. This will hopefully also broaden the appeal of such a book across both sides of the Atlantic and beyond.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'When a thing ceases to be a subject of controversy, it ceases to be a subject of interest. ' WILLIAM HAZLITT (1778-1830) This is the fourth volume in a series which we started in 1997. In 1976, Varco and Delaney edited a 'surgical bestseller' entitled Controversy in Surgery. This was fol lowed by a second volume in 1985. The immense success of these books among both surgical trainees and experienced surgeons, and their wide international ap peal, supported the editors' notion that a view of controversy is integral to teach ing. However, despite major advances in surgical science and practice, no other similar publication has since been put together with the objective of addressing major controversies in surgery. The aim of this series is to address such deficiency by covering the most crucial current controversies in general, vascular and trauma surgery. Since almost everything is controversial in surgery, we will be able to tackle different issues almost each year. The editors have selected a nationally/internationally recognized authority for each topic. Most books available today are either 'North American:' 'British-Com monwealth' or 'British-European:' contributing to the constant transatlantic rival ry. Our series specifically aims to bridge this 'culture gap' and includes North American, British, European, and other authors while maintaining a cohesive structure. This will hopefully also broaden the appeal of such a book across both sides of the Atlantic and beyond.

Draft script for the twelfth episode of the first season of the 1979-1981 NBC television series, which aired on January 3, 1980, here under the working title "Buck Rogers in the Twenty-Fifth Century: Vampire." Front wrapper with a "Received/Nov 15 1979/G.J.S." stamp above the title. Based on the 1929-1967 comic strip character created by Philip Francis Nowlan. Developed for television by Glen A. Larson and Leslie Stevens, the NBC science fiction series ran for two seasons and 32 episodes, and premiered on September 20, 1979, ending on April 16, 1981. The series' two hour premiere was released as a made-for-TV movie and released theatrically in March 1979. The twentieth century astronaut Buck Rogers emerges out of 500 years of suspended animation in the twenty-fifth century and becomes Earth's greatest hero. In this episode, Buck and Wilma discover a freighter who's crew are all found in a state between life and death and discover a "Vorvon," a vampire like being of legend, is alive and stalking them. Front wrapper integral with title page, dated November 14, 1979, with credits for screenwriters Kathleen Barnes and David Wise. 71 leaves, with last page of text numbered 69. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads.