Wise barry (12 Ergebnisse)

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Zustand: New. In English.

Soft cover. Zustand: Near Fine. 1st Edition. Xii, 370 Pp. First Printing Indicated. Near Fine. Warmly Inscribed By The Author. Inscribed by Author(s).

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Good. First Printing [Stated]. [12], 292 pages. Illustrations. DJ has corner wear and tears. Includes Prelude, Author's Note, Notes, and Index. Chapters cover A Thousand Grains of Sand; Parlor Maid; The Recruitment; Double Game; Destroy After Reading; "Holy Shit, Mr. Grove!"; Riding the Tiger: China and the Neutron Bomb; The Walk-in; Kindred Spirit: Wen Ho Lee; Sego Palm; Trouble in Paradise; Ethereal Throne: The Spy Who Never Was; Storm Clouds; The Counterspy; Royal Tourist; Richard Nixon and the Hong Kong Hostess; Anubis; Endgame; Eagle Claw; Red Flower; The Cyberspies; and An Afterword. For decades, while the United States obsessed over Soviet spies, China quietly penetrated the highest levels of government--indeed, all along, China arguably has been America's most formidable spy foe. In this book, David Wise tells the full story of China's many victories and defeats in its U.S. spy wars. David Wise (May 10, 1930 - October 8, 2018) was an American journalist and author who worked for the New York Herald-Tribune in the 1950s and 1960s, and published a series of non-fiction books on espionage and US politics as well as several spy novels. His book The Politics of Lying: Government Deception, Secrecy, and Power (1973) won the George Polk Award (Book category, 1973), and the George Orwell Award (1975). In 1951, Wise joined the New York Herald-Tribune and became the paper's White House correspondent in 1960. He was chief of the paper's Washington, D.C. bureau from 1963 to 1966. He was a commentator on intelligence issues for CNN for six years. For decades, while America obsessed over Soviet spies, China quietly penetrated the highest levels of government. Now, for the first time, based on numerous interviews with key insiders at the FBI and CIA as well as with Chinese agents and people close to them, David Wise tells the full story of China's many victories and defeats in its American spy wars. Two key cases interweave throughout: Katrina Leung, code-named Parlor Maid, worked for the FBI for years, even after she became a secret double agent for China, aided by love affairs with both of her FBI handlers. Here, too, is the inside story of the case, code-named Tiger Trap, of a key Chinese-American scientist suspected of stealing nuclear weapons secrets. These two cases led to many others, involving famous names from Wen Ho Lee to Richard Nixon, stunning national security leaks, and sophisticated cyberspying. The story takes us up to the present, with a West Coast spy ring whose members were sentenced in 2010. Patrick Barry (illustration), and Jon Wise (Author (illustrator).…

Très bon état. Thoiras Anduze (Gard). 15 cm x 21 5 cm. 1979. Broché. 52 pages. Thoiras Anduze (Gard) Roy Hart Theatre 1979. Agrafé 15 cm x 21 5 cm 52 pages (non paginé) photos noir extraits de pree. Bien complet du bulletin d'abonnement au Roy Hart Theatre Journal très bon état. Très bon état.

Hardcover. Zustand: Brand New. 2nd edition. 698 pages. 19.20x16.40x9.40 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. Krauss on William Kentridge's Norton Lectures," by Rosalind E. Krauss; "On Site: Vaginal Davis on Jabberjaw," by Vaginal Davis; "Music: Owen Hatherley on Neneh Cherry's 'The Cherry Thing,'" by Owen Hatherley; "Top Ten," by Patterson Beckwith; "Blow-Up: Taryn Simon and Brian de Palma in Conversation"; "A Progression of Forms: The Art of Daan van Golden," by Richard Aldrich; "1000 Words: Mario García Torres," by Tom McDonough; "Another World: Michelle Kuo talks with David Graeber"; "Declaration of Independent: The 50th Anniversary of the Oberhausen Manifesto," by Eric Rentschler; "The More Things Change: The Art of Roman Ondák," by Ina Blom; "Trace Elements: The Art of Nairy Baghramian," by André Rottmann; "Openings: Pietro Roccasalva," by Jan Tumlir. Reviews by Huey Copeland, Jack Bankowsky, Jakob Schillinger, Hannah Feldman, Isabelle Graw, Jordan Kantor, David Frankel, David Rimanelli, Robert Pincus-Witten, Jeffrey Kastner, Suzanne Hudson, Lloyd Wise, Barry Schwabsky, Johanna Burton, Frances Richard, Donald Kuspit, Ida Panicelli, Emily Hall, Lauren O'Neill-Butler, Eva Díaz, Michael Wilson, Francine Koslow Miller, Ivy Cooper, Michelle Grabner, Jennifer King, Lisa Turvey, Jan Tumlir, Ben Carlson, Sarah Lehrer-Graiwer, Travis Diehl, Zehra Jumabhoy, Jo Applin, Gilda Williams, Lauren Dyer Amazeen, Declan Long, Lillian Davies, John Beeson, Astrid Mania, Noemi Smolik, Quinn Latimer, Yann Chateigné Tytelman, Giorgio Verzotti, Alessandra Pioselli, Astrid Wege, Hans den Hartog Jager, Ronald Jones, Javier Hontoria, Martí Peran, Lee Ambrozy, and Shinyoung Chung. Cover: Fiona Banner.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…

Draft script for the 1985 television movie, seen here under the working title "Reunion at Thurleigh." Copy belonging to secretary Carol Wynn-Jones, with her name in manuscript ink on the title page, and her annotations throughout, noting revisions and deletions. Laid in with the script is a letter from the Campaign for Nuclear Disarmament, dated September 16, 1984, declining to allow the film's producers to use their organization name and images in the film. A successful but lonely Chicago businessman attends a World War II veterans reunion in England, and begins a romance with an old flame during the trip. Originally aired on HBO on May 12, 1985. Shot on location in Surrey, Cambridgeshire, and London. Blue wrappers with a die-cut title window in the British style. Title page present, with credit for screenwriter Albert Ruben, with date (20-9-84) and copy number (52) noted in manuscript ink. 125 leaves, with last page of text numbered 113. Xerographic duplication, rectos only, with rainbow revisions throughout, dated variously between September 20 and October 3, 1984. Pages Near Fine, wrapper Near Fine, housed in a black binder.…