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Zustand: New. In.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0521662885.

Zustand: New. This 2000 book was the first to consider the role of Italian confraternities in the patronage of art. Num Pages: 332 pages, Illustrations. BIC Classification: 1DST; ACND. Category: (P) Professional & Vocational. Dimension: 245 x 190 x 18. Weight in Grams: 600. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 2000 book was the first to consider the role of Italian confraternities in the patronage of art.

Hardcover. Zustand: New. &Uumlber den AutorPamela M. Jones, Ph.D. (1985), Brown University, is Professor Emerita of Art History at the University of Massachusetts Boston. Her books include Altarpieces and Their Viewers in the Churches of Rome from Car.

Buch. Zustand: Neu. Neuware - Winner of the 2020 Bainton Prize for Reference Works This volume, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, focuses on Rome from 1492-1692, an era of striking renewal: demographic, architectural, intellectual, and artistic. Rome's most distinctive aspects--including its twin governments (civic and papal), unique role as the seat of global Catholicism, disproportionately male population, and status as artistic capital of Europe--are examined from numerous perspectives. This book of 30 chapters, intended for scholars and students across the academy, fills a noteworthy gap in the literature. It is the only multidisciplinary study of 16th- and 17th-century Rome that synthesizes and critiques past and recent scholarship while offering innovative analyses of a wide range of topics and identifying new avenues for research. Committee's statement 'The volume includes a multidisciplinary study of early modern Rome by focusing on the 16th and 17th centuries by re-examining traditional topics anew. This volume will be of tremendous use to scholars and students because its focus is very well conceptualized and organized, while still covering a breadth of topics. The authors celebrate Rome's diversity by exploring its role not only as the seat of the Catholic church, but also as home to large communities of diplomats, printers, and working artisans, all of whom contributed to the city's visual, material, and musical cultures'. Roland H.Bainton Prizes Contributors are: Renata Ago, Elisa Andretta, Katherine Aron-Beller, Lisa Beaven, Eleonora Canepari, Christopher Carlsmith, Patrizia Cavazzini, Elizabeth S. Cohen, Thomas V. Cohen, Jeffrey Collins, Simon Ditchfield, Anna Esposito, Federica Favino, Daniele V. Filippi, Irene Fosi, Kenneth Gouwens, Giuseppe Antonio Guazzelli, John M. Hunt, Pamela M. Jones, Carla Keyvanian, Margaret A. Kuntz, Stephanie C. Leone, Evelyn Lincoln, Jessica Maier, Laurie Nussdorfer, Toby Osborne, Miles Pattenden, Denis Ribouillault, Katherine W. Rinne, Minou Schraven, John Beldon Scott, Barbara Wisch, Arnold A. Witte.

Zustand: Gut. Gut. 4° (30-35 cm). 159 S. Illustr. OKartonage in OSchuber . Papers in Art History from The Pennsylvania State University, Band 6 (VI). 2 Bände, so vollständig. Einbände gering bestoßen, Schuber etwas bestoßen, ansonsten gut erhalten. Band1: Triumphal Celebrations and the Rituals of Statecraft; Band 2: Theatrical Spectacle and Spectacular Theatre. Durchgehend illustriert. Italien, Kunst, Prunk, Renaissance, Barock, Staatskunst, Inszenierung, Hofkunst, Fürstenhof, Rituale, Theater, Spektakel, Feste. 3600 Gramm. Illustr. OKartonage in OSchuber.