Wim bakker (25 Ergebnisse)

Zustand: Please see description. Paperback, met vele foto's en afbeeldingen in zwart-wit, rug van de omslag wat verkleurd, verder in goede staat.

Zustand: As New.

Zustand: As New.

8°, fotoillustr. OLnbd. mit roter Rückentitelprägung; 79 (1) Seiten durchgehend mit fotografischen s/w- und farbigen Abbildungen, englischer und holländischer Text; sehr sauberes Exemplar.

Zustand: Very Good.

Broschiert. Zustand: Gut. 408 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In GRIECHISCHER Sprache. el Gewicht in Gramm: 990.…

Delft, Volkenkundig Museum Nusantara, 1985, 95,(1) pag., foto's en afbeeldingen in zwart-wit, paperback, quarto.

Hardcover. Zustand: As New. 1st Edition. Hardcover, 287 pages : illustrations (some color), maps, portraits ; 30 cm. As new. Visual Arts in Bali' is a standard work for a wide audience about Balinese visual art in the 20th century. The book follows the line in the change of patronage under which Balinese artists traditionally worked. The enormous distance in shape, function and aesthetics between traditional Balinese and Western art, that existed around 1900, was significantly reduced under the influence of colonial rule and the arrival of many foreigners. Western artists travelled to Bali and often settled there, which initiated a mutual dynamic in visual art. However, the constantly changing social and political circumstances did not play a very significant role. The book follows all these developments from the beginning of the 20th century, when the Dutch colonial rules were imposed, until the integration of Balinese culture in the wider global tendencies of the 1990's.0Wim Bakker and his partner Marian visited Bali regularly from 1972. Over the years they built-up an extensive network among Balinese artists and art dealers there. They knew many now internationally famous, yet late Balinese artists personally and Wim recorded their stories. This information gives the book, that Wim Bakker has been working on since 2000, tremendous value, just like the many never previously published artworks. A book for everyone who admires the wealth and beauty of the Balinese culture and is interested in its background and the changes this art went through in the 20th century.…

Zustand: Very Good.

Hardcover. Zustand: Very Good. A unique insider's account of Total Design's golden period. It contains hundreds of images from the TD archive, and in Ben Bos's text the reader is given a personal history of a design group that remains as important today as it did when it opened its doors. Expanding on the original edition, this new book features an updated and extended text by Ben Bos that looks beyond 1973, as well as many previously unseen images from his personal archive. The book has also been redesigned in a new larger format to show the work in greater detail. Contents: Total Design: an insider's view -- Life before Total Design -- The teams and their members -- New text for expanded edition -- Work -- End matter. 503 pages : illustrations (chiefly color) ; 25 cm. Expanded edition. Blue cloth boards, in slipcase. Slight shelf wear to slipcase, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Zustand: Very Good.

Zustand: New.

Gebunden. Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Monetary Stability through International Cooperation | Essays in Honour of André Szász | Age F. P. Bakker (u. a.) | Taschenbuch | 409 S. | Englisch | 2013 | Springer | EAN 9789401723602 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Monetary Stability through International Cooperation contains essays written by high ranking policy makers in the field of central banking and international finance, written in honour of André Szász, who has been Executive Director of De Nederlandsche Bank since 1973, responsible for international monetary relations. Colleagues from several other central banks, from finance ministries and from international institutions pay tribute to him by analysing the conditions fostering European as well as global monetary stability. The book provides an inside view of the thinking of monetary officials at the turn of 1993/1994, when the currency turmoil in the ERM of mid-1993 had subsided and views on its implications for exchange rate management and, more generally, for European integration were taking shape. Topics include exchange rate stabilisation, policy coordination and central bank independence. A second section, on the international monetary system, includes essays on the policy implications of present day dynamic financial markets as well as the role of the IMF. This book, written by `insiders for an insider', provides valuable insights to those who are interested in contemporary international monetary relations.…

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Monetary Stability through International Cooperation contains essays written by high ranking policy makers in the field of central banking and international finance, written in honour of André Szász, who has been Executive Director of De Nederlandsche Bank since 1973, responsible for international monetary relations. Colleagues from several other central banks, from finance ministries and from international institutions pay tribute to him by analysing the conditions fostering European as well as global monetary stability. The book provides an inside view of the thinking of monetary officials at the turn of 1993/1994, when the currency turmoil in the ERM of mid-1993 had subsided and views on its implications for exchange rate management and, more generally, for European integration were taking shape. Topics include exchange rate stabilisation, policy coordination and central bank independence. A second section, on the international monetary system, includes essays on the policy implications of present day dynamic financial markets as well as the role of the IMF. This book, written by `insiders for an insider', provides valuable insights to those who are interested in contemporary international monetary relations.…

Hardcover. Zustand: Brand New. 1st edition. 412 pages. 10.25x7.00x1.25 inches. In Stock.

Zustand: New. These essays were presented on 12 July 1994 on the occasion of Andre Szasz's retirement from the Governing Board of De Nederlandsche Bank. Topics include exchange-rate stabilization, policy co-ordination and central bank independence. Editor(s): Bakker, Age; Boot, Henk; Sleijpen, Olaf; Vanthoor, Wim. Num Pages: 409 pages, 7 black & white illustrations, biography. BIC Classification: KCBM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 155 x 23. Weight in Grams: 752. . 1994. Hardback. . . . . Books ship from the US and Ireland. …

Softcover. Zustand: Very Good. Minor edgewear. Light corner creasing to 1 corner of wraps and a few pages. Minor foxing to wraps. Tiny stain to front wrap.; 851pp, 4 charts; 851 pages.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

S. 434 - 617 Einband berieben, sonst ein gutes Exemplar. Die Leseseiten sind sauber und ohne Anstreichungen. Sprache: Niederländisch Gewicht in Gramm: 1000.

[Eindhoven], Lecturis, [2018]. 287 pp. Col. & b./w. ills. Orig. hardcover (pictorial boards). 4to. [ISBN: 9789462262904].A standard work for a wide audience about Balinese visual art in the 20th century.0The book follows the line in the change of patronage under which Balinese artists traditionally worked. The enormous distance in shape, function and aesthetics between traditional Balinese and Western art, that existed around 1900, was significantly reduced under the influence of colonial rule and the arrival of many foreigners. Western artists travelled to Bali and often settled there, which initiated a mutual dynamic in visual art. However, the constantly changing social and political circumstances did not play a very significant role. The book follows all these developments from the beginning of the 20th century, when the Dutch colonial rules were imposed, until the integration of Balinese culture in the wider global tendencies of the 1990's. - Text in English.…

First Edition. First edition, folio, pp. 72; text in Dutch; color map on front endpapers, 64 mounted color photographs, illustrations in the text; small ink mark at top of upper cover, else a very good, sound, and clean copy in brown cloth-backed pictorial boards. Photo book about the life and customs of the inhabitants of the island of Bali, with short texts relating to each photo.…