Wilson mark f (10 Ergebnisse)

Trade Paperback. Zustand: Very Good+. Uncreased spine. the Jim Butcher story is Day Off part of the Dresden Files, Kelley Armstrong presents us with The Ungrateful Dead, Charlaine Harris with An Evening with Al Gore, Sherrilyn Kenyon with Where Angels Fear to Tread.

hardcover. Zustand: Good.

Soft cover. Zustand: Very Good. No Jacket. Reprinted and Revised Edition. Near fine book in light card covers; one or two tiny edge rubs. Internally fine and free of inscriptions; profusely illustrated. Maurice Wilson [Line drawings] (illustrator).

Zustand: Poor. Covers a little rubbed and shelfworn with some marks to back - reading crease to front cover - slight bump to spine - page edges a little toned - 'poor' as spine cracked and open, all pages currently attached but may come loose through reading - some pages with minor pencil marks - content ow clean and bright - ow a good copy - 128 pages. …

Hardcover. Zustand: vg. 8vo. viii. 451pp. Ex library. Series of lecture by the acclaimed Prussian theologian and philosopher Friedrich Daniel Ernst Schleiermacher (see below). In English. Fair condition. Black cloth with gilt lettering to spine. Minor age wear to binding, minor browning throughout. Overall clean and tight. In English. Very good condition. On the author (Source: 11th edition Encyclopedia Britannica): SCHLEIERMACHER, FRIEDRICH DANIEL ERNST (1768-1834), theologian and philosopher, was the son of a Prussian army chaplain of the Reformed confession, and was born on the 21st of November 1768 at Breslau. He was educated in a Moravian school at Niesky in upper Lusatia, and at Barby near Halle. Moravian theology, however, soon ceased to satisfy him, and his doubts rapidly took definite shape. Reluctantly his father gave him permission to leave Barby for the university of Halle, which had already (1787) abandoned pietism and adopted the rationalist spirit of Wolf and Semler (see RATIONAL-1sm). As a student he pursued an independent course of reading and neglected to his permanent loss the study of the Old Testament and the Oriental languages. But he frequented the lectures of Semler and of J. A. Eberhard, acquiring from the former the principles of an independent criticism of the New Testament and from the latter his love of Plato and Aristotle. At the same time he studied with great earnestness the writings of Kant and Jacobi. He acquired thus early his characteristic habit of forming his opinions by the process of patiently examining and weighing the positions of all thinkers and parties. But with the receptivity of a great eclectic he combined the reconstructive power of a profoundly original thinker. While yet a student he began to apply ideas gathered from the Greek philosophers in a reconstruction of Kant's system. At the completion of his three years' course at Halle he was for two years private tutor in the family of Count Dohna-Schlobitten, developing in a cultivated and aristocratic household his deep love of family and social life. In 1796 he became chaplain to the Charite Hospital in Berlin. Having no scope for the development of his powers as a preacher, he sought mental and spiritual satisfaction in the cultivated society of Berlin, and in profound philosophical studies. This was the period in which he was constructing the framework of his philosophical and religious system. It was the period, too, when he made himself widely acquainted with art, literature, science and general culture. He was at that time profoundly affected by German Romanticism, as represented by his friend Friedrich Schlegel. Of this his Confidential Letters on Schlegel's Lucinde (Vertrauten Briefe fiber Schlegel's " Lucinde," 18o1; ed. 1835; by Jonas Frankel, 1907; R. Frank, 1907), as well as his perilous relation to Eleonore Grunow, the wife of a Berlin clergyman, are proof and illustration. Though his ultimate principles were unchanged he gained much from the struggle. It showed him much of the inner truth of human feeling and emotion, and enriched his imagination and life with ideals ancient and modern, which gave elevation, depth and colour to all his thought. Meantime he studied Spinoza and Plato, and was profoundly influenced by both, though he was never a Spinozist; he made Kant more and more his master, though he departed on fundamental points from him, and finally re-modelled his philosophy; with some of Jacobi's positions he was in sympathy, and from Fichte and Schelling he accepted ideas, which in their place in his system, however, received another value and import. The literary fruit of this period of intense fermentation and of rapid development was his "epoch-making " book, Reden uber die Religion (1799; ed. Gottingen, 1906), and his " new year's gift to the new century, the Monologen (1800; ed. 1902). In the first book he vindicated for religion an eternal place amongst the divine mysteries of human nature, distinguished it from all current c. …

Zustand: New. New chapters on the care of surgical and fragile models and on the use of rats in research areas such as alcoholism, regenerative medicine, spinal cord injury, traumatic brain injury, and others are included. All chapters were written by s.

Hardcover. Zustand: Brand New. 1st edition. 271 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: Very good. New York, London, Toronto, Sydney: Pocket Books, (2008)., (2008). Very good. UNCORRECTED PROOFS SIGNED BY THE EDITOR AND 10 OF THE CONTRIBUTORS, INCLUDING JIM BUTCHER AND KELLEY ARMSTRONG - Octavo, 8-1/4 inches high by 5-1/4 inches wide. Softcover, bound in color pictorial wraps. The bottom corner of the front cover and that of the top corner of the rear cover are creased and there is a small chip to the top edge of the rear cover. [vi], 388 & [1] pages. Internally bright & fine. Very good. "Uncorrected Proofs - Special Advance Reader's Edition" of the first printing, with the full number line. Though not called for, this copy is signed on the title page by the editor, Kevin J. Anderson, and by 10 of the contributors on the first page of their short story. The autographs include those of Nancy Kilpatrick, MikeResnick, Jim Butcher, F. Paul Wilson, Jeff Strand, Charlaine Harris, Nancy Holder, Sherrilyn Kenyon, Kelley Armstrong, and Joe R. Lansdale. Several of them have also signed the book on the half-title. Includes "The Ungrateful Dead" by Kelley Armstrong, "Day Off" by Jim Butcher, "Where Angels Fear to Tread' by Sherrilyn Kenyon, and "An Evening with Al Gore" by Charlaine Harris. …

Hard Cover. Zustand: VG+. First UK. 8vo. original green cloth gilt (upper hinge just starting, a few marks but essentially clean & bright); pp. xii (last blank), 358, with illustrations. A very good copy of these collected accounts, first published in America by Scribners and unusual in the English edition. [Neate W98: Includes Mt. Aetna, Mt. Ararat, Mt. St. Elias, Mt. Washington].…

Zustand: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.…