Wilson judith c (22 Ergebnisse)

Zustand: Very Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: New.

Zustand: New. 288.

Zustand: New. 288.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Very good condition in dust wrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Very good condition in dust wrapper, slight fading to portions of the wrapper.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. First Edition. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped.1st Edition. Bound in a short quarto format in black faux cloth, gilt lettering to spine. 160 pp., plentiful plates in full-color but mostly in black-and-white. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

HARDCOVER. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 4to in black faux cloth, gilt lettering to spine. 160pp, plates in colour and (mainly) b/w, illustrations in text, bibliography, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy in a slightly spine sunned but otherwise FINE complete Dust Jacket (looks new in its removable transparent protector) ] . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A.More Store"; "Little Richard from A to Zeeza," by Greil Marcus. Book reviews by Alexandra Anderson, Jack Flam, Anthony Korner, Donald Kuspit, Lisa Liebmann, Greil Marcus, Nicholas Moufarrege, Amy Baker Sandback, Frederic Tuten, Martha Wilson, John Yau, and Stuart Morgan. Reviews by Glenn O'Brien, Donald Kuspit, Kate Linker, Stuart Morgan, Jeanne Silverthorne, Patricia C. Phillips, Ronny Cohen, Charles Hagen, Jean Fisher, John Howell, David Carrier, Judith Russi Kirshner, Howard Singerman, Susan C. Larsen, Suzaan Boettger, Luciana Rogozinski, Ida Panicelli, Max Wechsler, and Denys Zacharopoulos. Cover: Max Beckmann.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. Security Check for Image Hostages: Read This or Else," by Carter Ratcliff; "Ground Up: Architects take Leave of their Senses; Arata Isozaki Takes his Along," by Herbert Muschamp; "The Cave. The Celluloid Cannot Hold: Did you See Who Alexis Kissed Last Night?" by Wolfram Schutte; "Speaker to Speaker. The Slits, 1977: Why They Still Don't Make Sense," by Greil Marcus; "Books. Wiping up After Bataille: The Perils of Intellectual Sanitation," by Donald Kuspit; "Slant: Art Jockeying in the Sistine Disco," by Glenn O'Brien; "A Brush with the Real: Bertraind Lavier Painting in the Light of Everyday," by Germano Celant; "The World and Its Traditions or the Tradition of the World: Lothar Baumgarten Inspects the Values Declared by Customs," by Denys Zacharopoulos; "Vernon Fisher at Home on the Ranges: The Critics and the Sparrows," by Susan Freudenheim; "Japant-Garde Japanorama: The Art of Mutual Misunderstanding," by J. Hoberman; "Non-uments: The All-Consuming Quakes of Gordon Matta-Clark," by Judith Russi Kirshner; "Project: With a Note by Manuel J. Borja," by Antoni Tapies; "Misty Channels: Stephen McKenna's Arcadias, Allegories, and Dead Nudes," by Lisa Liebmann; "Project: The Raw and the Coiffed," by Cinzia Ruggeri. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, Lisa Liebmann, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, and Gloria Moure. Cover: Stephen McKenna. …