Wilson douglas ed (11 Ergebnisse)

Paperback. Very good. Previous owner's stamp and label. 230 pp.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0803986416.…

Hardcover with Dust Jacket. Zustand: GOOD. Zustand des Schutzumschlags: Very Good. xxxii, 827pp. Black cloth hard covers with gilt-lettered spine. Marginal notations in ink and pencil to ~20pp. Sound reading copy.

Zustand: New. While the debates between Abraham Lincoln and Stephen A Douglas are undoubtedly the most celebrated in American history, they may also be the most consequential as well. The contest between Lincoln and Douglas became a testing ground for the viability of conflicting ideals in a nation deeply divided. This title helps us to understand the debates. Editor(s): Davis, Rodney O.; Wilson, Douglas L. Series: The Knox College Lincoln Studies Center. Num Pages: 392 pages. BIC Classification: 1KBB; 3JH; HBJK; HBLL. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 31. Weight in Grams: 694. . 2008. The Lincoln Studies Center ed. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. Same-Sex Marriage and Religious Liberty explores the religious freedom implications of defining marriage to include same-sex couples. It represents the only comprehensive, scholarly appraisal to date of the church-state conflicts virtually certain to arise in many spheres of law as a result of the legal recognition of same-sex marriage. Editor(s): Laycock, Douglas; Picarello, Anthony R., Jr.; Wilson, Robin Fretwell. Num Pages: 344 pages, black & white illustrations. BIC Classification: WZ. Category: (G) General (US: Trade). Dimension: 239 x 162 x 27. Weight in Grams: 662. . 2008. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. Beginning with a review of the intellectual foundations of the co-management idea from several professional perspectives, this book describes the happenings in various areas. It offers a set of reflections, and describes both the state-of-the-art and issues for one of the most important trends in natural resources management. Editor(s): Wilson, Douglas Clyde; Nielsen, Jesper Raakjaer; Degnbol, Poul. Series: Fish & Fisheries Series. Num Pages: 324 pages, biography. BIC Classification: KNAF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 156 x 20. Weight in Grams: 688. . 2003. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. Britain and Japan have both achieved a position of global economic primacy. Within each state one region has served as an economic powerhouse. This book compares the two regions of Lancashire and Kansai, each chapter being jointly written by a British and Japanese scholar. Editor(s): Abe, Takeshi; Farnie, Douglas A.; Jeremy, David J.; Nakaoka, Tetuso; Wilson, John F. Series: Routledge International Studies in Business History. Num Pages: 352 pages, 35 black & white tables. BIC Classification: 1DBKENL; 1FPJ; 3JH; 3JJ; KCZ; KN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 26. Weight in Grams: 748. . 1999. Hardback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Good. First Edition. Pages 95-132. This issue most noteworthy for its early coverage of beloved B.C. artist E.J. Hughes in an article by Doris Shadbolt. Other features include: A.Y. Jackson's reflections on his seventieth birthday; Art and Television - in Montreal and Toronto; The Sketch-Books of James Wilson Morrice; Toward Regionalism in Canadian Architecture; Eric Brown as I knew him; The Academy Today; Coast to Coast in Art; New Books on the Arts; The Art Forum; Several pages of nice vintage ads. Cover photo of the award-winning Marwell Building in Vancouver; Illustrated in colour and black and white. Average wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art (Magazine), Spring Number, 1953, Volume X, Number 3 - Ed (E.J.) Hughes, Painter of the West Coast Jackson, A.Y.; E.J. (Ed) Hughes; Morrice, James Wilson; Pilot, Robert reflections on his seventieth birthday; Art and Television - in Montreal a. Illustrated by Jackson, A.Y.; E.J. (Ed) Hughes; Morrice, James Wilson;Pilot, Robert (illustrator). …

Paperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.…

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine. …