willy scholte (14 Ergebnisse)

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Flowerless, published by the Artist, Amsterdam, c1980. 110 x 154 mm. Artist's card hand stamped by artist printed in blue and red. Signed and titled by the artist on verso. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s an's the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Near Fine. Willy Scholte (Wilhemina Scholte), Rubber Stamp Card, published by the Artist, Amsterdam, c1980. 154 x 110mm. Artist's card with a unique rubber stamp design featuring a house emerging from a pair of trousers. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s an's the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Near Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Gluckliche Spinnennetze [Lucky Spiderwebs], Stempelplaats, Amsterdam, c. 1976-1986. 155 x 106mm. Artist's card handstamped in red and green and signed and titled in pencil by the artist on recto. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Krisis, Stempelplaats, Amsterdam, c. 1976-1986. 155 x 106mm. Artist's card handstamped in black on recto. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Arboretum 1-6, Stempelplaats, Amsterdam, c. 1976-1986. 155 x 106mm. Artist's card handstamped in red, blue and purple on recto, and signed and titled in black ink by the artist on verso. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Bellelibelle, Stempelplaats, Amsterdam, 1979-1981. 155 x 106mm. Artist's card handstamped in black, red, green and purple on recto, and signed, titled and dated by the artist on verso. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Here, Scholte has added a copyright symbol after her name in a confident statement of authorship. Condition: Fine.

Zustand: fine. Willy Scholte (Wilhemina Scholte), Reality, published by the Artist, Amsterdam, c1980. 154 x 110mm. Artist's card with imprint of (presumably Scholte's) foot in orange and green and the sole of a shoe in black. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s an's the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Kerk-gangsters (Church gangsters), Stempelplaats, Amsterdam, 1978. 105 x 148 mm. Artist's card hand stamped by artist printed in black and blue. The spider and church was a recurring motif by Scholte, and the title of this card confirms its sinister theme. Unusally the card is printed on the verso with Stempelplaats, Amsterdam, 1978. Signed and dated by the artist on verso. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s an's the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), By By By, published by the artist, Amsterdam, 1978. 105 x 148 mm. Artist's card hand stamped by artist, featuring a central tulip stamp printed in a gradation of red, purple and blue, surrounded by wasps printed in black. Signed, titled and dated by the artist on recto. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s an's the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Change Your Mind, Stempelplaats, Amsterdam, 1983. 155 x 106mm. Artist's card handstamped in black, red and yellow and signed and dated in black ink by the artist on recto. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Condition: Fine.

Zustand: near fine. Willy Scholte, The Greatest Pieremachocel of Sail 85 (Card and Envelope), Amsterdam, 1985. 150 x 102mm. (Card), 162 x 115mm (Envelope). Handmade card featuring an origami paper boat fashioned from newspaper attached to white card, the card is stamped in purple with the phrase 'The Greatest Pieremachocel of Sail 85' and signed in black ink in the right corner by the artist. Alongisde an envelope with one Sail 85, Amsterdam stamp, and two hand printed stamps by Scholte in pink and black imprinted with the artist's name and Sail 85, Amsterdam. On top are two blue nautical rubber stamps. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld.

Zustand: Fine. Willy Scholte (Wilhemina Scholte), Am I Am, Stempelplaats, Amsterdam, 1985. 155 x 106mm. Artist's card hand-drawn in black felt tip with collage element on recto, also signed and dated in pencil by the artist on recto. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld. This is the work of a talented mail artist who is ripe for rediscovery. Here, Scholte has added a copyright symbol after her name in a confident statement of authorship. Condition: Fine.

Zustand: Very good + / Near Fine. Rubber Vol.3, No.4 no.6, Aart van Barneveld (ed.), Rubber Stamp Publications (An Index), April June 1980, 235 x 160 mm. Various artists. Over 200 artist books by various Rubber associated artists are listed and pictured throughout in black and white. Artists include: Anna Banana, Peter Below, George Brecht, Stanley Brouwn, Paulo Bruscky, Ulises Carrion, Marie C. Combs, Ray DiPalma, Leonhard Frank Duch, Claudio Goulart, Davi Det Hompson, Hetty Huisman, Robert Jacks, J.H, Kocman, Geza Perneczky, Pawel Petasz, Dieter Roth, Willy Scholte, Elsa Stansfield, Gabor Toth, Tim Ulrichs. Condition: Very good + / Near Fine.

Zustand: Near fine. Willy Scholte, Eve's Apples and Adam's Fruit. Both cards measure 155 x 107mm and feature drawing in black pen of female and male form, each is euphemestically hand stamped in Scholte's gradient rubber stamp, the male with a banana and the female with a pair of apples. Each card is adorned with a peice of pink fringing, working as a sort of 'modesty' curtain. These humorous cards are signed and stamped by the artist. Willy Scholte was one of very few women working at the Stempelplaats factory in the late 1970s and the early 1980s. As a keen autodidact, she became involved in the avant-garde activities at Stempelplaats and drew inspiration from the likes of Ulises Carrion and Aart van Barneveld.