williamson barry (21 Ergebnisse)

Zustand: Very Good. Very Good condition. Very Good dust jacket. Large Print edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Single Issue Magazine. Zustand: Very Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Brand New. 140 pages. 9.69x7.44x0.32 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. Barry Driscoll (illustrator). hardback 265pp green decorated cloth gilt in wrapper, orange gilt central device to front board, map end-papers, illustrated by Barry Driscoll, wrapper with short closed tear and rubbed glassine laminate on wrapper lifting.

1st edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 242 pp.: illustrations, genealogical tables, maps, portraits ; 23 cm. Subjects; Arundel family. Old Wardour Castle. Families England Wiltshire History. 3 Kg.

Paperback edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 40 p. : ill., maps ; 16 x 22 cm. Subjects; Clifton (Bristol, England) History ; Pictorial works. Clifton (Bristol, England) ; Pictorial works. Gloucestershire (England). 3 Kg.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good Jacket. . Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Zustand: New. In.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780901333476.

New edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; xc, 160 pages : illustrations, maps ; 24 cm. Subjects; Arundell, James Everard 1721-1803 ; Finance, personal. Wyndham, Ann 1731-1796 ; Finance, personal. Account books England Wiltshire. Families England Wiltshire History. Wiltshire (England) History ; Sources. Berwick St John (Wiltshire). Salisbury (England) Social life and customs 18th century ; Sources. 3 Kg.

First Edition. Large crease in rear cover; otherwise a clean, tidy 40pp stapled paperback with B & W illustrations. Landscape format. Used - Very Good. VG stapled paperback.

Paperback. Zustand: Brand New. 252 pages. 8.98x5.98x0.79 inches. In Stock.

Zustand: Used - Very Good. VG paperback. Pages clean. Small marks and shallow indentations on front cover; small surface losses on rear cover. Postcard photographs from the Michael J. Tozer collection.

Hardcover. Zustand: Brand New. Italian language. 10.16x6.69x1.18 inches. In Stock.

Les Editions du Triton / Creepy n° 1 à 4 de 1978. In-4 broché agrafé d'un total de 330 pages au format 27,5 x 20,5 cm. Magnifiques couvertures illustrées conservées. Dos carré avec petits frottis. Plats avec petits frottis, tassements et traces de pliures aux coins. intérieur frais. Contient des bandes dessinées illustrées, entre autres, par Richard Corben, Alex Nino, Luis Bermejo, Alfredo Alcalla, Wallace Wood, Budd Lewis, Jan Strad, Barry Windsor Smith, Fernando Fernandez, José Ortiz, John Severin, Esteban Maroto, Berni Wrightson, Al Williamson, etc. Nombreux articles consacrés au cinéma, à la bande dessinée et à la littérature de fantstique et de science-fiction. Assez bel état général de fraicheur. Rare édition originale de cette mythique revue, en reliure éditeur.

4pp, 12mo. On four loose leaves. In fair condition, lightly aged and worn, with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors | (after the dinner to J. N. Dunn. April 23rd. 1897)'. (At the time of the dinner the Scottish journalist James Nicol Dunn (1856-1919) was on the verge of being appointed editor of the Morning Post, a position he would hold from May 1897 to January 1905.) There is no record of the poem having been published, and it is likely to have been written for after-dinner recitation only. It is 72 lines long, arranged in 18 quatrains. It begins: 'I dreamed I walked the Street of Bouverie | Where are pale lamps that mock the sable night, | "The Halfpenny John", Bradbury et cie | And also "Black & White"' | Walking, I heard a voice behind me say: | "Not vainly are my Hours and minutes spent. | I have a scheme a cert. - can't fail to pay | Three hundred pounds per cent."' The voice is that of the first of the five editors to appear to Pain in the poem, Charles Norris Williamson (1859-1920), editor of 'Black and White': 'fair, frock-coated, tall, | Sanguine, erratic, with enquiring eye | [] | 'Twas he the earliest figure of our past | Who sowed the seed whereof we reap the flow'r'. Williamson departs ('With pince-nez gleaming like an angel's smile | Went C. N. Williamson'), to be replaced by the editor of 'Chapman's Magazine of Fiction': 'O Oswald Crawfurd [(1834-1909)], courtly, consular, | With Fleet Street's maidens circling raind abait'. The third editor is an unnamed 'snappy man [] | And short and sharp barked out his little day; | In all the converse of the C. M. G. | Save that he didn't stay.' The fourth editor 'who stammered, stared with a lack-lustre eye' is also unnamed. He is a disreputable editor: 'Took his own stories, took his sister's too, | Likewise his cousin's, and his aunt's as well. | Sometimes we print them still we're forced to do - | But "Hell!" we murmur, "Hell!"' The final editor is Dunn himself: 'The one that bragged the least and did the most, | Yet left a weekly illustrated place | To take a morning post. | And as I spoke with him, the dream went by, | Through garden windows came the dawning sun | And I was Barry Pain, and knew that I | Had dined with J. N. Dunn'. The poem ends with Pain asking pardon for drinking from 'a strictly "private" bottle': 'Contrition's tear-drop on my eye-lid starts - | Partially drunk, but like the curate's egg, | "Quite excellent in parts"'. See Pain's entry in the Oxford DNB.