Williams sydney e (15 Ergebnisse)
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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- Hardcover
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Taschenbuch. Zustand: Neu. The Law and Practice Relating to Petitions in Chancery and Lunacy | with an appendix of forms and precedents | Sydney E. Williams | Taschenbuch | 488 S. | Englisch | 2019 | hansebooks | EAN 9783337840938 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, inf…o[at]bod[dot]de | Anbieter: preigu.
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- Hardcover
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references…, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Wide World - The Magazine For Men, March (Mar.) 1951 - The Death Patrol
Tench, CV; Brockie, William; Walters, Charles; Nolan, John; Master Mariner; Fox, G. E.; Sharp, Sydney; Williams, Jan; Lourie, Leah; Mitchell, Eric Beatty, Bill
Verlag: The Wide World, London, 1951
- Softcover
- Erstausgabe
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In den WarenkorbSingle Issue Magazine. Zustand: Good. First Edition. xxiv, 256-320 pages. Features: Cover illustration of St. Lucia, Windward Islands; The Death-Patrol - strange R.C.M.P. manhunt in Canada's far north after a murder on Moskeet Island; The Tobacco Farmers - three youngsters put their combined savings into an abandoned farm in Nor…th Queensland - article with photos; The Jewelled Cross - a strange story of buried treasure; Photo of New Zealand's "Bottle House"; The Stowaway; The Tale of a Shirt - what happened when an African 'bush-boy' acquired a taste for European clothing; The Miracle of the Sacred Eagles - photo-illustrated article on a daily phenomenon at a hilltop temple in Tirrukalikundram in Southern India; The Landlord's Tale - a rousing sea story told by the host of a village inn on the south coast; The Wai Wai Indians of the interior of British Guiana - article with eight photos; The Delectable Island - the isle of Re lies in the Bay of Biscay; Jungle Magic - an inexplicable performance witnessed in Malaya; Australian Treasure Trove - the wealth awaiting lucky finders in the Australian wilds; and more, plus many vintage ads. Small name atop front cover, otherwise unmarked with average wear. Binding intact. A quality vintage copy. Nicolson, W.C. (cover); (illustrator).
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- Signiert
Anbieter: Douglas Stewart Fine Books, Armadale, VIC, AustralienDouglas Stewart Fine Books
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In den WarenkorbManuscript in ink on wove writing paper, octavo bifolium (179 x 112 mm), [4] pp, written on the first side only; headed '4 Burston Road, Putney. March 5th 1879'; signed at the foot 'Sydney W. Lee'; the note is addressed 'My dear Lucas' (John Seymour Lucas, English historical genre painter, 1849-1923); Lee offers to buy the artis…t's latest painting, The Gordon Riots, for the sum of £300; the letter is in fine condition. Lucas completed The Gordon Riots, 1780 -an oil painting measuring 126 x 184 cm - in 1879. The paint had barely dried on the canvas when architect Sydney Williams Lee sent this letter, acting as an intermediary for a friend, offering the artist £300 for the painting, with copyright and frame included - a sum approximately equivalent to £35,000 in today's money. Lee mentions that his friend previously purchased Lucas's Ambuscade(i.e.An Ambuscade, Edgehill). The architect was a close personal friend of the artist: he had designed Lucas's purpose-built South Hampstead studio, and Lucas had named his son Sydney, born in May 1878, after his talented friend. It seems certain that Lee viewedThe Gordon Riotsas soon as the painting had been framed, but presumably he would also have seen it while it was a work in progress and still on the easel. It is not entirely clear whether Lee was successful in acquiring the picture on behalf of his anonymous friend in 1879, but considering that Lucas had been delighted to receive an identical sum of money from Lee for Ambuscade just a year earlier (which was, at the time, the highest price for which Lucas had ever sold a painting, according to his sales book), and that Lucas had already broached the subject of the possible sale of his new painting for around the same figure - as is made apparent by Lee's choice of words in this letter: 'Should you still be desirous of obtaining a Purchaser for your Picture of "The Gordon Riots" at £300 .' - there is every possibility that the sale went through. What we do know, however, is that in the following year both paintings - The Gordon Riots and Ambuscade - were shipped to Australia to be exhibited at the Melbourne International Exhibition, which was held from 1 October 1880 to 30 April 1881. This would tend to indicate that the two paintings were owned by one and the same person - and that they were despatched to the colonies in an act of speculation. Sure enough, during the exhibition, in March 1881, The Gordon Riots was acquired by the Art Gallery of New South Wales, and it has remained in that collection ever since. A quick search of the Gallery's accession records will no doubt reveal the identity of the vendor and the price paid for the painting - whether that figure was far in excess of £300, would be fascinating to learn.
