Williams ruth s (10 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. pp. 281.

Trade Paperback. Zustand: Near Fine. First edition. Paper back edition. Oversized (thick Quarto) Paperback. Illustrated stiff glossy wrappers. Binding: glued signatures. 507 pages, b/w & color photos & reproductions, bibliography, index. 1st Paperback Edition, 1st printing. CONDITION: NEAR FINE, binding square and tight, pages crisp and unmarked; wrappers show faint self wear and minor creases at outer corners. Book appears unread - tight and bright. CONTENT: Catalog of an exhibition at the M.H. de Young Memorial Museum in San Francisco in 1986. This exhibition catalog reproduces, in order, the exact works that were in the eight exhibitions of Impressionist art from 1874 to 1886. Includes scholarly essays on the Impressionist movement and on select artists, followed by critical evaluations of all eight exhibitions, including their impact and reception. A collection of contemporary reviews is included. A beautifully conceived and produced art book. >Guaranteed secure packaging, free tracking, and no-hassle return policy. …

Softcover. Zustand: Fine. First Edition. First paperback edition. 507pp. Illustrated in color and black and white. Faint dampstain on bottom corner of pages, otherwise very good or better in lightly rubbed wrappers.

Hardcover. Zustand: As New. No Jacket. As New in dark blue cloth with gilt titles. 392pp 8vo.

Zustand: New.

Zustand: Good. 4to. 507 pp. Soft Cover. Color and black and white plates throughout. Very Good, light sunning along the spine, short tear at top of spine.Provenance: From the Collection of the Art Historian Peter Selz.*Heavy book, the shipping may cost extra.

Zustand: Good. 4to. 507 pp. Very Good. Hard Cover. Sunned blue cloth cover with minor edge wear. Mainly color plated throughout. Exhibition organized by The Fine Arts Museum of San Francisco with the National Gallery of Art, Washington.

Softcover. Zustand: Very Good. First Edition. Nos. 1-9, all published. Octavos. Illustrated in black and white and tipped-in color plates. Printed wrappers. Modest general wear with a couple of tiny tears at the spine, most color plates neatly reattached, first two volumes with hinges neatly strengthened, Number 2 with a small foredge stain affecting the a small area of the margins of the second half of the text, and Number 1 with a bit of cover erasure and a bit of loss at the spine, a very good set. Text highlights include "The Night's Children" by Jean Genet (translated by Bernard Frechtman); "Japanese Goblin Poems" (translated by Lafcadio Hearn); "Forerunners of Modern Music" by John Cage; "Two Poems about Heaven and Earth" by Kenneth Patchen; "To Walter de la Mere" by T.S. Eliot; "The Gift of Understanding" and "The Landfall" by Thomas Merton; "The Furies" by Weldon Kees; "At the Edge of the Forest" by Raymond Queneau (translated by Ralph Manheim); and "Demolition Proejct" by William Stafford, among many others. In 2002 Yale's Beinecke Library organized an exhibition of Ruth and John Stephan's work, with an emphasis on *The Tiger's Eye*. Reviewing the exhibition and accompanying catalog for *The New York Times*, Roberta Smith wrote: "the magazine, which took its title from William Blake, was one of the few that 'took visual art as seriously as literature.' It was also an eccentric mom-and-pop operation, put together with love, sophistication and a fair amount of attitude, as well as Ruth's money. (Her family owned Walgreen's).'" A complete run of this important and nicely-produced mid-Century journal.…