williams joyce g (10 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Third. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

No Binding. Zustand: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Softcover. Zustand: Very Good+. First Edition. [light staining along bottom edge of front cover (inside and out), otherwise a nice clean copy with just minimal wear]. Trade PB (B&W photographs, diagrams) Following some brief introductory matter, including a chapter on "The Social Environment of the Crime," this volume primarily reprints contemporary news accounts and other documents related to the Borden murders, the trial of Lizzie Borden, and her life after the trial. Also includes a transcription of Assistant Marshal John Fleet's notes of his interviews with Lizzie, Bridget Sullivan, and John Morse, "the only known records of the police investigations in these early days [following the murders].".

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. Book club edition. Edited by Martha Foley. Octavo. xv, 368pp. Pages lightly age-toned, near fine in a good only price-clipped dust jacket with chipping and tears along the extremities. Bernard Malamud's first book appearance with "The Prison". Quotes William Faulkner's Nobel Prize acceptance speech at length in the Foreword, and contains stories by Roger Angell, Nathan Asch, Peggy Bennett, Mary Bolté, Hortense Calisher, Leonard Casper, R.V. Cassill, John Cheever, Harris Downey, Elizabeth Enright, J. Carol Goodman, Ethel Edison Gordon, William Goyen, Shirley Jackson, Josephine W. Johnson, Ilona Karmel, Oliver La Farge, George Lanning, Ethel G. Lewis, Dorothy Livesay, Robie Macauley, Bernard Malamud, Esther Patt, J.F. Powers, Paul Rader, Jean Stafford, Ray B. West, Jr., and Tennessee Williams.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.