William sterndale bennett (40 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Cloth. Zustand: Good. Post 1879, revised edition. Publisher's decorative cloth. Some slight wear. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fair. 1879. No Edition Remarks. 112 pages. No dust jacket. Red cloth with decorations. Slight cracking to hinges, with exposed netting, pages remain attached. Pages have light tanning and foxing throughout. Previous owner's inscriptions and stamp to front pastedown and endpaper. Boards have moderate shelf-wear with bumping to corners and rubbing to surfaces. Light tanning to spine and edges with crushing to spine ends.…

Size: Folio. 11pp. Wrappers (stitched invertedly).

Zustand: New. In English.

Zustand: New. In English.

Williamson E.16. (pp.221-222). Size: Folio. [i (title)], 17pp. Folded as issued (outer fold a little worn). Some foxing.

Paperback. Zustand: Very Good. c.1900. Slight wear. Previous owner's signature. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Size: 8vo. x, 182pp. Publisher's hardback with printed dust-jacket. Music examples and illustrations.

Zustand: New. In English.

Paperback. Zustand: Very Good. Slight wear, previous owner's signature.

Zustand: New.

Size: 8vo. Publisher's embossed cloth, gilt.

First edition. Williamson E.1, p.286. Size: Folio. [i (title)], 2 (libretto), 105pp. Lacks contents page. Half cloth (paper label along backstrip) with printed boards. Ex library with stamps to front board, title and opening page of music. Occasional pencil marking. Folio. [i (title)], 2 (libretto), 105pp. Lacks contents page. …

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New. KlappentextrnrnThis book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Zustand: New.

Novello's Original Octavo Edition. Good copy in the original publisher's gilt-blocked and blind-bordered cloth, edges very slightly toned. Some wear and tear as with age. Corners sharp with an overall tight, bright and clean impression. Provenance; from the library of Jonathan Mayne with the owner's bookplate. Series; Novello's octavo edition. Physical description; xv, 1 vocal score (viii, 187 p.) ; 26 cm. Notes; Novello's original octavo edition. The words printed separately as text: p. i-viii. English text. Subjects; Jesus Christ Passion. Choral music and singing. Oratorios ; Vocal scores with piano. Choral music. Passion music. Oratorios Vocal scores with piano. Passion music. Genres; Illustrated. notated music. 1 Kg.…

Hard covers, dust jacket. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st edition. As new. Signed by the author on t.p. and with his inscription on the ffep. Weight: 1.0 Language: English.

Hardcover. Zustand: Good. 108 pages in good condition. n.d. (1890's?). Pages are mostly clean and unmarked with some light foxing around the edges. Title page is foxed. Inner hinge is torn. Page edges are darkened. Quarterbound in purple leather and purple cloth. Upper board is bent and wrinkled. Boards are faded around the edges and lightly stained. Worn around the edges. Spine is heavily scuffed and worn, with large chips on the ends of the spine. G. Book. …

Musica Britannica, XXXVII. Size: Folio. xxiii, 165pp. Publisher's printed wrappers (head of backstrip ever so slightly worn). Facsimiles.

Zustand: Good. Vintage piano sheet music in white paper covers. 14'' x 10½''. Contains 12 pages including the covers. Scored for voice and piano with lyrics. Old brown paper repair down the spine and in Good condition. Member of the P.B.F.A. SHEET MUSIC.

Cloth. Zustand: Good. None. 83 pages of words and music bound in limp dark blue cloth. Three-page catalogue of W.Sterndale Bennett's compositions at end. Not dated but pre-dates 1900. There is an interesting inscription by a former owner which reads "sang bass part for the first time March 15th 1900 at the Guidhall, Cambridge." Binding shaky, cloth worn.…

Paper Wrappers. Zustand: Good. No Jacket. 108 pages plus a catalogue of the compositions of William Sterndale Bennett published by Lamborn Cock. This work was composed for, and first performed at the Birmingham Festival 27th August 1867. Not dated but predates manuscript date and name on front cover (1878). Some pages loose and spine worn at extremities.…

Size: Folio. [i (title)], 30, [iv (publisher's catalogue of WSB's works], 9pp. Folded as issued in publisher's printed wrappers (separated, reinforced, edges chipped). Engraved. Later printing of Williamson E.1.a. (p.162). Folio. [i (title)], 30, [iv (publisher's catalogue of WSB's works], 9pp.

Softcover/Paperback. Zustand: Like New. Nieuwstaat. Ongelezen. Paperback. Met notenbalken. Duits, Engels.

Folio. Sepia cloth-backed original publisher's printed wrappers. 1f. (recto title, verso blank), 1f. (libretto), 197, [i] (blank) pp. Text in German and English. With Novello, Ewer & Co. handstamp to foot of upper wrapper. Wrappers worn and soiled; small edges chips and tears with minor loss; cloth frayed at head and tail. Slightly worn; corners creased; occasional foxing, a bit heavier to several leaves. First Edition. Lithographic printing of an unidentified copyist manuscript. Rare. Williamson E.8, p. 220. No copies located on Worldcat. JISC (3 copies in the U.K. only. First performed at the Leeds Festival on 8 September 1858. "In March 1858, [Sterndale Bennett] was invited to conduct the first Leeds Festival, to be held in September 1858 to commemorate the opening of the new Town Hall. Having accepted the invitation, he was commissioned . by the Festival Committee to compose something for the occasion. . The May-Queen is an attempt to write a work in the tradition of the English pastoral and has many points of musical style in common with Handel's work [Acis and Galatea], for example the extensive use of compound and triple rhythms, accompagnato recitative, simple illustrative instrumental effects, and comic elements. It was an important influence on the secular cantatas and operettas of Arthur Sullivan and his contemporaries." Rosemary Williamson: William Sterndale Bennett: A Descriptive Thematic Catalogue, pp. 211-212. Friend of both Mendelssohn and Schumann, Sterndale Bennett is considered the most distinguished English composer of the Romantic school.…