william sharp ed (15 Ergebnisse)

Zustand: Good. No Edition Stated. 311 pages. No dust jacket. Green cloth with gilt decoration and lettering. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.

Zustand: Good. No Edition Remarks. 335 pages. No dust jacket. Blue cloth. Rough cut pages with some pages uncut throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

Zustand: Good. No edition remarks. 335 pages. No dust jacket. Pictorial cloth covered boards. Rough cut edges to textblock with gilt top edge. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have moderate shelf wear with some rubbing, fraying and corner bumping. Some moderate marking and tanning, particularly to spine. Gilt lettering to spine is dulled but remains brighter on front.

Hardcover. Zustand: Good. Undated but c.1890s. A volume in the Canterbury Poets series. 316pp plus advertisements. Pre-Victorian and Victorian verse selected by Scottish author Elizabeth Sharp, wife of an author better known as Fiona MacLeod. Poems by William Sharp included. Some tanning but no inscriptions. Back free endpaper is torn but a nice copy.

Hardcover. Zustand: Good. No Jacket. CIRCA 1899. SPINE LEANING, SHELF WEAR ON BOARDS, CLOTH WEAR AT EXTREMITIES, WEAR TO TOP GILT, FOXING ON EPS, NAME TOP OF FFEP, FOXING ON SIDES, OTHERWISE VG. 500 GRAMS.

Zustand: Very Good. 1st Edition Thus. Green cloth binding with decorative gilt spine. Foxing to page edges and endpapers. Good solid binding. Very clean text throughout. An attractive Victorian pocket edition. Overall condition is Very Good. Size: 4.25 x 5.5 inches (10.5 x 14 cm). Hardback. Printed pages: lxxix, 307.

Hardcover. Zustand: Very Good. No Jacket. 1st Thus. Camelot classic edition. Very good book in blue cloth boards with title on paper label on spine that has 25% loss. dedication to pre-title page but very clean internally with semi-trimmed pages. A most attractive copy.

Hardcover. Zustand: Good. Hardback; blue cloth with gold gilt decoration and lettering; cover worn and a bit tatty; fep removed; slight cracking to hinge; solid working copy; a few pencil notes; 344pp; plus 8pp; reg - some gilt worn off; ; 16mo 6" - 7" tall.

Gr.-8°, Hardcover. 970, 644 S. Zwei Bände. Ehemaliges Bibliotheksexemplar mit Stempeln und Rückensignaturen. Einbände mit leichten Lagerspuren, Papier etwas nachgedunkelt, Seiten fest und textsauber. Dem Alter entsprechend sehr guter Zustand. SB123.6, mbx Sprache: Englisch Gewicht in Gramm: 2700.

Zustand: Good. First Edition. G : in good condition without dust jacket. Cover rubbed. Slight foxing. 250mm x 170mm (10" x 7"). viii, 860pp + plates. 12 b/w plates. Heavy book extra shipping needed for overseas. Brown hardback half-leather cover.

Hardcover. Zustand: Mäßig. kA (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: en - Einband: Hardcover - Gewicht: 250 - Illust.: kA - Zustand: Mäßig - gebräunt, fleckig, zwei Seiten ein wenig eingerissen.

Hard Cover. Zustand: Good. No Jacket. Walter Scott,1888. Third edition, Enlarged, this copy contains an 'errata-preface' after the table of contents. Scarce. Hard Cover. No dust jacket. Cover has mild shelfwear, faded spine with darkened title plate, frayed spine ends and corners. Front hinge is cracked, back hinge is partially cracked. Bookplate on front endpaper. Writing on front flyleaf. Light foxing on endpapers and flyleaves. Pages are clean and unmarked, slightly toned. Translations from Horace with notes by Sir Stephen E. De Vere, Bart. Good reading copy.

Zustand: Very Good +. London: William Heinemann, 1921. Reprint, Volume V of the Uniform Edition of Sharp's Selected Writings. Octavo. 484pp. Green cloth stamped in gilt; top edge gilt. No dust jacket. Light edgewear and minor bumping to bottom corners. Binding sound and pages unmarked; a Very Good or better copy. Includes "Madge O' the Pool: A Thames Etching" and "The Birth, Death and Resurrection of a Tear" among many other poems and "prose imaginings.".

Cloth. Zustand: Very Good. Not Stated (illustrator). First edition. A very scarce first edition thus of Thomas Sharpe's privately printed study of Coventry, updated and revised by schoolmaster William George Fretton. William George Fretton's very scarce printing of Thomas Sharp's largely unpublished documents regarding the history and antiquities of Coventry. Fretton explains that 'about twelve copies were printed for private distributions among the author's friends.Fretton includes notes made by Sharp in the margins of his own copy, and adds a memoir of the author, and corrections, to this volume. The work discusses churches, schools and other buildings in the county, including the Grey Friar's Monastery and St. John's Hospital.Illustrated with a frontispiece and five plates of architectural plans of Coventry buildings, each protected by the original tissue guard. Collated, complete.Rebound by the Law Society, with their stamps to the title page and front free endpaper, and head of contents page.With the armorial bookplate of Leonard L. Harding to the front pastedown. Rebound in full cloth, with endpapers renewed. A touch of shelf wear to back strip head, otherwise externally fine. Armorial bookplate to front pastedown, library stamp to front free endpaper. Internally, firmly bound. Perforated and ink library stamps to title page, and head of contents page. Ink annotations to text for first 15 pages of the work. Pages otherwise clean and bright. Very Good. book.

First edition. 8vo. 190x125mm. pp. xx, 419 [1bl]. Original blue cloth with an illustration in gilt by Phoebe Traquair on the upper cover (her monogram is at the bottom right corner of the cover). Spine lettered and illustrated in gilt. The frontispiece was also designed by Traquair. Some fading to spine and bumping and wear to head and foot of spine and rubbing to corners. Endpapers chipped at the front inner gutter but otherwise a very nice copy of an important collection of women's writing by Elizabeth Sharp. She makes clear in the preface that this anthology has been a labour of love but there is no doubting her intention to address the fact that "our women-poets had never been collectively represented with anything like adequate justice". This was Sharp's first book: she went on to publish numerous anthologies and historical works and was a leading figure in the Celtic revival. Phoebe Traquair (1852-1936) was one of the leading figures in the Arts and Crafts Movement producing large scale works such as her celebrated church murals in Edinburgh together with (in the Arts and Crafts spirit) more minor key ventures such as embroidery and, as here, book illustration. Greatly influenced by Ruskin and pre-Raphaelites her work has a gorgeous economy and sinuousness much in evidence on the cover of Sharp's anthology.