William roberts screenwriter (8 Ergebnisse)

Vintage studio still photograph from the 1971 film. Charles Bronson, Toshiro Mifune, and Alain Delon star in this European made Western about the unlikely partnership between an outlaw and a samurai. When a train carrying a Japanese ambassador is ambushed, Mifune and Bronson are charged with retrieving the stolen loot: a ceremonial katana intended for President Ulysses S. Grant. Set in the western US, shot on location in Spain. 8 x 10 inches. Near Fine.…

Final Draft script for Season 2 Episode 7 of the 1991-1993 television series. Originally aired December 1, 1992 on NBC. With production documents laid into the front of the script. Director Radny Zisk's copy, with a label adhered to the title page reading "DIRECTOR," with his manuscript ink annotations throughout and post-it notes adhered to several pages, recto and verso, with manuscript ink annotations on the post-it notes. Series following a district attorney and a detective who have very different opinions on the rights of the accused. In this episode, the DA believes the real suspect of a murder case is the brother of a man they have in custody who refuses to tell the truth. Green titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 455208, dated September 25, 1992, with credits for screenwriter Barry Pullman. Title page present, dated September 25, 1992, noted as FINAL DRAFT, with credits for screenwriter Barry Pullman. 62 leaves, with last page of text numbered 51. Xerographic duplication, rectos only, with pink, yellow, and green revision pages throughout, dated variously between 9/28/92 and 10/6/92. Pages Fine, wrapper Fine, bound with two gold brads.…

Final Draft script for Season 2 Episode 4 of the 1991-1993 television series. Originally aired October 27, 1992 on NBC. With production documents laid in. Script with manuscript ink annotations throughout. Script belonging to Set Decorator Joe Kroesser, with a label adhered to the front wrapper with his name, and his manuscript ink annotations throughout. Series following a district attorney and a detective who have very different opinions on the rights of the accused. In this episode, a man is arrested under suspicion of being a serial killer but the evidence might be inadmissible in court. Blue titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 455204, dated August 11, 1992, with credits for screenwriter Barry Pullman. Title page present, dated August 11, 1992, noted as FINAL DRAFT, with credits for screenwriter Barry Pullman, with annotations in manuscript ink. 62 leaves, with last page of text numbered 53. Xerographic duplication, rectos only, with pink, yellow, and green revision pages throughout, dated variously between 8/12/92 and 8/13/92. Pages Fine, wrapper Near Fine, bound with two gold brads.…

First Draft script for Season 1 Episode 12 of the 1991-1993 television series, originally aired December 20, 1991 on NBC. With manuscript ink annotations throughout. Series following a district attorney and a detective who have very different opinions on the rights of the accused. In this episode, detectives suspect a professor killed a student who wrote unfavorably about him in the college paper. White titled self wrappers, noted as FIRST DRAFT on the front wrapper, production No. 447212, dated November 13, 1991, with credits for screenwriter Steven Phillip Smith. Title page present, dated November 13, 1991, noted as FIRST DRAFT, with credits for screenwriter Steven Phillip Smith. 70 leaves, with last page of text numbered 58. Xerographic duplication, rectos only, with 5 pages of notes written manuscript ink bound into the back of the script. Pages Fine, wrapper Fine, bound with two gold brads. …

Revised Draft script for the 1968 film. Based on the book of the same name by Robert H. Adleman and Col. George Walton. Based on the 1966 book by Robert H. Adleman and Col. George Walton, in turn based on the true story of a specially trained unit of misfit American and Canadian soldiers given the seemingly impossible task to capture Mt. La Difensa, and prove their merit. Set in America, England, and Italy, shot on location in Utah and Italy. Yellow titled wrappers. Title page present, dated 1/13/67, noted as Final Revised, with credits for William Roberts. 131 leaves, with last page of text numbered 129. Mechanical duplication. Pages Fine, wrapper Near Fine bound internally with three gold brads. Rubber stamped on the title page #79.…

Vintage borderless double weight photograph of actor William Holden and camera operator Albert Myers from the set of the 1968 film. Photograph belonging to camera operator Myers. British born Albert Myers, usually credited as Al Myers, was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978, and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" (1946), "Carmen Jones" (1954), "The Man with the Golden Arm" (1955), and "The Defiant Ones" (1958). Based on the true story of a specially trained unit of misfit American and Canadian soldiers. When the mission for which they were trained for is canceled, the team is given the seemingly impossible task to capture Mt. La Difensa, and prove their merit. Set in America, England, and Italy, shot on location in Utah and Italy. 10 x 8 inches. Light edgewear and a small faint crease to the left, else Near Fine.…

Draft script for the 1981 film. Copy belonging to uncredited producer Kelvyn H. Cullimore, with his name and address in manuscript pencil on the title page, and his ownership stamp to the title page and first page of text. In 1944, a young divorcée and single mother enjoys an affair with a sailor on leave. Based on the 1979 novel by Sara Clark and William D. Wittliff. The directorial debut of Jack Fisk, the husband of actress Sissy Spacek. Shot on location in Lockhart, Maxwell, Seguin, and Corpus Christi, Texas. White untitled front wrapper, blue rear wrapper. Title page present, with credit for screenwriter William D. Wittliff. 133 leaves, with last page of text numbered 130. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good, bound internally with three silver brads.…

Four vintage photographs from the 1933 film, one double weight and sepia, one double weight and black-and-white, and two single-weight and sepia. Based on William Faulkner's 1931 literary potboiler "Sanctuary," about a wealthy southern belle who goes to trial for murdering the violent bootlegger who abducted her and forced her into prostitution. Every bit as controversial as the source material, the film's depiction of sexual violence was graphic and shocking even among films of the era, and, along with the same year's equally sensational "Baby Face," was directly responsible for the stricter enforcement of the Production Code in 1934, bringing the pre-Code era to a close. George Raft, then under contract to Paramount, was assigned the role of the bootlegger, but found the part repulsive and went to battle with the studio in a suit that nearly cost him his career. Unavailable for decades outside of 16mm bootlegs, the film was restored by the Museum of Modern Art in 2011 and screened at the TCM Classic Film Festival, but still awaits a commercial release. Photographs between 9.75 x 7.5 and 8 x 10 inches. Very Good plus overall. Grant US.…