william pye (28 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.27.

Paperback. Zustand: Very Good. Frequency Engineering in Mobile Radio Bands This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Fine. 28 pages, illustrated with b+w plates. Unused, a new copy.

Paperback. Zustand: Fine. 28 pages, illustrated with b+w plates. Unused, a new copy.

Paperback. Zustand: Very Good-. Covers clean, spine sunned; No ownership mark, internally clean, colour photographs and B+W illustrations; Binding tight. ; 23 x 21.5 x 0.3 cm; 36 pages.

Paperback. Zustand: Good+. Stiff card wrappers clean, bit sunned; Binding tight; Pages bright and clean, illustrated with colour, no ownership markings or annotations.; Unpaginated pages.

Paperback. Zustand: Very Good. . 1993 booklet, bright clean copy, no markings, Professional booksellers since 1981.

Paperback. Zustand: Good+. Stiff card wrappers clean, age toned; Binding tight; Pages bright and clean, illustrated with colour, no ownership markings or annotations. ; 12 pages.

Paperback. Zustand: Good+. Folded card exhibition pamphlet for William Pye's 1966 exhibition at Redfern Gallery, the card is creased and age-toned; No ownership mark, internally clean, a short biography and a list of exhibited works. ; 26 x 21 x 0.2 cm; 2 pages.

Paperback. Zustand: Very Good-. Folded card catalogue, faintly age toned, card stiff; inside is a list of exhibited works, the catalogue unfolds to show three large, full-page B+W photographs. ; 20 x 25 x 0.3 cm; 3 pages.

paperback, square 4to, 64pp, illustrated, clean and tight, no inscriptions, Very Good condition.

Hardcover. Zustand: Very Good. Limited Edition. Hardcover, 44 pages. Limited edition, #48 of 250. Binding is square and tight, and the crimson cloth cover is richly colored, with no fading. Gold emblem on front and gold lettering on spine are clear and shiny. Pages are crisp and bright. Illustrated with black and white portraits of Mr. Fields, poem manuscripts, and other literary documents. A biography of publisher and poet, James T. Fields.

SOFTCOVER. Zustand: FINE. 1st Edition. 4to in stiff glossy card covers 28pp on thick art paper, b/w photos etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. 8vo, 21.5cm, 44p., number 128 of a limited edition of 250 numbered copies, frontis portrait, 7 plates, appendix, red gilt decorated cloth, fine (bks). ~ A tribute to American writer and publisher, James Thomas Fields (1817 1881). Includes his poem "Boating, Massachusetts Bay" published for the first time in a book.

Card Covers. Zustand: Very Good. First Edition. 32 pages, 14 colour illustrations, biography. Chinese/English text. Catalogue of the exhibition held in Hong Kong, April to June 1987. Some wear to covers, contents fine. [800/721] Size: 230mm. x 215mm. Book.

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnMany people are intrigued by the fact that Mary and Joseph had at least six children other than Jesus. Where are their descendants now? This story imagines Jesus s life with His family, as told by one brother and one sister.

No Binding. Zustand: Very Good. Engraved By Pye (illustrator). A splendid original engraved portrait of an eminent person. Professionally mounted and ready to frame. Unusual, attractive and decorative.

SOFTCOVER. Zustand: As New. 1st Edition. Square 4to in colour printed stiff glossy card covers, unpaginated, approx. 28pp on glossy art paper, colour plates, etc. Dual text in English and Mandarin. PLUS Price list loosely inserted . [CONDITION: An extremely well preserved AS NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Ausstellungskatalog Redferm Gallery, London 1969. 8°. 10 Bl. OBr. Verz. 29 Arbeiten, 15 abgeb.

Softcover. Zustand: Very Good. Partially sunned and edge-worn original wrapper covers - internally bright and complete - private collector's bookplate otherwise no markings.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st printing (2010). 288pp. VG/VG copy, corners gently bumped, ink gift inscription on title page; dust jacket has chip to head of spine, now preserved in archival jacket protector. Exhibition private view invitation laid in.

Paperback. Zustand: Fine. First Edition. Wraps. 4to. pp 28; 39; 45. Original publisher's metallic wraps, lettered silver. Copiously illustrated in colour throughout. Signed by William Pye on the front panel of the slip-case and no. 42 of 100. Published between 1999 and 2005. Fine in fine printed slip-case. Signedes.

Hardcover. Octavo, iii-xv, 414 followed by plates, [22]. Good; bound in contemporary leather with dark red spine label and gilt titling, some slight wear and discoloration to covers; front hinge compromised but binding else tight; text block slightly age toned; plates present, including folding plates, but some torn or otherwise compromised; MF consignment. 1359329. Special Collections.

Hardcover. Mixed Editions. Octavos, iii-xix, 435 with plates, [6] (Vol. 1); iii-xvi, 424 with plates, [12] (Vol. 2); iii-xvi, 418 with plates, 18 (Vol. 3) iii-xv, 414, followed by plates, [22] (Vol. 4); v-xv, 405, followed by plates, [23], xv (Vol. 5). Good- to Good; bound in contemporary leather with varied spine labels, some with gilt titling, surface scratches and wear to most covers, torn away area to lower spine edge of Vol. 5 and potential bite damage to back cover upper edge of Vol. 1; bindings tight; age toning to text blocks; plates present, including folding plates, in all volumes but some torn or compromised; first page of text of Vol. 5 has lower edge torn away impacting text; MF consignment. Shelved 1100. 1359295. Special Collections.

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers' 'best spokesman', hoping 'to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation'. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's 'Liber Studiorum' followed in 1870. His notebooks are in British Library. 1p, 4to, on the recto of the first leaf a bifolium, with the address, with fragment of a red wax seal, on the reverse of the second: 'William Carpenter Esqr / No 10 Nottingham Place / New Road'. In good condition, lightly aged and worn, folded five time. Signed 'John Pye'. He confirms that he is offering him his vote 'at the forthcoming election for Sec[re]t[ar]y of the Artists' Annuity Fund'. The 'good feeling' he has always entertained towards Carpenter, whom he now informs him is withdrawing from the contest, 'would have led me to do this earlier had I not given a promise in favor of Mr. Wood before I heard of your being a Candidate': 'By this change of circumstances your position as a Candidate becomes very much strengthened: for, I esteem the friends of Mr. Wood in this affair as being your friends'. He concludes: 'If I can say or do anything for you at the meeting for election or support of your hitherto more active friends, command me'. See image.

Print. Zustand: Very good condition. First edition. The view of Sydney from Mathew Flinders' "A Voyage to Terra Australis". The panorama of Sydney Harbor is the backdrop for an intimate scene of an aboriginal man and woman sitting around a fire next to xanthorrea and banksia. Published London Feb. 12, 1814, black & white copper engraved print, image size 23 x 16 cm on paper 31 x 23 cm, excellent condition. Flinders was the first to circumnavigate Australia and he is credited as giving Australia its name. His narrative has become scarce and the prints are rarely seen separately. From "A Voyage to Terra Australis; Undertaken for the Purpose of Completing the Discovery of That Vast Country, and Prosecuted in the Years 1801, 1802, and 1803, in His Majesty's Ship the Investigator". Trove 7746475; Ferguson 57; Findley ill. p.30; Flower p.75; Taylor p.226-231, ill. p. 230; Wantrup 138-144.

First edition. View on the South Australian coast from Matthew Flinders' "A Voyage to Terra Australis". Flinders was the first to circumnavigate Australia and he is credited as giving Australia its name. His narrative has become scarce and the prints are rarely seen separately. The foreground shows an aboriginal hut next to a gum tree (which looks suspiciously lush for a gum) with the hills rolling out to the South Australian coast at Port Lincoln in the background. Copper engraved print, image size 23 x 16 cm on paper 29.2 x 22.5 cm, excellent condition.