pye william (28 Ergebnisse)

Paperback. Zustand: Very Good-. Covers clean, spine sunned; No ownership mark, internally clean, colour photographs and B+W illustrations; Binding tight. ; 23 x 21.5 x 0.3 cm; 36 pages.

Card Covers. Zustand: Very Good. First Edition. 32 pages, 14 colour illustrations, biography. Chinese/English text. Catalogue of the exhibition held in Hong Kong, April to June 1987. Some wear to covers, contents fine. [800/721] Size: 230mm. x 215mm.

paperback. Zustand: Very Good. **PAPERBACK**.

Paperback. Zustand: Good+. Stiff card wrappers clean, age toned; Binding tight; Pages bright and clean, illustrated with colour, no ownership markings or annotations. ; 12 pages.

Paperback. Zustand: Good+. Folded card exhibition pamphlet for William Pye's 1966 exhibition at Redfern Gallery, the card is creased and age-toned; No ownership mark, internally clean, a short biography and a list of exhibited works. ; 26 x 21 x 0.2 cm; 2 pages.

Paperback. Zustand: Very Good-. Folded card catalogue, faintly age toned, card stiff; inside is a list of exhibited works, the catalogue unfolds to show three large, full-page B+W photographs. ; 20 x 25 x 0.3 cm; 3 pages.

Paperback. Zustand: Very Good. . 1993 booklet, bright clean copy, no markings, Professional booksellers since 1981.

paperback, square 4to, 64pp, illustrated, clean and tight, no inscriptions, Very Good condition.

SOFTCOVER. Zustand: FINE. 1st Edition. 4to in stiff glossy card covers 28pp on thick art paper, b/w photos etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Zustand: Very Good. Limited Edition. Hardcover, 44 pages. Limited edition, #48 of 250. Binding is square and tight, and the crimson cloth cover is richly colored, with no fading. Gold emblem on front and gold lettering on spine are clear and shiny. Pages are crisp and bright. Illustrated with black and white portraits of Mr. Fields, poem manuscripts, and other literary documents. A biography of publisher and poet, James T. Fields.

Hardcover. 8vo, 21.5cm, 44p., number 128 of a limited edition of 250 numbered copies, frontis portrait, 7 plates, appendix, red gilt decorated cloth, fine (bks). ~ A tribute to American writer and publisher, James Thomas Fields (1817 1881). Includes his poem "Boating, Massachusetts Bay" published for the first time in a book.

No Binding. Zustand: Very Good. Engraved By Pye (illustrator). A splendid original engraved portrait of an eminent person. Professionally mounted and ready to frame. Unusual, attractive and decorative.

SOFTCOVER. Zustand: As New. 1st Edition. Square 4to in colour printed stiff glossy card covers, unpaginated, approx. 28pp on glossy art paper, colour plates, etc. Dual text in English and Mandarin. PLUS Price list loosely inserted . [CONDITION: An extremely well preserved AS NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Ausstellungskatalog Redferm Gallery, London 1969. 8°. 10 Bl. OBr. Verz. 29 Arbeiten, 15 abgeb.

Softcover. Zustand: Very Good. Partially sunned and edge-worn original wrapper covers - internally bright and complete - private collector's bookplate otherwise no markings.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st printing (2010). 288pp. VG/VG copy, corners gently bumped, ink gift inscription on title page; dust jacket has chip to head of spine, now preserved in archival jacket protector. Exhibition private view invitation laid in.

Exhibition catalogue. First edition Pangolin & Osborne Samuel 2010. 64 pages, illustrated in colour. Card covers, spine uncreased. Near fine. With price-list loosely inserted. Ask to see our other William Pye titles. From the library of artist Bryan Kneale.

Exhibition catalogue. First edition Privately Published by the Artist 2005. Unpaginated 44 pages, stapled, illustrated in colour. Card covers with some edge-wear. Very good indeed. Ask to see our other William Pye titles. From the library of artist Bryan Kneale.

First edition Brown & Brown 2017. 104 pages. Illustrated in colour. Pictorial boards. Near fine with very light scoring to covers. Near fine. Ask to see our other William Pye titles. From the library of artist Bryan Kneale.

Paperback. Zustand: Fine. First Edition. Wraps. 4to. pp 28; 39; 45. Original publisher's metallic wraps, lettered silver. Copiously illustrated in colour throughout. Signed by William Pye on the front panel of the slip-case and no. 42 of 100. Published between 1999 and 2005. Fine in fine printed slip-case. Signedes.

Hardcover. Octavo, iii-xv, 414 followed by plates, [22]. Good; bound in contemporary leather with dark red spine label and gilt titling, some slight wear and discoloration to covers; front hinge compromised but binding else tight; text block slightly age toned; plates present, including folding plates, but some torn or otherwise compromised; MF consignment. 1359329. Special Collections.

Hardcover. Mixed Editions. Octavos, iii-xix, 435 with plates, [6] (Vol. 1); iii-xvi, 424 with plates, [12] (Vol. 2); iii-xvi, 418 with plates, 18 (Vol. 3) iii-xv, 414, followed by plates, [22] (Vol. 4); v-xv, 405, followed by plates, [23], xv (Vol. 5). Good- to Good; bound in contemporary leather with varied spine labels, some with gilt titling, surface scratches and wear to most covers, torn away area to lower spine edge of Vol. 5 and potential bite damage to back cover upper edge of Vol. 1; bindings tight; age toning to text blocks; plates present, including folding plates, in all volumes but some torn or compromised; first page of text of Vol. 5 has lower edge torn away impacting text; MF consignment. Shelved 1100. 1359295. Special Collections.

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers' 'best spokesman', hoping 'to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation'. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's 'Liber Studiorum' followed in 1870. His notebooks are in British Library. 1p, 4to, on the recto of the first leaf a bifolium, with the address, with fragment of a red wax seal, on the reverse of the second: 'William Carpenter Esqr / No 10 Nottingham Place / New Road'. In good condition, lightly aged and worn, folded five time. Signed 'John Pye'. He confirms that he is offering him his vote 'at the forthcoming election for Sec[re]t[ar]y of the Artists' Annuity Fund'. The 'good feeling' he has always entertained towards Carpenter, whom he now informs him is withdrawing from the contest, 'would have led me to do this earlier had I not given a promise in favor of Mr. Wood before I heard of your being a Candidate': 'By this change of circumstances your position as a Candidate becomes very much strengthened: for, I esteem the friends of Mr. Wood in this affair as being your friends'. He concludes: 'If I can say or do anything for you at the meeting for election or support of your hitherto more active friends, command me'. See image.

First edition Brown & Brown 2010. This copy signed by the artist and dedicated to Bryan Kneale. 288 pages. Illustrated mainly in colour, and black and white. Cloth. Very good indeed in dustjacket with closed tear to rear tail fold. Ask to see our other William Pye titles. From the library of artist Bryan Kneale.

Print. Zustand: Very good condition. First edition. The view of Sydney from Mathew Flinders' "A Voyage to Terra Australis". The panorama of Sydney Harbor is the backdrop for an intimate scene of an aboriginal man and woman sitting around a fire next to xanthorrea and banksia. Published London Feb. 12, 1814, black & white copper engraved print, image size 23 x 16 cm on paper 31 x 23 cm, excellent condition. Flinders was the first to circumnavigate Australia and he is credited as giving Australia its name. His narrative has become scarce and the prints are rarely seen separately. From "A Voyage to Terra Australis; Undertaken for the Purpose of Completing the Discovery of That Vast Country, and Prosecuted in the Years 1801, 1802, and 1803, in His Majesty's Ship the Investigator". Trove 7746475; Ferguson 57; Findley ill. p.30; Flower p.75; Taylor p.226-231, ill. p. 230; Wantrup 138-144.

First edition. View on the South Australian coast from Matthew Flinders' "A Voyage to Terra Australis". Flinders was the first to circumnavigate Australia and he is credited as giving Australia its name. His narrative has become scarce and the prints are rarely seen separately. The foreground shows an aboriginal hut next to a gum tree (which looks suspiciously lush for a gum) with the hills rolling out to the South Australian coast at Port Lincoln in the background. Copper engraved print, image size 23 x 16 cm on paper 29.2 x 22.5 cm, excellent condition.