William l clements (33 Ergebnisse)
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Verlag: Univ. of Michigan, Ann Arbor, 1923
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THE AMERICAN HISTORIAN'S RAW MATERIALS: An Address by J. Franklin Jameson, LL.D., Litt.D. / With the Presentation and Other Exercises at the Dedication of the William L. Clements Library of Americana June 15, 1923.
Jameson, J. Franklin; Clements, William L.; Gore, Victor M.; Winship, George Parker; et al.
Verlag: Ann Arbor, MI: University of Michigan, 1923., 1923
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Zustand: Very good. - Octavo, cloth-backed boards with a printed label on the spine. [v], [2] leaves & 63 pages. Illustrated with 2 black-and-white plates, including a frontispiece. There is a chip & crease to the bottom edge of page 63. Near fine. First edition.The card of William L. Clements is laid in.
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Ann Arbor, 1934, William L. Clements Library, 1934
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Zustand: Very good. light shelf wear.
Verlag: Ann Arbor, 1934, William L. Clements Library, 1934
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Zustand: Very good. light shelf wear.
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Sprache: Englisch
Verlag: University of Michigan, 1963
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paperback. Zustand: Very Good. Ann Arbor; 1963. Gray paper covers with stapled binding; mild wear; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 19 pages.
Verlag: William L. Clements Library, Boston, 1946
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Softcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket As Issued. Ann Arbor: William L. Clements Library, 1946. 8vo. 40pp. Softcover, very good plus condition (covers lightly soiled). Bulletin No. XLVI of the Library. The Rarities cataloged were loaned to the Library by Everett D. Graff.; 8vo 8" - 9" tall; 40… pages.
Verlag: William L. Clements Library, 1946
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paperback. Zustand: Very Good. Book has shelf wear. Foxing has occurred.
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Octavo,68 pp.,paperback. Supplement No. 2 (10 loose pages) is available free with Supplement No. 1.
Weitere BilderSprache: Englisch
Verlag: University of Michigan, 1995
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No Binding. Zustand: Near Fine. Near fine condition. Complete Clements Library Map Portfolio: Europe and the Americas, 1486-1606. All facsimile map plates present, clean, and well preserved, with strong impressions and fresh color. Original portfolio wrapper intact, showing only light handling wear and minor edge toning consiste…nt with careful storage. Accompanying descriptive text leaves all present and clean, with no tears, markings, or losses. All maps disbound. Issued by the William L. Clements Library as a scholarly teaching and reference portfolio, this set reproduces landmark early maps documenting Europe's expanding geographic understanding of the Americas, including facsimiles after Ptolemy (1486), Bernardus Sylvanus (1511), Waldseemüller (1513), and Jodocus Hondius (1606). Offered here complete and intact, rather than separated for framing, with all explanatory text leaves included. A scarce and desirable institutional publication, appealing to collectors of early cartography, map history, and Clements Library material.
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Historic Examples of American Printing and Typography: a guide to an exhibition in the William L. Clements Library at the University of Michigan
The William L. Clements Library at the University of Michigan
Verlag: Ann Arbor: The William L. Clements Library at the University of Michigan
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First Edition. Good copy in original stiff card wrappers with some wear and tear as with age. Remain preserved overall; bright and clean. Physical description; unnumbered pages. Notes; No clear date given. Subjects; American Printing. Typography. Exhibition guides. The William L. Clements Library at the University of Michigan. H…istory of printing. 3 Kg.
Verlag: The University
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Zustand: Good. Good condition. No Dust Jacket (Libraries, University of Michigan, History) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. xxv, [15], 862, [8] pages. Illustrations. Maps. Notes. Index. Fred Anderson (born 1949) is an American historian of early North American history. Anderson received his B.A. from Colorado State University in 1971 and his Ph.D. from Harvard in 1981. He has taug…ht at Harvard and at the University of Colorado, Boulder, where he became Professor Emeritus of History. He has held fellowships from the National Endowment for the Humanities, the Charles Warren Center of Harvard University, the Guggenheim Foundation and the Rockefeller Foundation. He is the author or editor of five books including Crucible of War: The Seven Years' War and the Fate of Empire in British North America, 1754-1766, which won the Mark Lynton History Prize and the 2001 Francis Parkman Prize as best book in American history. Together with Andrew Cayton, he has recently published The Dominion of War: Empire and Liberty in North America, 1500-2000. His newest book, The War That Made America: A Short History of the French and Indian War is a companion to the four-hour PBS series "The War that Made America," which was broadcast January 18 and 25, 2006. The series and book were released to coincide with the 250th anniversary of the French and Indian War, organized by French and Indian War 250 Inc., as part of a collaborative effort with a variety of museums, historic sites and educational workshops spanning several states. In this engrossing narrative of the great military conflagration of the mid-eighteenth century, Fred Anderson transports us into the maelstrom of international rivalries. With the Seven Years' War, Great Britain decisively eliminated French power north of the Caribbean and in the process destroyed an American diplomatic system in which Native Americans had long played a central, balancing role permanently changing the political and cultural landscape of North America. Anderson skillfully reveals the clash of inherited perceptions the war created when it gave thousands of American colonists their first experience of real Englishmen and introduced them to the British cultural and class system. We see colonists who assumed that they were partners in the empire encountering British officers who regarded them as subordinates and who treated them accordingly. This laid the groundwork in shared experience for a common view of the world, of the empire, and of the men who had once been their masters. Thus, Anderson shows, the war taught George Washington and other provincials profound emotional lessons, as well as giving them practical instruction in how to be soldiers. Depicting the subsequent British efforts to reform the empire and American resistance the riots of the Stamp Act crisis and the nearly simultaneous pan-Indian insurrection called Pontiac's Rebellion as postwar developments rather than as an anticipation of the national independence that no one knew lay ahead (or even desired), Anderson re-creates the perspectives through which contemporaries saw events unfold while they tried to preserve imperial relationships. Interweaving stories of kings and imperial officers with those of Indians, traders, and the diverse colonial peoples, Anderson brings alive a chapter of our history that was shaped as much by individual choices and actions as by social, economic, and political forces. Despite stated First Edition this is probably Book Club edition as no price on dust jacket. Illustrations from the William L. Clements Library (illustrator).
Verlag: The University of Michigan
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Zustand: Good. Good condition. (history, american history, US history) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Maurice Prendergast [ La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works]
Mathews, Nancy Mowll. ; Williams College.; Museum of Art. [Prendergast, Maurice Brazil, 1858-1924. ] ; photos, Geoffrey Clements, Sheldon C Collins, Joseph Szaszfai, Lee Stalsworth, E. Irving Blomstrann; art, Pierre Bonnard Mary Cassatt Arthur Bowen Davies William Glackens Wassily Kandinsky Henri Matisse Elmer MacRae Alfred Maurer Brenda Kuhn Paul Cezanne August Renoir Morton L Schamberg George Seurat F. Hopkinson Smith James McNeill Whistler
Sprache: Englisch
Verlag: Munich : Prestel ; Williamstown, Mass. : Williams College Museum of Art ; New York, NY, USA : Distributed in the USA and Canada by teNeues Pub. Co., 1990, 1990
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Hardcover. Zustand: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whi…tney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.
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Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.
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Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.
Verlag: The Regents of the University of Michigan, 2017
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Hardcover. Zustand: Like New. Like New. Ann Arbor, 2017; signed and inscribed by all 4 co-authors; black cloth covered boards; minimal shelf wear; glossy illustrated jacket with mild wear; Folio, 12" to 15" tall; Interior is clean and unmarked; 230 pages. Additional shipping charges may need to be requested due to size or weight… of book. Signed by Author.
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Gebunden. Zustand: New.
Verlag: Ann Arbor: The Clements Library Associates - 1949., 1939
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Zustand: Good. 8vo. [8] - 32 pp. Soft stapled color printed wraps. Very good. Deckled covers and laid paper. Includes some black and white plates. Limited editions.
Verlag: The University Ann Arbor, 1923
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First Edition, orig. cloth-backed boards, uncut.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references…, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
